SampleTank Tutorial

SampleTank In Action

  3.0   (2)  - log in to review
21 Videos | Length: 2hr 27min 28sec
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    Intro & Set Up (6:08)


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    Working with Drums (5:26)


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    Editing Drum Zones (6:38)


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    Layering Bass Sounds (7:43)


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    Envelope 1 & Macro Parameters (8:08)


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    Saving Instruments (6:56)


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    The Filter (7:30)


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    Envelope 2 Parameter (7:15)


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    Split & Layered Brass (6:12)


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    Synced Panning (8:24)


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    Syncing Loops to Tempo (5:57)


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    Part Effects (6:02)


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    Automation (4:36)


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    Locking Effects (6:43)


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    Importing Sounds (8:17)


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    Portamento (8:52)


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    Round Trip (5:07)


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    Working the Tank (10:04)


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    Multiple Outputs (6:47)


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    Standalone & IAC Mode (Mac Only) (8:33)


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    Final Mix (6:10)


Presented by music software expert Eli Krantzberg and officially approved by IK Multimedia, this in-depth series starts from the ground up and gets you going with IK Multimedia SampleTank fast.

You'll also learn about SampleTank's more advanced features and functions such as zone editing, STRETCH mode, automation, filters, envelopes, effects, multi-outs, standalone mode and much more. If you use SampleTank for your productions you must see this collection... Your productions and tracks will be glad you did.


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lenniep
Submitted 2 years ago

Not for me.

Wish I had known that this video was showing SampleTank on Logic and not Protools. I wouldn't have purchased it.

I am a: Professional, Producer, Pro Tools

Response from Customer Service:

You are correct, the tutorial was shot in the DAW of choice by the author. But the techniques and training for SampleTank apply across all DAW's
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garethbee
Submitted 2 years ago

good so far

good stuff

I am a: Semi-Pro, Musician, Producer, Audio Engineer, Ableton Live, Studio One

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
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1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

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    AAS Strum GS-2 Explained

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    Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!

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    Alchemy 2 Explained

    Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

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    Apogee Maestro 2 Explained

    Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.

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SampleTank In Action is rated 3.0 out of 5 by 2 .
Rated 0.5 out of 5 by from Not for me. Wish I had known that this video was showing SampleTank on Logic and not Protools. I wouldn't have purchased it.
Date published: 2017-06-07
Rated 5.0 out of 5 by from good so far good stuff
Date published: 2017-05-26
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