UVI Falcon 2 Explained^®

Chapter 1 : Falcon 2 Basics

• 6:55

  Falcon Overview

  Learn about all the different elements and components that make up programs, or instruments, within Falcon.

• 6:49

  Getting Around the Interface

  See what the Main, Mixer, and Performance Views are used for, and follow along as a simple multi is set up with a velocity layer and customized filter modulation.

• 6:08

  Working with the File Browser

  Explore the various ways of navigating, searching, and loading programs and multis.

• 4:00

  The Sidebar Browsers

  See how the sidebar browsers are used to drag and drop presets for the different components that comprise a program.

• 6:35

  Edit Tab: Program & Layer Parameters

  Explore the Edit Tab Program and Layer level parameter controls, along with ways of customizing what is viewed and what is hidden.

• 6:05

  Edit Tab: Keygroup Parameters

  Discover how effects and modulation are retriggered with each voice, and how some of the modulation trigger modes work.

• 5:08

  Edit Tab: Oscillator Parameters

  See how the oscillator parameters are used to set up round-robin style programming between multiple oscillators.

• 4:54

  Introduction to the Mapping Editor

  Learn how to map samples manually or automatically when creating a keygroup on import, adjust key & velocity ranges, and more.

• 5:26

  Working in the Mapping Editor

  Explore working with and editing multiple layers, keygroups, and oscillators.

• 7:49

  Modulation Editor Basics

  Learn how to work with modulation assignments and sources, and how to edit modulation generators.

• 5:03

  Working with Modulation

  See how to use the Modulation Quick View menu to create and edit modulators, how to drag and drop to multiple parameters, and more.

• 6:54

  The Effects Tab

  Discover how this view is used to manage all of the audio effects processing paths from the effects on the master output, all the way down to effects on the individual keygroups.

• 3:51

  The Info & Event Tabs

  Learn how to assign and map macros on the info tab, and how to manage Event and Script processors on the Event Tab.

• 4:43

  Parts, Tree, & List Views

  See how these views are used to access and manage various part, program, layer, keygroup, modulation, and effects based parameters.

Chapter 2 : Falcon 2 in Action

• 6:58

  Analog Oscillator & Modulation Mapper

  Explore the sonic characteristics of the classic virtual analog oscillator, and see how the modulation mapper is put to use remapping an LFO control signal.

• 4:46

  The Analog Stack Oscillator & Wave Shaper

  Get some ideas on how to use the analog stack oscillator along with the Waveshaper effect and some step pattern modulation to create a trance gate effect.

• 7:24

  The Additive Oscillator

  See how this is used to create harmonic or enharmonic tones by partial stretching, fractional order filtering, even/odd harmonic control, and continuous morphing between wave shapes.

• 7:39

  The Pluck Oscillator

  Discover how this synth oscillator blends a sampled impulse response with modeling to craft expressive and flexible plucked string sounds.

• 8:21

  Introduction to Script Processors

  See how various script processors, including the new Euclidian Tonal Script, are used to process incoming MIDI notes before they reach the sound generating oscillators.

• 6:10

  Exploring the Wavetable Oscillator

  Hear how this oscillator achieves unique sounds by using either a waveform or FM based sine wave modulator in conjunction with a wavetable containing multiple wave shapes.

• 5:01

  The FM Oscillator

  Explore the FM oscillator, and follow along as a simple bass patch is created.

• 3:47

  The Organ & Noise Oscillators

  Discover how these simple and intuitive oscillators, along with some simple effects processing, are quickly put to use in musical contexts.

• 6:33

  The Drum Oscillator

  Learn the basics of using the drum oscillator to create simple kick, snare, and hi hat sounds.

• 3:54

  Introduction to Euclidian Drum

  Learn the basics of programming beats using the pattern based row parameters in the Euclidian Drum Script Processor.

• 2:39

  Velocity Layers, Batch Processing, & Exclusive Groups

  Get a quick overview of how to set up velocity layers, batch process samples, and set up exclusive groups.

• 9:42

  The Slice Oscillator

  Explore how the slice parameters are used to slice up and play back rhythmic material.

• 5:00

  The Stretch Oscillator

  See how this is used to pitch shift samples while keeping the speed of the sample constant.

• 5:20

  The IRCAM Granular Oscillator

  Discover how samples are divided into grains, and then recombined to play back at different speeds, pitches, and directions, for interesting creative results.

• 5:45

  Other IRCAM Oscillators

  Learn how the IRCAM Multi Granular, Scrub, and Stretch oscillators each offer unique granular control over your sound.

• 4:00

  Key Switches & Layer Rules

  Watch two simple ways to set up and work with key switch instruments in Falcon 2.

• 6:15

  Working with the Arpeggiator

  Explore the creative potential of the powerful Arpeggiator Event Processor.

• 4:45

  Effects Rack, Macros, & Host Automation

  See how Effects Racks are created, how macros are assigned, and how to set up host automation to polish and finalize your sounds.

Chapter 3 : 2.1 Update

• 2:15

  Magnetic Bass Shaper

  Hear how this new bass-focused FX module adds the saturation characteristics from two different models of Fasel Red and Fasel Yellow inductors.

• 3:52

  Feedback Machine

  The Feedback Machine is a variant of the standard Effect Rack with a featured feedback loop, providing control over feedback amount, feedback injection delay, and overall mix amount. Explore it in action on an aggressive organ lead.

• 5:45

  Step Arp

  A beautifully designed hybrid step sequencer and arpeggiator, Step Arp gives unprecedented per step control over every aspect of pitch, time, and more.

• 4:05

  Gate Mod

  Learn about this probability based tool that allows us to add note skipping with optional beat protection, delay, and adaptive ratcheting.

• 4:15

  Gate Mod Poly

  See how this polyphonic version of the gate mod script is used to add probability based skipping, delays, and ratcheting on a per note basis, using a melodic sequence.

• 3:38

  Gate Mod Bernoulli

  Explore this 2 channel probability based note router on a simple melodic pattern.

• 1:36

  Chord Strum

  Watch how this new performance script is used to spread out the notes of a chord by pressing a trigger note outside the chord’s range.

• 3:16

  Arpeggiator Record

  Discover this fantastic new arpeggiator feature, which allows you to create patterns by step recording the notes presses on your keyboard instead of using the mouse.