Cubase 10 Explained®
Chapter 1 : Getting Started
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4:52 Intro & Setup
In this video, we'll look at how to get audio and MIDI properly configured in Cubase 10 upon first launch, as well as the correct folder structure for creating new songs.
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6:00 Creating Track & Rack Instruments
Next we'll learn how to create virtual instrument tracks, using two approaches; Track Instruments, and Rack Instruments which are perfect for multi-part plug-ins like the included HalionSonic SE 3. This also applies to third party plugins like Kontakt.
Chapter 2 : MIDI
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3:41 Recording MIDI
Learn how to set your Metronome, Locators, Precount and Auto-Quantization options to record MIDI data.
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5:38 Working with MIDI Parts
In this video, we'll look at how to navigate the Arrange View including panning and zooming. We'll also look at how to handle MIDI events in the arranger, including resizing and duplication as well as how to use the info bar to adjust common attributes and apply non-destructive transposition.
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4:47 Using Tools in the Arranger
MIDI parts can be edited in a number of ways using the Toolbar in Cubase. Here we'll look at how to cut, subdivide, glue and mute parts in the Arranger. We'll also learn about alternate functions for tools, including Time Stretching using the Object Selector.
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4:20 The Key Editor
Here we explore the features of the Key Editor, and look at how to select and manipulate MIDI notes, as well as how the function of some of the tools changes when in the Editor.
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4:41 Editing Velocities
Next up, we'll look at how to use the Line and Shape tools to creatively adjust note velocities, as well as how to use modifier keys to alter only selected notes.
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3:08 Editing Controllers
The lower lane in the Key Editor can be used to adjust more than just velocities. Here we'll learn how to add new Controller Lanes and choose which MIDI CC's are available for editing, as well as how to manipulate the CC data using Tilt and Scale Handles.
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3:07 The Drum Editor
Cubase features a dedicated Drum Editor designed for percussive instruments. In this chapter we'll briefly cover the ways in which it differs from the Key Editor.
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6:10 MIDI Functions
Learn how to use Cubase's powerful MIDI functions to selectively delete notes, transpose and adjust notes to a scale, tidy up velocities and lengths, and more.
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1:43 Track Versions
In this video, you'll learn how to create Alternate Versions of tracks to experiment with different sequences without losing your original idea.
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6:30 MIDI Record Modes
There are many ways to record into existing parts. Here we'll learn the different Modes, including how to stack overdubs into selectable note lanes.
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4:42 MIDI Modifiers & Inserts
Next we'll look at how to apply realtime non-destructive processes to MIDI data, including Position Randomization and Note Arpeggios. You'll also learn how to "freeze" these and turn them into regular MIDI data.
Chapter 3 : Audio
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5:45 Recording Audio
See how to create your first Audio Track, select an Audio Input, and learn about Monitoring Styles, as well as Punch In/Out Points, and how to add an Insert Effect to monitor an instrument through a plug-in.
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2:23 Audio Record Modes
Like MIDI, audio can be overdubbed and stacked in a few different ways, and this video will show you how to do that.
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4:26 Importing Audio
Learn how to Import Audio Files from the right zone, the Cubase Media Library and your own sample locations. We'll also look at how to Define Tempos in files using the Audio Pool and conform them to tempo using Musical Mode.
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3:55 Audio Parts
In this video, we'll look at how working with Audio Parts differs from MIDI Parts, including crossfading and stretch/pitch shifting algorithms.
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4:12 Audio Comping
Learn how to build a solid performance from multiple takes/lanes of audio using Comping Mode.
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4:39 Pitch Edit
Here, you'll learn how to use the VariAudio Editor in Cubase to correct and Warp Notes in an audio files.
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2:37 Offline Processing
Next we'll look at how audio functions have changed from previous versions of Cubase, having moved into the new Offline Processing Dialogue. Learn how to Chain Non-Destructive Processes and Effects all without using any additional CPU.
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2:28 Render MIDI to Audio in Place
Discover how to quickly convert MIDI to Audio to apply creative effects such as Reversing or Pitch Shifting using the Render in Place Function.
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3:40 The Sampler Track
In this video, I'll show you how to quickly turn any MIDI part into a Playable Sampler Instrument. This is also applicable to any audio parts in the Arranger.
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5:06 Automation
Learn how to Write and Suspend Plug-In Automation, as well as the ways in which Automation Data can be cleaned up and manipulated using Tilt, Scale and Curve Handles.
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3:38 Audio Inserts
Now we'll look at how Inserts are handled in the MixConsole; how to create them, bypass them, and move or copy them between different channels.
Chapter 4 : Mixing
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4:54 Link Groups & VCAs
Explore how to create both Temporary and Permanent Link Groups between channels, as well as the role of VCA Faders to create Remote Controlled Fader Groups, and how these differ from Group Channels in Cubase.
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2:53 EQ & the Pre Section
Here we'll look at the features of the EQ Section, as well as how to use the Channel Editor to get a better view of the EQ curve and adjust Pre-Filtering and Gain.
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2:24 The Channel Strip
This video will introduce you to the Channel Strip which is a set of plug-ins built into each Audio Channel in the Mix Console that allows you to create a basic mix without using any additional plug-ins.
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5:10 Send, Pre & Post Effects
Learn how to create Send Effects, and how they differ from Inserts. We'll also look at how Sends and Inserts can be configured to be pre or post fader.
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3:26 Track Visibility, Snapshots & History
See how to use the Mix Console to go back in time through your Edit History, as well as hide channels you don't need to see and create Mix Snapshots.
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1:52 Sidechaining
Sidechaining in Cubase 10 is easier than ever, and we'll learn how to do it in this video using the new Sidechain Menu.
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5:28 Parallel Processing
Discover how to use the Direct Output Rack in the MixConsole to send Channels to Multiple Destinations to create a Parallel Processing setup.
Chapter 5 : Workflow
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4:18 Multiple VST Outputs
Many VSTs allow for Multiple Audio Outputs, and in this video I'll show you how to set them up using the Plug-In Header Bar, as well as the right zone VST Rack.
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2:33 Time Signatures, Metronomes & Tempo Changes
See how to use special tracks in the Arranger to change Time Signatures, design Custom Metronomes and create Tempo Jumps and Ramps.
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3:33 Exporting
Learn how to turn your project into a Mixdown using Cubase's new streamlined Export Dialogue, as well as how to Export Multiple Channels to Individual Files.
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7:38 Chord Pads & Tracks
Taking a step back, now we'll look at the tools available to help you Design Chord Progressions, Extract Chord Data from MIDI and Auto-Harmonize Audio using Chord Tracks.
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5:59 Organization & Arranging
In this video, we'll touch on how to correctly Rename Channels, use Folder Tracks and Track Coloration, as well as how to use Markers and the Arranger Track to get more of a handle on your arrangement and try out new ideas for alternate edits and versions.
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6:45 Groove Agent as a Sampler & Padshop
In this final chapter, I'll briefly introduce you to Groove Agent as more than just a drum sampler, setting up pitched sample playback and time stretching, as well as how to internally sample instruments from HalionSonic SE and import them to Padshop for granular effects.
Product Overview
Cubase guru Paul Ortiz brings you the definitive video beginner's guide to Steinberg's Cubase 10. These in-depth tutorials are designed to get you going with Cubase 10 from scratch, and learn everything you need to know to understand Cubase 10’s layout, basic functions, recording and editing MIDI and Audio, Bussing, Routing, Mixing and much, much more!
Paul starts by welcoming you and goes over what you need to do to set up and create your very first Cubase project, followed by making tracks and virtual instruments and recording them via MIDI. Paul then gives you a ton of MIDI focused video tutorials covering MIDI tools, controllers, editors, modifiers, arpeggiators, drum editors and others.
Cubase 10's Audio features and functions are then explained and explored, and you'll get the solid foundation you need to record and edit audio, making the perfect takes for your songs and productions. Paul goes deep into the different record modes, editing pitch, offline processing to save CPU, rendering MIDI to Audio, the Sampler Track, using Automation, Effects and additional topics.
Next, Paul gives you a bunch of Mixing focused tutorials on using Link Groups and VCAs, EQs, Channel Strips, Send, Pre and Post Effects, Sidechaining and other audio-centric features and functions. Wrapping it all up, you'll get workflow tutorials showing you how to better work in Cubase by using Multiple VST Outputs, creative Arranging, Time Signature, Metronome & Tempo Changes, Exporting your Song, Cubase 10's powerful Chord Tracks and so much more.
See the individual tutorial descriptions for more detailed info. If you’re new to Steinberg's Cubase 10, or just want more info on this flagship DAW, watch “Cubase 10 Explained®” today!
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Reviews
Submitted 5 days ago
Good for up to intermediate learners
The sad part for me Purchasing this course was that the subject I have trouble with were not discussed ie "How to set up your gear". I am a Power User of Dorico, Sibelius and Finale, and these software basically detect one's Synth-keyboard or midi controler, but Cubase upon startup is extremely intimidating with hundreds of things like busses, tracks, inputs, outputs, racks etc. I plugged in my gear, my Roland E-09, Focusrite external soundcard, but for the life in me, Cubase records NOTHING, when I play notes on my Roland with open Orchestral VST, that pluggin's little keyboard does not pick me up and play along so I can hear the sound. My Roland records in Steinberg Dorico just fine! I believe setting up Cubase with one's gear is most difficult part for beginners hence a teacher SHOULD explain extensively how Cubase 's Audio Engine works for WE are expected to enter all settings whereas Notators such as Dorico is programed to take care of the Audio Engine. Heck, I read on forum that I need to download some "Device Script. XML" also, so you see, there is NO way for us (or me at least) to advance to next video if I can't even USE Cubase yet. :-? Forgive me please, but this is rather important first chapter, Nyet? Spasibo, Mikhail Rimsky-Korsakov
I am a: Professional, Musician
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 weeks ago
Excellent!
One of the best gem-packed courses. It opens up a vista of insights and provide generous tips that are a credit to the author. Excellent explanations and coverage of the most important functions of this wonderful application: Cubase 10 Pro. I liked the British accent and the usage in terms of ALT vs alternative key...
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 month ago
Great for a beginner
I have watched a couple of beginner level course. One of them spent the first hour or so, explaining a lot of information that can't be retained without context or purpose. This course is not like that, it explains well and you can follow along as you watch. I'm only up to the 3rd tute but so far it looks good.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 month ago
Straight into the stuff you need.
I was hesitant to get this but after going through it I was confident I can start using Cubase to do what I want. I would suggest to add some simple sample projects so we can follow along better.
I am a: Semi-Pro, Musician, Producer, Sound for Film/TV, Cubase
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 month ago
Well worth it.
I am enjoying working with Cuebase 10 Explained. I am still a novice having worked with Cuebase AI 6 in 2013 but had to quit for the past 4 years. It is a little slow going for me but I am learning a lot as I go along. I intend to work on each unit until I have mastered the entire tutorial. Then I intend to move on to more advanced tutorials. He does go a little fast. It is helpful to be able to review sections when needed.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
Short And Consice
Excellent tutorial, every video is short and to the point, you don't get overwhelmed and can follow.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
On target
Just the info I needed coming in from another DAW. Thanks!!!
I am a: Semi-Pro, Musician, Cubase
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
lots to learn and relearn
great reference source
I am a: Hobbyist, Musician, Cubase
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
its really good for a begginer like me.
learning heaps pausing the video to try it out and slowly going through each section
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
Very Helpful!!
Excellent quality and presentation!! Very complete , comprehensive course covering every aspect of Cubase There’s a lot of free stuff on YouTube but this is definitely worth buying ! And the customer service is excellent
I am a: Professional, Musician, Producer, Sound for Film/TV, Cubase
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 5 days ago
Good for up to intermediate learners
The sad part for me Purchasing this course was that the subject I have trouble with were not discussed ie "How to set up your gear". I am a Power User of Dorico, Sibelius and Finale, and these software basically detect one's Synth-keyboard or midi controler, but Cubase upon startup is extremely intimidating with hundreds of things like busses, tracks, inputs, outputs, racks etc. I plugged in my gear, my Roland E-09, Focusrite external soundcard, but for the life in me, Cubase records NOTHING, when I play notes on my Roland with open Orchestral VST, that pluggin's little keyboard does not pick me up and play along so I can hear the sound. My Roland records in Steinberg Dorico just fine! I believe setting up Cubase with one's gear is most difficult part for beginners hence a teacher SHOULD explain extensively how Cubase 's Audio Engine works for WE are expected to enter all settings whereas Notators such as Dorico is programed to take care of the Audio Engine. Heck, I read on forum that I need to download some "Device Script. XML" also, so you see, there is NO way for us (or me at least) to advance to next video if I can't even USE Cubase yet. :-? Forgive me please, but this is rather important first chapter, Nyet? Spasibo, Mikhail Rimsky-Korsakov
I am a: Professional, Musician
Submitted 2 weeks ago
Excellent!
One of the best gem-packed courses. It opens up a vista of insights and provide generous tips that are a credit to the author. Excellent explanations and coverage of the most important functions of this wonderful application: Cubase 10 Pro. I liked the British accent and the usage in terms of ALT vs alternative key...
Submitted 1 month ago
Great for a beginner
I have watched a couple of beginner level course. One of them spent the first hour or so, explaining a lot of information that can't be retained without context or purpose. This course is not like that, it explains well and you can follow along as you watch. I'm only up to the 3rd tute but so far it looks good.
Submitted 1 month ago
Straight into the stuff you need.
I was hesitant to get this but after going through it I was confident I can start using Cubase to do what I want. I would suggest to add some simple sample projects so we can follow along better.
I am a: Semi-Pro, Musician, Producer, Sound for Film/TV, Cubase
Submitted 1 month ago
Well worth it.
I am enjoying working with Cuebase 10 Explained. I am still a novice having worked with Cuebase AI 6 in 2013 but had to quit for the past 4 years. It is a little slow going for me but I am learning a lot as I go along. I intend to work on each unit until I have mastered the entire tutorial. Then I intend to move on to more advanced tutorials. He does go a little fast. It is helpful to be able to review sections when needed.
Submitted 2 months ago
Short And Consice
Excellent tutorial, every video is short and to the point, you don't get overwhelmed and can follow.
Submitted 2 months ago
On target
Just the info I needed coming in from another DAW. Thanks!!!
I am a: Semi-Pro, Musician, Cubase
Submitted 2 months ago
lots to learn and relearn
great reference source
I am a: Hobbyist, Musician, Cubase
Submitted 2 months ago
its really good for a begginer like me.
learning heaps pausing the video to try it out and slowly going through each section
Submitted 2 months ago
Very Helpful!!
Excellent quality and presentation!! Very complete , comprehensive course covering every aspect of Cubase There’s a lot of free stuff on YouTube but this is definitely worth buying ! And the customer service is excellent
I am a: Professional, Musician, Producer, Sound for Film/TV, Cubase
1. When did you start dabbling in music?
I've been working with computers and music from probably around five or six, when my parents first got an Atari with Cubase 2.0! Been hooked ever since.
2. What training have you had?
Mostly it comes from my parents. They're both songwriters and producers, so I grew up watching them and learning in their studio. More recently, just self-taught really.
3. When did you get into recording?
I guess I first started taking it seriously when I was around 15 or 16, which is when it became a bit more feasible to actually record at home and go beyond GM. That's when I started picking up other instruments aside from keyboard, guitar, bass, drums.
4. People you have worked with/for?
I've just started working with the guys over at Red Bull Media House and am on my second album with them now! Some of my sound design work has found its way to the studios over at the likes of Blizzard, and I've done a great deal of custom composition and production music for library music companies both here in the UK and in the Unites States.
5. Why are you so good at training people?
I just love helping people out I guess! Through my personal music projects I've connected with thousands of fans from across the world, and most of them are aspiring producers and musicians themselves. So it's nice to be part of a wider community of creative people and help them along the way, as others helped me.
Products by Paul
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tutorial videoCubase - Working Outside of the Box
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tutorial videoCubase 10 Explained
Cubase guru Paul Ortiz brings you the definitive video beginner's guide to Steinberg's Cubase 10. These in-depth tutorials are designed to get you going with Cubase 10 from scratch, and learn everything you need to know to understand Cubase 10’s layout, basic functions, recording and editing MIDI and Audio, Bussing, Routing, Mixing and much, much more!
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tutorial videoCubase 9 Know-How: The Sampler Track
Cubase master Paul Ortiz reveals the new Cubase 9 Sampler Track in all its glory, covering all the nuts and bolts, as well as how to use it creatively!
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tutorial videoCubase 9 Know-How: Acoustic Drum Programming
Studio wiz Paul Ortiz delivers a crash course on programming virtual acoustic drums in Cubase 9, utilizing Cubase's built-in features and functions to craft the perfect drum performance for your song.
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tutorial videoCubase 9.5 Production Tips & Tricks
Cubase guru Paul Ortiz shares cool production tips and tricks when using some of the new features added to Cubase 9.5. See how these new features can serve as a starting point for inspiration, as well as provide endless creative options!
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