Pro Tools Tutorial

Pro Tools 8 Explained®

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41 Videos | Length: 5hr 41min 19sec
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    Intro & Quick Start Features (7:28)


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    Importing an Audio File (5:23)


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    Basic Transport Commands (7:05)


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    Cursors & Counters (8:13)


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    Locating & Navigating (6:02)


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    Pre & Post Roll (8:41)


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    Edit Window Overview (7:54)


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    Audio Files & Regions (7:46)


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    Creating Tracks (5:34)


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    Working with the Click Track (7:46)


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    Setting the Time Signature (6:18)


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    Setting the Tempo (6:36)


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    Getting Ready to Record Audio (8:54)


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    Input Monitoring (8:05)


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    Recording Audio (8:06)


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    Getting Ready to Record MIDI (9:11)


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    Recording MIDI (6:51)


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    Punch-In MIDI Recording (9:48)


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    Introduction to Playlists (5:55)


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    Loop Recording Audio (6:15)


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    Selecting Alternate Takes (6:44)


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    Working with Playlists (9:11)


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    Working with Tracks (9:45)


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    Edit Modes (7:39)


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    Zooming (9:08)


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    Trimmer, Selector & Grabber Tools (11:02)


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    Smart, Scrubber & Pencil Tools (7:08)


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    The MIDI Editor (10:25)


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    Quantizing (9:23)


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    MIDI Real Time Properties (5:38)


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    Event List & Score Editors (11:21)


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    Window Configurations (8:58)


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    Selection Techniques (8:20)


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    Track, Group & Region Lists (10:52)


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    Memory Locations (11:09)


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    Beat Detective (9:15)


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    Elastic Audio (9:33)


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    The Mixer (8:26)


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    Sends (9:53)


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    Automation (9:33)


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    Mix Down (10:05)


Presented by Pro Tools 8 power user and instructor Eli Krantzberg, this comprehensive series starts at the beginning and goes in-depth into the most used features and functions in the new Pro Tools 8.

From session creation, recording and editing modes, navigation, markers, Beat Detective, Elastic Audio, MIDI instruments and editor windows, making files for CD and so much more. This series enables you the viewer, to develop a solid foundation in Pro Tools 8 and shows you how to get the most out of your Pro Tools system.


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1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

Products by Eli

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    tutorial video

    AAS Chromaphone Explained

    Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!

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    AAS Strum GS-2 Explained

    In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

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    AirEQ Explained

    Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!

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    Alchemy 2 Explained

    Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

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    Apogee Maestro 2 Explained

    Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.

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