Soundtrack Pro Tutorial

Soundtrack Pro Explained®

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56 Videos | Length: 5hr 15min 57sec
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Chapter 1: The Basics

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    Interface Overview Pt. 1 (4:27)


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    Interface Overview Pt. 2 (4:10)


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    The Toolbar (6:49)


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    Timeline Editing Tools (5:35)


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    Timeline Project Properties (4:03)


Chapter 2: Time and Space

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    Global Timeline & Display (5:20)


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    Selection Bar & Cycle (6:49)


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    Track Headers Pt. 1 (7:21)


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    Track Headers Pt. 2 (3:46)


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    Time Based Track (2:58)


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    Timeline Controls Pt. 1 (6:41)


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    Timeline Controls Pt. 2 (5:11)


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    Project Pane Controls (5:37)


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    Key Command Navigation (2:46)


Chapter 3: Working with Clips

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    Spot & Select Clips (4:39)


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    Moving Clips (4:07)


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    Copy, Cut & Join Clips (4:26)


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    Resize Clips (6:52)


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    Using Fades (5:00)


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    Clip Shortcuts (8:15)


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    STAP Editor Overview (6:34)


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    Using Scripts (3:44)


Chapter 4: Markers and Tabs

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    Using Markers (7:41)


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    Video, Project & Details Tabs (7:25)


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    The Details Tab (5:04)


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    The Effects Tab (6:24)


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    The Tracks Tab (4:26)


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    The Analysis Tab (3:50)


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    The Actions Tab (5:07)


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    Meters & Recording Tabs (5:23)


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    Browser & Favorites Tabs (6:04)


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    The Search Tab (7:47)


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    File Editor Tab Pt. 1 (7:38)


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    File Editor Tab Pt. 2 (5:49)


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    Multitake Editor Tab (8:49)


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    The Mixer Tab (6:12)


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    The Bin Tab (7:34)


Chapter 5: Sound Repair and Correction

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    Noise Reduction (5:38)


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    Removing P Pops (4:47)


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    Ambient Noise (2:45)


Chapter 6: STP Preferences

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    General Prefs (7:00)


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    Project Prefs (3:40)


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    Rec, Sync, Control & Video Prefs (4:02)


Chapter 7: Logic, Final Cut and STP

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    Logic Round Trip (5:49)


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    Final Cut to STP (7:00)


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    FCP Audio to STP (3:24)


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    FCP to STP Roundtrip (3:11)


Chapter 8: STP Workflow

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    Track Setup (4:01)


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    Markers & VO (4:28)


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    Spotting FX (8:25)


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    Working with Music Pt. 1 (5:25)


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    Working with Music Pt. 2 (5:14)


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    Working with Music Pt. 3 (8:52)


Chapter 9: Mix and Export

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    Cleaning up VO (8:45)


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    Mixing in STP (5:40)


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    Export Your Masterpiece (7:28)


Presented by Apple Certified Logic Trainer Doug Zangar, this is the definitive guide to Apple's Soundtrack Pro 3. If you're new to Soundtrack Pro 3, pull up a seat, sit down and get ready to learn this powerhouse editing application inside and out.

Doug really goes deep in his presentation of Apple's Soundtrack Pro 3, covering all the basics and advanced topics such as interface overviews, navigating the timeline, working with clips, editing, using fades, noise reduction, exchanging sessions and files with Logic and Final Cut Pro, mixing and exporting and so much more.

If you're new to Soundtrack Pro 3 or just want to further your operational knowledge, take a trip with Doug Zangar down the expansive Soundtrack Pro highway. He'll make sure you don't get lost and arrive safe and sound!


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1. When did you start dabbling in music?

I started playing a bit of guitar and piano in the mid-60’s as a small child. Nothing really stuck until my first electric guitar and ensuing garage band in high school. By my last year of high school I was studying jazz guitar and the music bug had bitten.

2. What training have you had?

I went on to get a BFA in music (magna cum laude) from Cornish College of the Arts, emphasizing jazz guitar. Faculty at that time included Gary Peacock, Art Lande and Marius Nordal. I also completed the Pacific Northwest Film Scoring Program, where I studied with Hummie Mann. Additionally, I have become a certified trainer for Apple’s Logic Pro software on versions 6, 7, and 8.

3. When did you get into recording?

My first home recording gear was purchased in the mid ‘80s. It consisted of a Tascam Porta One and a Roland 505 drum machine. By the late 80’s the Atari 1040 ST and Logic’s predecessor, Notator 2.0 were purchased. Digital audio didn’t arrive at the home studio until the early ‘90’s, with Digidesign’s Session 8.

4. People you have worked with/for?

My professional career has included working with Pavarotti, Vic Damone and Diahann Carroll. I have written music for commercials on television and radio and scored independent films. Studio work includes performing on as well as arranging and producing many CD projects. I have also helped many Seattle area musicians work with Logic.

5. Why are you so good at training people?

I draw from my formal education, 4 years of running the Seattle Logic User Group, over 20 years of teaching music at the community college level and 30 years real-world experience working in the music business to give you a lot of insights and tips and tricks on how to use Logic to help create and refine your work.

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