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Introduction (5:32)
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PuigTec EQP-1A (9:40)
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PuigTec MEQ-5 (4:48)
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PuigTec Mains Section (10:49)
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Linear Phase EQ (23:00)
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Linear Phase EQ Lowband (3:34)
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L2 (13:02)
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IDR (10:43)
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L3 Multi & Ultra (16:25)
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L3-LL (Multi & Ultra) (7:29)
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L3-16 (10:02)
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LinMB (19:11)
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MaxxVolume (9:54)
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Center (8:07)
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Dorrough (16:13)
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Mastering a Track (18:26)
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Mastering Multiple Tracks Pt. 1 (2:17)
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Mastering Multiple Tracks Pt. 2 (19:10)
This is it, the first and only 'Qualified and Approved' third-party Waves training videos, authorized by Waves. The first title in many to come, DAW guru Michael Costa takes you through the Waves Grand Masters Collection plug-in by plug-in, explaining each, showing you all of their features and functions, as well as uses regarding the art of mastering.
Waves is 'industry standard' for the best sounding plug-ins, used by countless producers and engineers, and are heard on almost every modern recording. This collection focuses on revealing how to use the Waves Grand Masters collection on your stereo mixes to sweeten and fix common problems, as well as creative uses. You'll get plug-in overviews, specific applications for all the plug-ins in the collection, as well as tips and tricks on mastering 'in the box'. Michael wraps up the series with 3 'in-action' videos showing you step by step how he used the Waves Grand Masters bundle to master a 5 song project. If you're a Waves user and want to master in the box, this series is a must have. Get the only qualified and approved Waves training from Groove 3 today.
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Reviews
Submitted 5 months ago
Peeling back that mastering veil.
An excellent start for me towards learning the art and science of mastering. Michael Costa is a great teacher taking you from first learning the tools of the trade, to mastering a track, and finally mastering a project featuring different tracks by different artists. This really helped me understand what mastering is and what it isn't. I recommend this one. Only critiques I have is that the music could be louder (as a previous reviewer has mentioned). Some of these mastering processes are so subtle that a bit of a volume boost would help. The other one is that the video is formatted to 4:3, so a lot of screen real estate isn't taken advantage of.
I am a: Hobbyist, Semi-Pro, Musician, Producer, Beat Maker, Audio Engineer, Sound Designer, Ableton Live, Logic Pro
Submitted 1 year ago
Lots of detailed info
Very well explained. The music should be higher in the mix so we can hear what's going on better.
I am a: Professional, Musician, Producer, Audio Engineer, Logic Pro
Submitted 1 year ago
Very detailed and thorough
Great series. I'm new to mastering so I'm not in a good position to find fault with anything but the material is very well presented with lots of very detailed examples so I found the videos very worthwhile. I rated the "ease of access and availability" only a 4 only because every now and then I discover some videos on Groove3 that I hadn't come across before despite having looked around a lot numerous times. I don't think they're new additions; I suspect these "pop up" videos just aren't listed correctly.
I am a: Hobbyist
Submitted 1 year ago
Top
This course has helped me to sound better, not only mastering but also many tricks that can be applied in the mixing process :)
I am a: Semi-Pro, Producer, Ableton Live
1. When did you start dabbling in music?
I was classically trained in piano from the age of 7 and had a strong obsession with popular music right throughout my youth. I played keyboards in various rock bands in the mid 80's but found a pronounced leaning towards the technology and computer side of music as samplers and computers became more attainable in the late 80's.
2. What training have you had?
In 1989 I completed my Bachelor of Arts, majoring in Music Technology from La Trobe University in Melbourne, Australia. Much of my tech knowledge in those pre-internet days came from devouring issues of Keyboard, Mix and EM - monthly, without fail.
3. When did you get into recording?
I started getting into recording in 1984 with a Tascam 244 4-track cassette system. In 1989 I moved to a Digidesign Sound Tools II system - a true random access 2 track editor - and that was the beginning of a long association with Digidesign products. I married this hardware up to Opcode's Studio Vision for many years as well as getting in at the ground floor with Pro Tools v1 in 1991. I've been a Pro Tools user since then right up to the current day.
4. People you have worked with/for?
I've been lucky enough to work with a huge cross section of talent within the Australian music scene. Names like: INXS, Little River Band, John Farnham, Kasey Chambers and Richard Clapton. Plus music editing on breakout movies like Shine and Strictly Ballroom with Oscar nominated composer, David Hirschfelder.
5. Why are you so good at training people?
I think I'm good at training because I really love this stuff - I genuinely want to show people how cool these tools are. Even as a fully grown adult, I still find myself getting excited like a little kid about the magic we can do with our systems these days and wondering how far it can go in the years to come. I hope that enthusiasm is contagious!
Products by Michael
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tutorial videoAuto-Tune 7 Explained
Officially authorized by the makers of Auto-Tune, Antares Audio Technologies, this collection of video tutorials will leave no Auto-Tune 7 question unanswered. Shot with Auto-Tune 7, the series contains in-depth video tutorials running over 2 1/2 hours in length.
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tutorial videoBuilding a DAW Mix Template
Studio wiz Michael Costa brings you in-depth video tutorials focused on building an awesome mixing template for your DAW. See how professionals get a mix done with this time-saving practice that allows you to concentrate on the mix!
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tutorial videoDSP Quattro Explained
DSP Quattro offers a unique way to process and edit audio and build CDs. In this comprehensive video tutorial series, studio expert Michael Costa unlocks the secrets of DSP Quattro and gets you running with this powerful studio tool.
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tutorial videoKush Plug-Ins Explained
Do you use Kush Audio plug-ins? Well, DAW guru Michael Costa is back and this time he is taking on Kush Audio's UBK-1 motion generating compressor and the Clariphonic dual channel parallel EQ. Michael breaks down the interfaces and how these two amazing, analog sounding plug-ins can be used on several different types of instruments.
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tutorial videoMastering in the Box Explained
Everyone who uses a DAW at some point will attempt to "master" their production. Many however, will fail. This new series from studio wiz Michael Costa will show you the basics of mastering in the box using typical plug-ins and how to address many common issues found in recordings, as well as as more advanced techniques to solve other trickier problems.
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