Ear Training Explained® - Triads
Chapter 1 : The Theory
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7:29 Creating Triads
This video shows the construction and interval analysis of the 4 triad types: major, minor, augmented and diminished. Root position, first and second inversion are shown.
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4:55 Creating Arpeggios
This video shows the arpeggios for the 4 triad types: major, minor, augmented and diminished. Root position, first and second inversion are shown.
Chapter 2 : Triads in Root Position
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6:04 Major Triads in Root Position
Learn the sound of major triads played as chords and arpeggios.
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5:47 Minor Triads in Root Position
Study the sound of minor triads played as chords and arpeggios.
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6:33 Test - Major & Minor Triads
Test yourself on the difference between the two types of triads using chords and arpeggios.
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6:19 Diminished Triads in Root Position
Learn the sound of diminished triads played as chords and arpeggios.
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9:39 Test - Major, Minor & Diminished Triads
Test yourself on the difference between the three types of triads using chords and arpeggios.
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5:54 Augmented Triads in Root Position
Discover the sound of diminished triads played as chords and arpeggios.
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11:23 Test - All 4 Triad Types
Test yourself on the difference between the four types of triads using chords and arpeggios.
Chapter 3 : Triads in First Inversion
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5:45 Major Triads in First Inversion
Study the sound of major triads in first inversion played as chords and arpeggios.
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6:08 Minor Triads in First Inversion
Learn the sound of minor triads in first inversion played as chords and arpeggios.
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6:32 Test - Major & Minor Triads in First Inversion
Test yourself on the difference between the two types of triads using chords and arpeggios.
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5:19 Diminished Triads in First Inversion
Learn the sound of diminished triads played as chords and arpeggios.
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10:09 Test - Major, Minor & Diminished Triads in First Inversion
Test yourself on the difference between the three types of triads using chords and arpeggios.
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3:07 Augmented Triads
Explore why these don't really invert to the ear. These triads are symmetrical and inversions can't be determined when they are played by themselves. It's all explained here.
Chapter 4 : Triads in Second Inversion
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6:32 Major Triads in Second Inversion
Discover the sound of major triads in second inversion played as chords and arpeggios.
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5:19 Minor Triads in Second Inversion
Learn the sound of minor triads in second inversion played as chords and arpeggios.
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7:04 Test - Major & Minor Triads in Second Inversion
Test yourself on the difference between the two types of triads using chords and arpeggios.
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5:32 Diminished Triads in Second Inversion
Study the sound of diminished triads in second inversion played as chords and arpeggios.
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9:50 Test - Major, Minor & Diminished Triads
Test yourself on the difference between the three types of triads using chords and arpeggios.
Chapter 5 : Testing
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6:59 Mixed Major Triads Test
These are in root position and have both inversions. Test yourself on the difference between different voicings of the same type of triad using chords and arpeggios.
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7:01 Mixed Minor Triads Test
These are in root position and have both inversions. Test yourself on the difference between different voicings of the same type of triad using chords and arpeggios.
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6:55 Mixed Diminished Triads Test
These are in root position and have both inversions. Test yourself on the difference between different voicings of the same type of triad using chords and arpeggios.
Chapter 6 : Final Exam!
Product Overview
Have you ever heard a song or arrangement and wished you could recognize the chords or progressions? Well, Doug Zangar has done it again with his second installment of ear training, this time focused on Triads.
Doug begins with the basics of creating chords or "Triads" as well as arpeggios. He then starts with Triads in Root Position, teaching you how to listen and recognize them. Major, Minor, Diminished and Augmented Triads are all explored and Doug gives you a test on them to see if your ears are locking in on the different types.
Next up are the different Triads in First Inversion, as well as a test to see how well you can identify them. Doug then goes a step further and introduces Second Inversion triads in all the different flavors and gives you a test on those as well.
Wrapping up the series are 3 mixed tests and 2 final exams that give your ears the ultimate workout! Once you have these lessons down, you'll be a walking Triad recognizer, instantly hearing what's really going on in your favorite music... Watch "Ear Training Explained - Triads" today.
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Reviews
Submitted 1 month ago
Really good.
I am currently working my way through these ear training videos at Groove 3. I went through similar ear training from a music teacher a long time ago, it is very useful for all musical endeavours to develop your ear, essential really, and these videos are a great place to do just that. The presenters style is easy to listen to and follow and the exercises have been thought out well, both from a viewing and listening experience. Usual Groove 3 standard here, really good.
I am a: Hobbyist, Musician, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 1 month ago
Really good.
I am currently working my way through these ear training videos at Groove 3. I went through similar ear training from a music teacher a long time ago, it is very useful for all musical endeavours to develop your ear, essential really, and these videos are a great place to do just that. The presenters style is easy to listen to and follow and the exercises have been thought out well, both from a viewing and listening experience. Usual Groove 3 standard here, really good.
I am a: Hobbyist, Musician, Logic Pro
1. When did you start dabbling in music?
I started playing a bit of guitar and piano in the mid-60’s as a small child. Nothing really stuck until my first electric guitar and ensuing garage band in high school. By my last year of high school I was studying jazz guitar and the music bug had bitten.
2. What training have you had?
I went on to get a BFA in music (magna cum laude) from Cornish College of the Arts, emphasizing jazz guitar. Faculty at that time included Gary Peacock, Art Lande and Marius Nordal. I also completed the Pacific Northwest Film Scoring Program, where I studied with Hummie Mann. Additionally, I have become a certified trainer for Apple’s Logic Pro software on versions 6, 7, and 8.
3. When did you get into recording?
My first home recording gear was purchased in the mid ‘80s. It consisted of a Tascam Porta One and a Roland 505 drum machine. By the late 80’s the Atari 1040 ST and Logic’s predecessor, Notator 2.0 were purchased. Digital audio didn’t arrive at the home studio until the early ‘90’s, with Digidesign’s Session 8.
4. People you have worked with/for?
My professional career has included working with Pavarotti, Vic Damone and Diahann Carroll. I have written music for commercials on television and radio and scored independent films. Studio work includes performing on as well as arranging and producing many CD projects. I have also helped many Seattle area musicians work with Logic.
5. Why are you so good at training people?
I draw from my formal education, 4 years of running the Seattle Logic User Group, over 20 years of teaching music at the community college level and 30 years real-world experience working in the music business to give you a lot of insights and tips and tricks on how to use Logic to help create and refine your work.
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Go deeper into Cubase 6 with DAW master Doug Zangar! This series covers Cubase 6's advanced features and functions, elevating you to "guru" status after viewing the collection. If you really want to know Cubase 6 inside and out, check out "Cubase Advanced" today.
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tutorial videoCubase 6 Explained
Looking to get into Cubase 6? Well, look no further. Learn the fundamentals of Cubase 6 today, such as window overviews, recording audio and MIDI, editing, exporting your music and much more, in this in-depth series of tutorial videos. Even the most novice of user can start using Cubase 6 like a pro after watching this series!
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