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Music Theory & Notation Tutorial

Jazz Theory Explained®

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35 Videos | Length: 5hr 10min 21sec
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Chapter 1 : Building Blocks

  • image description 3:27

    The Language of Jazz

    Introduction and overview of the general topics that will be covered in this video series.

  • image description 6:25

    Chord Functions and Voicings

    Four note chords built on diatonic scale steps have the same qualities, or functions, regardless of the key they are in. Learn about the chord functions built on the diatonic notes of a major scale.

  • image description 6:51

    Extensions

    Explore which chord tones can be added onto which specific chord qualities as a means of adding color and spice to enhance basic diatonic harmony.

  • image description 11:03

    Guide Tones

    Learn a simple three note voicing using guide tones and step wise movement that works throughout the cycle of fourths with ii – V – l chord patterns.

  • image description 10:01

    The Blues

    Discover how the simple three-chord blues progression is enhanced using ii-V-l chord progressions and altered dominant chords.

Chapter 2 : Chords and Voicings

  • image description 7:46

    System A and System B Voicings

    Discover how to add color notes to guide tones and create rich sounding three note right hand chord voicings.

  • image description 10:22

    Four Note Rootless Voicings

    See how to expand the System A and System B voicings to a full four notes. By omitting the root and leaving it for the bass player, you can use two hands to enter these four note chords if necessary.

  • image description 10:28

    Walking Bass Lines

    Learn how to construct bass lines that support the underlying harmony when rootless voicings are being used.

  • image description 12:20

    It Don't Mean a Thing...

    Explore the way various parts of the drum kit in are used, in straight ahead jazz style, to keep time as well as propel the soloist forward.

  • image description 9:05

    Comping Rhythms

    Discover ways of “comping”, providing harmonic accompaniment on top of a walking bass line and drums, and how different rhythms and voicings are used to vary the texture and feel at different tempos.

Chapter 3 : Scales, Licks and Motifs

  • image description 7:19

    Three to Nine

    Learn the beginning ABCs of improvisation by practicing these exercises outlining “three to nine” arpeggios, four beats and two beats each, in all twelve keys.

  • image description 9:37

    Pivot Exercises

    Discover ways to give arpeggiated lines more varied shape by dropping the fifth degree of the chord down by an octave.

  • image description 11:04

    Major Scale Harmony

    Explore the various modes derived from each degree of the major scale, and what chord qualities they are used over.

  • image description 11:32

    Melodic Minor Scale Harmony

    Study the evolution and uses of the various minor scales, and the various modes derived from the “Jazz Minor” version.

  • image description 10:43

    Mixolydian Altered Exercises

    Learn how to use altered notes in the mixolydian scale and to begin and end on different scale degrees to ensure that chord tones land on string beats.

  • image description 9:44

    Jazz Scales

    Discover other commonly used jazz scales, and the type of chords and tonalities they are used over.

  • image description 10:33

    Neighboring Tones

    Explore how upper and lower neighboring tones are used as ornaments around chord tones.

  • image description 7:30

    ii-V-l Licks

    See some of the concepts we have been discussing in use in melodic lines; including mixolydian altered, upper and lower neighbors, and three to nine arpeggios.

  • image description 9:51

    More Major ii-V-l Lines

    More examples of how to construct melodic lines using previously discussed scales and devices.

  • image description 7:27

    Minor ii-V-I Lines

    See and hear some real world examples of minor ii-V cadences that are two beats each, and a full bar each; using the locrian, altered (super locrian), and harmonic minor of destination scales.

  • image description 7:49

    Whole Tone Scale Patterns

    Explore the use of patterns over the symmetrical whole tone scale, and how they differ from playing melodic 'lines'.

  • image description 7:56

    Diminished Scale Patterns

    Another 'symmetrical scale', the diminished scale lends itself to patterns that work nicely over diminished chords as well as related altered dominant chords.

Chapter 4 : Modal Approaches and Concepts

  • image description 7:12

    Pentatonic Equivalences

    Explore the use of pentatonic scales over various chord qualities and how the same pentatonic can be used over multiple underlying harmonies.

  • image description 13:34

    Pentatonic Patterns

    Take a wild ride using various pentatonic scales over related and unrelated chords, slide slipping along the way from the simple to the complex!

  • image description 8:39

    The Kumoi Scale in Action

    Discover how to create Kumoi patterns and string them together on top of several different underlying chords.

  • image description 8:15

    Pentatonic, Dorian and Kumoi Voicings

    Explore how spreading out the notes derived from the Pentatonic, Dorian, and Kumoi scales can create modern open sounding chord voicings.

Chapter 5 : Chord Substitutions

  • image description 4:59

    Drop 2 Voicings

    Learn how to create wider more open chord voicings by dropping the second voice down an octave.

  • image description 11:11

    Tritone Substitutions

    Discover ways of re-harmonizing standard chord progressions by replacing chords with alternates built on the root a tritone away.

  • image description 9:22

    Chord Subs and Reharmonizations

    Explore some of the tried and true devices and techniques used by jazz musicians over the decades to spice up ordinary sounding chord progressions and make them more interesting to improvise over.

  • image description 12:05

    Blues and I Got Rhythm Chord Subs

    Learn how some of the chord substitution techniques we have discussed are used over the most often used common chord progressions.

Chapter 6 : Putting It All Together

  • image description 6:49

    Standard Endings

    Learn some of the time honored conventions used to end jazz tunes.

  • image description 3:44

    Necessary System

    Discover an easy and simple system of voicings designed specifically for non piano players to be able to get through the outline of a tune and hear the chord changes and melody at the same time.

  • image description 4:35

    Overview and Bass Part

    Watch as I take an original composition and use a lead sheet to construct an arrangement for small ensemble. Here we’ll analyze the chords and lay down the primary bass part.

  • image description 10:31

    Melody and Drums

    Watch as the melody is recorded and doubled, and how the drums and piano are played to support the natural accents of the melody.

  • image description 10:32

    Piano Solo

    Watch as the left and right hand parts are conceptualized and recorded separately for this up tempo piano solo.

Product Overview


Presented by music theory master Eli Krantzberg, this collection of video tutorials focuses on all that is Jazz.

This information in this series is the "tried and true" jazz theory and methods taught in music schools and colleges around the world. The series was developed for beginners who want to get into Jazz music, and learn the necessary basics, as well as more advanced topics about this long standing art form.

First you'll be shown jazz theory basics such as how jazz chords and chord progressions are derived, and the foundation for constructing chord voicings. Then, Eli explores useful systems of chord voicings, and how to play and integrate them with bass and drums. Next, you'll see how to develop melodic sensibilities and approaches for improvising over standard chord progressions using the appropriate scales and motivic devices. Scales, licks and modes are then covered as well as modes and chord substitutions. Finally, Eli wraps it all up with a real world musical collaboration with jazz guitarist Doug Zangar.

If you're ready to get jazzed, get Jazz Theory Explained today.


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mixmonk
Submitted 1 month ago

Insightful!

With a background in rock, I always wanted to understand jazz theory but struggled where to begin. This course is very neatly structured, perfectly paced and very directional. Now I'm totally aware of what I need to learn and where this journey in learning jazz theory is going.


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Marco Lorenzo Faustini
Submitted 6 months ago

Very well done!

A good way to study/refresh jazz theory. Complimenti! Marco Lorenzo Faustini, Rome

I am a: Semi-Pro, Musician, Cakewalk Sonar


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

temporalspaceclub
Submitted 2 years ago

Brilliant

A thorough introduction to the art and language of Jazz! There's a lot of material here that I will be returning to over and over again in the next few months until I've mastered it :) especially as a guitarist, it's inspired me to get my keyboard playing together more to approach things from a different perspective.

I am a: Semi-Pro, Musician, Sound for Film/TV, Cubase, Reason


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Janka
Submitted 2 years ago

Lots of useful info

As usual Eli does a great job. Looking forward to practice using some of the demonstrated concepts.

I am a: Semi-Pro, Musician


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

musicmanboy
Submitted 2 years ago

fanatastic !

right to the point - he focuses on the key, core principles to get you playing right away.

I am a: Musician


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

John
Submitted 3 years ago

This is a great course for learning jazz

this course covers many of the basic principals of jazz and is a fantastic way into the genre

I am a: Hobbyist


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Chas
Submitted 3 years ago

Clear, concise, articulate...

In addition to my composing interests, I do a LOT of voiceover work (been in the entertainment business for 40+ years - film and television acting) so I know good work from bad work. This series is well produced and the narrator/tutor did a fine job...

I am a: Professional


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

erhanakd
Submitted 3 years ago

Awesome!

I am not a beginner and I am a guitarist. He explains all the key concepts as a guitarist will understand and apply too.

I am a: Musician


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

mixmonk
Submitted 1 month ago

Insightful!

With a background in rock, I always wanted to understand jazz theory but struggled where to begin. This course is very neatly structured, perfectly paced and very directional. Now I'm totally aware of what I need to learn and where this journey in learning jazz theory is going.

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Marco Lorenzo Faustini
Submitted 6 months ago

Very well done!

A good way to study/refresh jazz theory. Complimenti! Marco Lorenzo Faustini, Rome

I am a: Semi-Pro, Musician, Cakewalk Sonar

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

temporalspaceclub
Submitted 2 years ago

Brilliant

A thorough introduction to the art and language of Jazz! There's a lot of material here that I will be returning to over and over again in the next few months until I've mastered it :) especially as a guitarist, it's inspired me to get my keyboard playing together more to approach things from a different perspective.

I am a: Semi-Pro, Musician, Sound for Film/TV, Cubase, Reason

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Janka
Submitted 2 years ago

Lots of useful info

As usual Eli does a great job. Looking forward to practice using some of the demonstrated concepts.

I am a: Semi-Pro, Musician

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

musicmanboy
Submitted 2 years ago

fanatastic !

right to the point - he focuses on the key, core principles to get you playing right away.

I am a: Musician

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

John
Submitted 3 years ago

This is a great course for learning jazz

this course covers many of the basic principals of jazz and is a fantastic way into the genre

I am a: Hobbyist

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Chas
Submitted 3 years ago

Clear, concise, articulate...

In addition to my composing interests, I do a LOT of voiceover work (been in the entertainment business for 40+ years - film and television acting) so I know good work from bad work. This series is well produced and the narrator/tutor did a fine job...

I am a: Professional

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

erhanakd
Submitted 3 years ago

Awesome!

I am not a beginner and I am a guitarist. He explains all the key concepts as a guitarist will understand and apply too.

I am a: Musician

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

Products by Eli

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    AAS Chromaphone Explained

    Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!

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    AAS Strum GS-2 Explained

    In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

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    AirEQ Explained

    Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!

  • image description
    tutorial video

    Alchemy 2 Explained

    Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

  • image description
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    Ample Sound Super Jumbo Explained

    Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.

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Jazz Theory Explained® is rated 4.9 out of 5 by 8 .
Rated 5.0 out of 5 by from Insightful! With a background in rock, I always wanted to understand jazz theory but struggled where to begin. This course is very neatly structured, perfectly paced and very directional. Now I'm totally aware of what I need to learn and where this journey in learning jazz theory is going.
Date published: 2019-07-10
Rated 5.0 out of 5 by from Very well done! A good way to study/refresh jazz theory. Complimenti! Marco Lorenzo Faustini, Rome
Date published: 2019-02-05
Rated 5.0 out of 5 by from Brilliant A thorough introduction to the art and language of Jazz! There's a lot of material here that I will be returning to over and over again in the next few months until I've mastered it :) especially as a guitarist, it's inspired me to get my keyboard playing together more to approach things from a different perspective.
Date published: 2017-07-26
Rated 5.0 out of 5 by from Lots of useful info As usual Eli does a great job. Looking forward to practice using some of the demonstrated concepts.
Date published: 2017-03-23
Rated 5.0 out of 5 by from fanatastic ! right to the point - he focuses on the key, core principles to get you playing right away.
Date published: 2017-03-17
Rated 5.0 out of 5 by from This is a great course for learning jazz this course covers many of the basic principals of jazz and is a fantastic way into the genre
Date published: 2016-12-02
Rated 5.0 out of 5 by from Clear, concise, articulate... In addition to my composing interests, I do a LOT of voiceover work (been in the entertainment business for 40+ years - film and television acting) so I know good work from bad work. This series is well produced and the narrator/tutor did a fine job...
Date published: 2016-10-10
Rated 5.0 out of 5 by from Awesome! I am not a beginner and I am a guitarist. He explains all the key concepts as a guitarist will understand and apply too.
Date published: 2016-10-10
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