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Introduction (2:20)
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Sample Selection (3:55)
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Loading up the Channels (8:20)
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Pre-Planning (1:56)
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Making the Tough Lead (15:32)
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Extending the Tough Lead (21:00)
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A Bit Off The Top (2:30)
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Adding Drums (13:50)
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Making Some Percussion (8:25)
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Put on the Hats (12:15)
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Starting the Melody (18:08)
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Making the Chord Progression (9:55)
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Making a Pad (9:48)
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Arpeggio Sound Design (9:12)
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Chord Progression Sound Design (13:42)
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Sub Bass (11:10)
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Final Tweaks & Conclusion (4:48)
Remixer extraordinaire Timothy Allan is back and ready to show that you don't need any fancy third party plug-ins or instruments to make a great track in Live 9. In this series Timothy starts a club track using randomly selected samples, with Live 9 instruments and processing only! Timothy also includes his Live session file and samples so you can work and experiment along with him.
Timothy begins the series with a short introduction to what you can expect from this series. Next it's on to sample selection. Timothy does this randomly, by turning Live's preview function off, and is unable to hear the samples he is selecting until they are in his session, and loaded into channels! Timothy goes over the thought process for deciding what kind of track to make and then jumps right onto creating the initial lead sound.
From there Timothy adds drums and other percussion, including toms, hi-hats, pads and much more. Throughout the series Tim discusses and demonstrates the importance of EQing in the mix, sidechain techniques, volume saturation, frequency splitting and many other creative techniques.
If you use Ableton Live 9, this series from Timothy Allan will help you get your club track off to a great start. It's inspiration made easy... Get "Starting a Club Track with Live 9" today.
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Reviews
Submitted 7 months ago
Helpful!!
Nice step by step how you can do it. Hoping for the arrangement videos.
Submitted 8 months ago
Excelent !
Very good tutorial, thumbs up !!
Submitted 10 months ago
Helpful
Fun and a relief to see it's not incredibly difficult to make music
I am a: Beginner, Hobbyist, Musician, Producer, Ableton Live
Submitted 1 year ago
Still slightly confused !
Pretty helpful , but as far as the tracks were, for my taste kind of weak, not t
I am a: Professional, Musician, Beat Maker, Sound Designer, Sound for Film/TV, Ableton Live, Cubase
Response from Customer Service:
I'm glad you found the tutorial helpful. This is an entry level run through of the basics to start a club track in Live 9 so the tracks themselves will be basic by design. More advanced instruction will provide more advanced tracks.
I'm sorry you only felt it deserved a 2.5 star rating. If you are still confused on the process then checking out our Finishing a Club Track in Live 9 may help clear up the remainder of your questions.
Good luck with your projects!
Submitted 1 year ago
Learned a ton!
These videos cover so much in putting together a song. Seeing the workflow of an artist, troubleshooting tips, and tricks was very helpful. You learn how to create those classic sounds that we all hear as well as techniques for arrangements and buildups, giving you the ability to take these new tools with you to new songs you create.
Submitted 2 years ago
Nice videos, to get used to work deeply in Ableton
Nice videos, to get used to work deeply in Ableton, had only a bit to struggle looking to the new Simpler layout which is quite different from the one used in this videos
I am a: Semi-Pro
Submitted 2 years ago
Excellent!
This has been an extremely helpful course! Let me just briefly touch on a few things that I found interesting. One thing is, early on, the instructor mentioned something about how, rather than try to lay down whatever ideas he had in his head at the time, he prefers to just get started with some sounds, rhythms, riffs, etc.. and see where it leads. I like that approach personally because I think you can come up with stuff beyond what you'd normally imagine that way. Another thing I liked is while the course is primarily focused on producing a track, it does help build on whatever working knowledge you have of Ableton's instruments and effects. The last thing I want to mention is.. Um, well, what I did was create two different Ableton sets to do the course with, and use different chord progressions and melodies from what the instructor was doing, but I did try to follow all the coursework - the concepts, the tweaks etc.. so in the end, I ended up with two original tracks which bear no resemblance to the instructors track. One turned out just ok, but I'm quite pleased with the other one. Looking forward to the "Finishing a Club Track" course next!
I am a: Student, Semi-Pro, Musician, Producer, Ableton Live
Submitted 2 years ago
good
good start
I am a: Semi-Pro, Musician, Audio Engineer, Sound Designer, Ableton Live
Submitted 2 years ago
Very good instruction!
Enjoyable personality, and well done. A lot to learn, but worth watching more than once and extremely helpful in learning about Ableton.
I am a: Producer, Musician, Hobbyist
Submitted 2 years ago
Very Very detail and super informative
The course itself is awesome and the instructor explains what he does well. I just wish he had opened his sample files and let us use them.
I am a: Semi-Pro
Response from Customer Service:
1. When did you start dabbling in music?
As a very young kid my parents signed me up for piano lessons. My mom said if I quit that I would regret it later on in life, but I thought piano lessons were boring! Electronic music was a natural progression for me from those early days, it let me combine my love of technology and all things nerdy with a love of loud and strange noises.
2. What training have you had?
I've had years and years of training from a good friend of mine named "The Internet", and before him my other good pal "Trial and Error".
3. When did you get into recording?
The wonder of synthesis and certain electronic music is that you never really have to record anything if you don't want to! Although I do remember way back in the day recording found sounds on an old garage sale cassette recorder I bought, and using those samples in old school Trackers on the Apple II.
4. People you have worked with/for?
I've worked with, and for, a whole bunch of fantastic people so far. Some of the more popular ones include Empire of the Sun, Dirty South, Ash, Paul Oakenfold, Carl Kennedy, Hong Kong Blondes, Loverush UK, Molly Bancroft, Made by Monkeys, Tiff Lacey, Marcie, Offer Nissim and Kirsty Hawkshaw. Madonna chose a track I made for a compilation she released, although she never called or took me for lunch! That really doesn't count as 'working with' does it!?
5. Why are you so good at training people?
I'm good at training people because I remember what it was like to be the newbie, and I try and go over things that I would have found interesting and cool, back when I was starting out. I take the time to learn the techniques inside and out, and then break that down quickly for people.
Products by Timothy
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tutorial videoAbleton Live Tips & Tricks
Ableton Live Tips & Tricks is presented by Timothy Allan, whose remixes have reached #1 on the dance charts. Tim shows you the tips and tricks he uses.
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tutorial videoBitwig Studio Explained
Bitwig Studio is a new, dynamic software solution for music creation and performance to realize all of your musical ideas in every stage of production, and studio wiz Timothy Allan is just the man to show you how it all works! This is the most comprehensive Bitwig Studio video title available, so follow along and see just how awesome this DAW really is.
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tutorial videoBuilds, Fills & FX in Logic Pro X
Dance music master Timothy Allan is back with a tutorial on how to make your dance tracks slam with cool builds, fills, and creative use of effects, keeping people on their feet.
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tutorial videoDeconstructing Future House
In this music production tutorial series hit dance music producer Timothy Allan deconstructs a Future House track, showing you exactly how every element of a Future House song contributes to the final result. Shown in Logic Pro X, but applicable to any DAW, you’ll learn how to make Future House music and what it takes to get amazing results.
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tutorial videoFinishing a Club Track in Live 9
Following on the heels of his smash hit series "Starting a Club Track with Live 9", Timothy Allan is back with the sequel, "Finishing a Club Track with Live 9". In this series, Timothy shows you how to arrange and finalize the beats and grooves created in the first series and make it sound like a world-class club track. Timothy even includes the Live session file and samples so you can work and experiment along with him.
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In this course, Josh Bess explains how the type of drum grooves you create along with the sound choices you use will completely change the genre of music you are creating. Josh discusses ideas focused on drum rhythm creation, MIDI note editing, sound design choices, groove, swing, feel, and many other related topics asked throughout the live webinar.
Following on the heels of his smash hit series "Starting a Club Track with Live 9", Timothy Allan is back with the sequel, "Finishing a Club Track with Live 9". In this series, Timothy shows you how to arrange and finalize the beats and grooves created in the first series and make it sound like a world-class club track. Timothy even includes the Live session file and samples so you can work and experiment along with him.
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Super producer Paul Ortiz pulls back the curtain on the style of Post Malone in this in-depth U Produce™ series! See how to make an authentic track in the style of Post Malone step by step from scratch. Shot in Reason 10, the ideas and techniques will work with any DAW, and the Reason 10 session is also included!
In this course, Josh Bess opens up his own personal live session in Ableton Live, to explain how to turn a small and simple idea into a full music arrangement, ready for live performance and/or an official release. Josh discusses many ways to get you started with building your ideas, along with other tips and tricks to incorporate into your own original music creation, no matter what style of music you are creating.