Boz Digital Labs +10db Bundle Explained®
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4:06 The Equaliser Section
Discover some of the unique features of the +10DB Equaliser section.
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4:15 The Dynamics Section
Explore the basic functions of the compression, expansion/gate, and limiter controls in the Dynamics section of the plug-in.
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1:48 Preset Handling
Simple and intuitive internal preset handling make it easy to save and share custom +10DB presets in different plug-in formats.
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6:02 Snare Drum
Hear +10DB at work on a snare track as the EQ is used to remove a bit of low mid tubbiness, and add some crispness. Gate mode is used to minimize some of the bleed, and the compressors attack and release characteristics are explored.
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5:52 Kick Drum
Listen as two instances of +10DB are used serially, one for EQ, the other for Sidechain compression.
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4:14 Room Mics
Hear the +10Db at it’s extreme as it is used to enhance the room sound of a multi mic’d drum recording by driving the compressor hard, with very quick attack and release time constants. The EQ is then set up in side chain mode to tame the harshest of the room resonances.
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5:19 Drum Bus
See how +10DB is used to subtly enhance an already relatively well balanced drum mix, and how the A/B snapshots are put to use to audition the effects of two different processing setups during playback.
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4:17 Vocals
Hear how the Equaliser section is used in side chain mode to tame sibilance on a lead vocal track.
Product Overview
Boz Digital Labs have managed to do something very special with their +10db EQ, Compressor and Channel Strip plug-ins. Let studio wiz Eli Krantzberg show you all about them and what these meticulously modeled plug-ins can do for your mixes and productions!
Eli starts with the Equaliser section, revealing its unique features. The Dynamics Section is then Explored, and Eli covers all the basic functions of the Compression, Expansion/Gate, and Limiter controls found in the plug-in.
Next up, you'll see how Preset Handling works, making it easy to Save and Share Custom +10db Presets in Different Plug-in Formats. Moving on, Eli then gives you individual videos of the +10db in-action on Snare Drum, Kick Drum, Room Mics, Drum Bus and even Vocals!
If you want to get the most out of your +10db Bundle, look no further... Watch "+10db Bundle Explained" today.
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Reviews
Submitted 7 months ago
Worth knowing the differences
This plugin runs a bit different than standard EQs and compressors with some of the controls, so it's worth know what the differences are and how to use them.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
I love it!
I've all the plugins form all the brands. I have to admit this one is my favorite, for a lot of reasons :) Hope Boz Digital will develop other products with the same phylosophy
I am a: Beat Maker
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 7 months ago
Worth knowing the differences
This plugin runs a bit different than standard EQs and compressors with some of the controls, so it's worth know what the differences are and how to use them.
Submitted 3 years ago
I love it!
I've all the plugins form all the brands. I have to admit this one is my favorite, for a lot of reasons :) Hope Boz Digital will develop other products with the same phylosophy
I am a: Beat Maker
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
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tutorial videoApogee Maestro 2 Explained
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