Ozone Tutorial

Ozone 5 Explained®

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18 Videos | Length: 3hr 39min 57sec
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    Introduction (2:14)


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    The Interface (15:49)


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    The EQ Module (14:56)


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    Matching EQ (9:43)


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    MS Processing (7:16)


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    Reverb Module (9:02)


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    Crossover Network (9:43)


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    Harmonic Exciter (12:17)


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    Dynamics Pt. 1 (20:59)


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    Dynamics Pt. 2 (8:12)


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    Dynamics Pt. 3 (17:19)


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    Stereo Imaging (15:30)


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    Maximizer: Limiter (20:00)


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    Maximizer: Dither (17:07)


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    General Options (10:47)


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    Meter Bridge (8:53)


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    Meter Taps (6:59)


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    Basic vs Advanced (13:11)


iZotope Ozone 5 is now considered the "go to" plug-in for mastering and polishing sounds inside your DAW. Professional mix engineer Michael Costa takes you deep into this wondrous and powerful plug-in, breaking it down step by step.

Michael starts at the beginning, giving you detailed overviews of the user interface and common controls. He then delves into the powerful EQ module and how to use the "Match EQ" feature to take the sound of your favorite recording and impose it on your track. Next Michael gets into MS Processing, the Reverb Module, Crossover Network and the awesome Harmonic Exciter.

Michael then goes deeper, diving into the fantastic Dynamics section that spans 3 parts. Next up is Stereo Imaging, Maximizing, General Options, and then some tutorials specifically for the Ozone 5 "Advanced" version users.

If you use or want to use Ozone 5, get the most out of it with the most comprehensive video series available... Watch "Ozone 5 Explained" today.


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1. When did you start dabbling in music?

I was classically trained in piano from the age of 7 and had a strong obsession with popular music right throughout my youth. I played keyboards in various rock bands in the mid 80's but found a pronounced leaning towards the technology and computer side of music as samplers and computers became more attainable in the late 80's.

2. What training have you had?

In 1989 I completed my Bachelor of Arts, majoring in Music Technology from La Trobe University in Melbourne, Australia. Much of my tech knowledge in those pre-internet days came from devouring issues of Keyboard, Mix and EM - monthly, without fail.

3. When did you get into recording?

I started getting into recording in 1984 with a Tascam 244 4-track cassette system. In 1989 I moved to a Digidesign Sound Tools II system - a true random access 2 track editor - and that was the beginning of a long association with Digidesign products. I married this hardware up to Opcode's Studio Vision for many years as well as getting in at the ground floor with Pro Tools v1 in 1991. I've been a Pro Tools user since then right up to the current day.

4. People you have worked with/for?

I've been lucky enough to work with a huge cross section of talent within the Australian music scene. Names like: INXS, Little River Band, John Farnham, Kasey Chambers and Richard Clapton. Plus music editing on breakout movies like Shine and Strictly Ballroom with Oscar nominated composer, David Hirschfelder.

5. Why are you so good at training people?

I think I'm good at training because I really love this stuff - I genuinely want to show people how cool these tools are. Even as a fully grown adult, I still find myself getting excited like a little kid about the magic we can do with our systems these days and wondering how far it can go in the years to come. I hope that enthusiasm is contagious!

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