Mark introduces you to the new features present in Kontakt 5.
New Filters Overview5:40
Learn about the types of new filters made available and how the different categories produce different results with recommendations where to use them.
State Variable Filters6:16
In this tutorial, we’ll cover SV Filters in so far as they are now regarded as the standard filter to use with Kontakt 5. Additionally, information about how filters work will be covered too.
SV Filters in Action5:23
Mark uses some SV filters here to illustrate how effective ‘Bandpass’ filters can be to cut and boost frequencies outside of the cut-off frequency.
More SV Filters8:20
To conclude our look at SV filters, see how effective an SV notch filter is on a Cello Ensemble patch. Resonance of the filter is looked at too.
Mark looks at how the new Ladder Filters, rather than the legacy ladder filters, are used to create a musically flattering mild harmonic distortion to the signal.
Adaptive Resonance Filters7:43
Mark explores another filter update that has found favor with K5 users because it allows the chosen resonance to be automatically adapted, up or down, so that no signal spikes occur to the sound. Here, we’ll look at the HP versions of AR filtering.
Other New Filters10:11
To conclude our look at the many different filters updated or introduced (37 in total), here we’ll look at and audition some of the filters not covered so far. This time, we add further parameter modifiers such as envelopes and an LFO.
Time Machine Pro6:18
The improved time stretching effect, Time Machine Pro, is introduced here as Mark looks at pitch shifting a beat while retaining the original length.
SP1200 & MPC60 Engines7:41
We take a look at the two new 1980’s sample based drum machine emulations here and assess the subtly different qualities they offer with the reduced bit depths and sample rates.
Here, we look and listen to the newly introduced analogue based 4 band parametric EQ as it alters the sound of a drum loop.
Solid Bus Comp7:24
To help tame loud parts of a drum loop, we look here at the analogue modeled Solid Bus Comp. In particular, we look at focusing attention on the ‘clap’ within the loop.
Mark now looks at how the Transient Master allows you to either highlight the initial spike of a snare, or suppress it. Mark also shows how increasing the body of the signal to add a perceived sense of sustain.
Finally, we look at using the popular tape saturation effect on an organ to create a more ‘edgy’ or ‘gritty’ character.
Studio master Mark Struthers shows you everything you need to know about the new features added to Native Instruments KONTAKT version 5. See and learn all the new features and functions that this powerful update brings to this world-class software sampler.
Mark begins with an introduction briefly discussing the new additions to KONTAKT 5. He then begins with a detailed look at the new filters included with version 5, revealing the Variable Filters, SV Filters, Ladder Filters, Adaptive Resonance Filters and more.
Time Machine Pro is then explored and you'll see just how easy it is to pitch shift material while keeping its original tempo in place. Mark now goes old school and breaks down the new SP1200 and MPC60 MASCHINE Sound Engines that are built into KONTAKT 5, giving you that great vintage vibe for your samples.
Mark wraps up the series with videos all about the new Solid G-EQ, Solid Bus Compressor and Tape Saturator, as well as the awesome Transient Master that allows you to shape the attack of your samples with unbelievable precision.
If you're using version 5 of Native Instruments KONTAKT, check this series out as soon as you can and reap the rewards of knowing the finer details of this industry standard software sampler... Get "KONTAKT 5 Update Explained" today.
Submitted 1 week ago
Robotic voice made me stop watching this
all said in the title
Submitted 3 months ago
not so chuffed
Didn't get past the intro module so maybe this review isn't a fair one. All the same. 2 things bugged me: 1: I dislike the cheap "fiver style" growing graphics. Totally unnecessary filler, designed to fill a visual void with animated irrelevance. Kinda lazy approach, and v distracting when trying to listen to the voice. 2: I specifically wanted detail on the new mixer output menus, which are different to Kontakt 4. I couldn't find any of this info.
I am a: Hobbyist
Response from Customer Service:
I am very sorry you did not like the graphics in the intro video but that was only to start the course. If you watch the remainder of the videos you will learn all about the updates added to version 5 and be able to utilize the features and functions discussed.
And in conjunction with our Kontakt 4 tutorial you can get up to speed on this software in no time.
Submitted 9 months ago
I - WANT- TO - CUT - OFF - MY - EARS !!!
Mark Cruthers may have a considerable knowledge in this field, but I'm sorry to say, his robotic annunciation in this, and all his videos make me want to go elsewhere for in depth tutorials. Please Groove 3, for the love of sanity, stop using this guy!
I am a: Hobbyist, Producer, Beat Maker, Sound for Film/TV, Cubase
Submitted 9 months ago
A job -(too ) quickly done ??
This is the first Groove3 training that really was disappointing. Content is "OK" - not great , but still useful. Learning efficiency is low - the tempo is soooo slow , way too much time is wasted on showing the obvious and giving uninteresting examples. (Tip : skip the first 6 video) Worst part however is the audio - the voice's rhythm (editing ???) made me wonder I was listening too a computer generated voice instead of a real person. I really had to focus actively to avoid falling asleep ... BTW : Ratings given are for this training only !
I am a: Musician, Producer, Ableton Live, Logic Pro
Submitted 10 months ago
I sometimes forget how deep you can go with the editing and processing in Kontakt alone. It's an extremely powerful VST and these tutorials reveal the possibilities in an easy to understand fashion.
I am a: Hobbyist, Semi-Pro, Musician, Producer, Beat Maker, Audio Engineer, Sound Designer, Logic Pro, Pro Tools
Submitted 1 year ago
Content: 3; presentation: 1
The content is purely a course in the new types of filters that have been added to Kontakt 5. No other changes from v4 to v5 are mentioned so the filters appear to be the only difference, which is surprising. BTW, if you don’t know how to use Kontakt already, I highly recommend viewing Kontakt Explained first, which is an extensive and interesting tour of v4. Kontakt 5 Update won’t help you because it’s so limited in scope. I gave the content a "3" because the series mostly describes how to use selected filters, which is fine, but there are better tutorials on using filters. Also, there are too few examples; e.g. the first audio isn't heard until video 4(!), and the examples are often single notes or a few basic chords that aren't played very well, which makes them uninteresting and even annoying at times. And I can't remember any filter demo that uses more than one type of instrument. My biggest complaint with the series is the presentation style. I've watched 20 to 30 Groove3 videos and I've really enjoyed most; a few were okay; but this one bordered on unwatchable. The presenter spends an incredible amount of time talking but not saying much.For instance, he repeatedly talks about what he’s going to be talking about rather than getting on with it, especially in the early videos. The style is extremely formal and wastes a lot of time stating even the most obvious details such as he is playing the same not each time as a filter parameter is varied so we can appreciate the effect it has. Duh! My "favorite" line is “…and I declare these are their new standard filters because they are very clean sounding.” Who talks like that? He also justifies why he explains something for noobies and wastes time with the justification. If you’re going to explain something basic, just do it and move on. Don’t waste time explaining why when the reasons for doing so are so obvious. I also get the impression the presenter is reading a script by the flawless pace and perfect enunciation but the result is similar to the pain of listening to someone reading a speech, i.e. it’s just dead and lifeless. To make matters worse, the script seems to have casual lines thrown in to make it sound “live” but the pace never varies. There are lines such as “actually, I think I’ll skip that…” which sounds very scripted. Sorry, I hate to complain so much but it was painful. Give me Eli K. any day!
I am a: Hobbyist
Submitted 1 year ago
Very useful content
This does a good job of demonstrating the features. While the visual portion of this update is nicely edited, I'd have to say the audio is quite difficult to tolerate. The narrator certainly has some form of British accent, there does not seem to be any smooth unspliced sentences. The choppy nature from what sounds like excessive splicing of multiple words in every sentence gives the audio a very robotic and halting / jerky delivery. In many chapters I found the audio content disturbing to listen to negatively affecting my ability to learn. The question below asking about the 'viewing quality', is going to get a bad rating even though the video portion (only) I thought was put together well. This is due to the very poor audio editing.
I am a: Professional
Submitted 2 years ago
It should be only one course instead of two.
I don't understand why this course is divided in two: this and the first one that is very old. It should be only one course covering Kontakt 5 IMHO.
I am a: Semi-Pro
Response from Customer Service:
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