Chapter 1: Working with a Single Space
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Space, The Final Frontier (6:30)
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Dry Run (5:23)
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A Common Space (14:12)
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AIR Reverb & Early Reflections (10:30)
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Front to Back (8:47)
Chapter 2: Working with Drums
Chapter 3: Working with Vocals and Guitars
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Convolution Reverb & Waves IR-1 (13:45)
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Vocal Ambience (5:17)
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Lead Vocal Preverb Processing (8:24)
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Dual Reverb Strategies (9:31)
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Pre & Post Gate Effects (10:06)
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DelayVerb (6:12)
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Working with Mono Reverbs (4:57)
Chapter 4: Reverb FX
Reverb is perhaps the most misunderstood /misused effect in the mixer's toolbox today. In this timeless series, DAW superman Eli Krantzberg reveals everything you need to know about this mysterious effect and how to apply it to the most popular instruments in your productions.
Eli starts with a great overview of reverb in general, then breaks down the different sections found in the most common reverb plug-ins. He then shows you practical applications such as reverb on drums, vocals, guitars and even as special effects. He wraps up the series with some great tips on using automation to enhance your reverb effects.
Furthermore, the series is designed so that the information can be applied to any reverb plug-in, so you can start using what you learned immediately.
Let's face it, reverb is probably the most used effect in your DAW. Watch Eli and master this highly complex and important effect. Get "Reverb Explained" today.
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Reviews
Submitted 3 months ago
Nice intro and tips
Is a good series but is a lot harder to follow if you not using in protools, even if he says it's adaptable to every daw there some things that isn't easy to find how to do in my daw.
I am a: Student, Hobbyist, Semi-Pro, Musician, Producer, Beat Maker, Audio Engineer, Sound Designer, Game Designer, Sound for Film/TV, FL Studio, Reaper
Response from Customer Service:
I'm sorry you found some aspects of reverb hard to follow in Pro Tools. Since Reverb is not DAW specific, these concepts can be applied across all platforms.
If you find that you do not know how to something plug-in related or DAW related in Pro Tools, have a look at one of our many Pro Tools training tutorials and get a refresher on your software, including the newer 2018 updates!
Submitted 1 year ago
AAA
AAA
I am a: Hobbyist, Musician, Ableton Live, Cakewalk Sonar, Reason
Submitted 1 year ago
Lots of tips
Although we have software now that accomplishes some of the techniques in a more concise fashion, the tips and demonstrations are very valuable in understanding the concepts presented.
I am a: Hobbyist, Semi-Pro, Audio Engineer, Cakewalk Sonar
Submitted 2 years ago
Very helpful.
Even though I need to see the videos again to be able to use all of this, I like the Reverb Explained very much. I will for sure use some of this tips.
I am a: Semi-Pro, Musician, Audio Engineer, Logic Pro, Pro Tools
Submitted 2 years ago
helpfull
love
I am a: Musician, Producer, FL Studio, Cubase, Pro Tools
Submitted 2 years ago
Great. to the point.
I finally got the concepts
I am a: Hobbyist, Producer, Beat Maker, Audio Engineer, Studio One
Submitted 2 years ago
I learned a LOT - thank you
I really reccomend this video. Might be a steep learning curve for the absolute beginner. Eli is a great teacher, he reveals a lot (a lot more than most big name producers) and his examples are allways relevant and musical.
I am a: Producer, Audio Engineer, Musician, Hobbyist
Submitted 2 years ago
Another great tutorial by the legen, Mr Krantzberg
Great tutorial on reverb because you learn both the basic principles of reverb as well as practical application on real tracks and real mix.
I am a: Semi-Pro, Hobbyist
Submitted 2 years ago
Reverb Explained
I really enjoyed this series. It taught me how to use reverb to shape the space of a mix. Highly recommended for those seeking to learn the same. Audio and visual quality are superb.
I am a: Semi-Pro, Audio Engineer, Musician
Submitted 2 years ago
Very well explained.
One of the few Reverb videos that finally explain everything you need to know. Fantastic.
I am a: Audio Engineer, Hobbyist
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
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tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
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tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoApogee Maestro 2 Explained
Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.
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