FM8 Explained®
Chapter 1 : Basics
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2:22 Introduction
Native Instruments FM8 is one of the most powerful and versatile soft synths on the market. It's primarily a frequency modulation synthesize,r but it can also be used as a subtractive and an additive synth as well. Over the course of these tutorial videos we're going to look in-depth at every page and every parameter leaving no stone unturned, so that by the end you are an FM8 expert!
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8:50 Overview
In this video we'll launch FM8 in stand-alone mode and make sure the audio and MIDI settings are set up correctly. We'll then take a brief tour of the synth, examine every page and I'll explain in general terms what everything does.
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7:50 The Browser & Attributes
In this video we'll learn how to navigate the browser effectively and find the sound we're looking for. We'll learn how to import SYSEX files (I'll explain what one of those is!) and we'll also look at using attributes to categorize our patches effectively and make them easier to find in the browser.
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13:07 The Master Page
The Master Page contains a lot of global settings which will come in really handy when we come to designing our FM8 patches. In this video we'll go through every knob and button on the Master page so you know exactly what each one does.
Chapter 2 : Effects and Arpeggiator
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12:43 Effects
FM8 contains a whole suite of effects which we can use to process our patches. In this video, we'll explore each effect and I'll explain what every parameter does. We'll also look and learn how to call up effect templates as well as saving our own templates.
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11:43 The Arpeggiator
This is one of the most fun aspects of FM8. In this video we'll learn how to use the various perimeters of the arpeggiator to produce many different rhythmic patterns from melodic broken chords sequences to squelch 303 style lines to retro Chiptune riffs!
Chapter 3 : Hard and Easy
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9:35 Introduction to Expert Mode
In this video we'll take our first look at expert mode. We'll establish the fundamental principles behind FM synthesis and learn how we can use operators as carriers and modulators to alter the timbre and amplitude of our sound.
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10:25 Easy/Morph Page
In this video we'll learn how we can use the Easy/Morph page to radically change our patches as well as other peoples. By using the simple parameters in Easy/Morph, we can make changes to complex sounds in a matter of seconds. We'll also take our first look at the X Y morph pad.
Chapter 4 : Operators and Envelopes
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10:32 Operators Pt. 1
In this video we'll return to expert mode and take a closer look at our operators. Explore in depth everything our standard operators, A - F are capable of, how we can route them using the FM matrix and we'll also take an in depth look at operator X.
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7:00 Operators Pt. 2
Continued from Operators Part 1.
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7:14 Envelopes Pt. 1
In this video we'll take our first look at FM8's very sophisticated envelopes. We'll see how we can use them to create innovative warping textures and looping patterns. We'll also have a look at the envelopes in FM8's Keyscale page.
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10:31 Envelopes Pt. 2
Continued from Envelopes Part 1.
Chapter 5 : Advanced Synthesis and Routing
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15:13 The Modulation Matrix & LFOs
In this video we'll explore the modulation matrix. We'll see how we can route modulation from a variety of different sources to our operators and how we can use LFOs to control parameters and give our patches a more natural performance feel.
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9:43 FM8 as a Subtractive Synth
FM8 is not just an FM Synthesizer. in this video we'll take an in depth look at Operator Z and learn how we can use FM8 as a powerful subtractive synth.
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8:59 Routing External Audio into FM8
In this video we'll see how by using FM8 as an effect plug-in within our DAW, we can use FM8's suite of effects to process external audio. We'll also see how we can use external audio to module FM8's operators as well as using operators to modulate our incoming audio.
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9:13 The XY Morph Pad In-Depth
The XY Morph Pad is a feature of FM8 which allows us to morph between different settings and can be a fantastic tool for creative sound design. In this video we'll explore the possibilities of the morph pad and learn which perimeters can be morphed and which can't.
Chapter 6 : Sound Design
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8:39 Boards of Canada-esque Pad
FM Synthesis is often associated with very harsh digital sounds, but FM8 can also produce very warm analog-like tones. In this video we'll use FM8 to create a warm, detuned, Boards of Canada-esque synth pad.
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11:32 Synth Drums in FM8
FM8 is a really versatile synth. As well as melodic synths, FM8 can also produce percussive drum like sounds. In this video we'll create a synthesized Kick, Snare, Hi-Hat and Tom all using only FM8.
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8:55 Dubstep Bass in FM8 Pt. 1
FM8 can produce some very hard, aggressive, abrasive and complex sounds which are perfect for Dubstep. In this video we'll make five devastating bass patches as well as a sub bass patch.
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7:45 Dubstep Bass in FM8 Pt. 2
Continued from Dubstep Bass in FM8 Part 1.
Product Overview
Unleash the true power of Native Instrument's FM8 virtual synth! FM8 master Al Swettenham breaks this monster synth down, step by step, so you can grasp the amazing power and creativeness of FM synthesis.
Al begins with the important basics such, as an introduction to the synth, a detailed overview and how to use the main Browser & Attributes page as well as the Master page. Next, Al jumps into FM8's powerful effects and arpeggiator and introduces you to "Expert Mode" as well as the "Easy / Morph" page. Al then reveals the Operators and Envelopes sections, advanced synthesis and routing and finishes up with custom FM8 sound design.
If you use Native Instruments FM8 for your productions, get the most out of it and see how truly powerful it really is. Tune-in to the wonderful world of FM synthesis... Watch "FM8 Explained" today.
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Reviews
Submitted 3 months ago
Another fantastic tutorial!
I've seriously learned so much over the last few months and its mind blowing! thanks again for adding to my musical knowledge!
I am a: Beginner, Student, Hobbyist, Producer, Beat Maker, Sound Designer, Ableton Live
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 months ago
I can create sounds in FM8 NOW!!
AI Swettenham is really a great instructor. I was very frustrated and overwhelmed by the look of the synth's GUI and didn't know from where to start exactly. Now, I can easily differentiate between each section and area in the synth and know how they are interrelated. Finally! I no longer have to rely on factory presets only. Creating sound became my dopamine addiction!! Thanks AI Swettenham :)
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Just Right
This is the best FM8 tutorial I’ve come across so far. It played right to my weaknesses and coincidentally answered my most pressing questions, mostly to do with modulation and operator Z. Highly recommended all around.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Really helpful
I've just obtained FM8 and this course really helped me get started with it.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Very Good.
I felt daunted by FM8 and its apparent complexity. But this tutorial explains very well each feature in a pleasant way. Thank you very much.
I am a: Hobbyist, Musician, Cubase
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Excellent Presentation
I am just now digging into all the NI Synths that are included in the Komplete 11 Bundle. I needed an introductory course to the FM8 and this by far exceeded my expectations. Thank you!
I am a: Semi-Pro, Musician, Pro Tools
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Eye opening Tutorial
This Course was a great eye opener for a FM8 which i usually only used for pads... Wow did i learn SO much. Thank you for this.
I am a: Professional, Producer, Ableton Live, Logic Pro, Pro Tools, Reaper
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
I like
Straight forward and simple
I am a: Beginner, Musician, Producer, Beat Maker, Audio Engineer, Cubase, Pro Tools
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Good for beginners of fm synthesis
It's easy to follow if you are trying to learn fm synthesis
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 years ago
Fantastic!
Thank you for creating this. It's so thorough, and fun.
I am a: Student, Hobbyist, Musician, Producer
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 3 months ago
Another fantastic tutorial!
I've seriously learned so much over the last few months and its mind blowing! thanks again for adding to my musical knowledge!
I am a: Beginner, Student, Hobbyist, Producer, Beat Maker, Sound Designer, Ableton Live
Submitted 3 months ago
I can create sounds in FM8 NOW!!
AI Swettenham is really a great instructor. I was very frustrated and overwhelmed by the look of the synth's GUI and didn't know from where to start exactly. Now, I can easily differentiate between each section and area in the synth and know how they are interrelated. Finally! I no longer have to rely on factory presets only. Creating sound became my dopamine addiction!! Thanks AI Swettenham :)
Submitted 2 years ago
Just Right
This is the best FM8 tutorial I’ve come across so far. It played right to my weaknesses and coincidentally answered my most pressing questions, mostly to do with modulation and operator Z. Highly recommended all around.
Submitted 2 years ago
Really helpful
I've just obtained FM8 and this course really helped me get started with it.
Submitted 3 years ago
Very Good.
I felt daunted by FM8 and its apparent complexity. But this tutorial explains very well each feature in a pleasant way. Thank you very much.
I am a: Hobbyist, Musician, Cubase
Submitted 3 years ago
Excellent Presentation
I am just now digging into all the NI Synths that are included in the Komplete 11 Bundle. I needed an introductory course to the FM8 and this by far exceeded my expectations. Thank you!
I am a: Semi-Pro, Musician, Pro Tools
Submitted 3 years ago
Eye opening Tutorial
This Course was a great eye opener for a FM8 which i usually only used for pads... Wow did i learn SO much. Thank you for this.
I am a: Professional, Producer, Ableton Live, Logic Pro, Pro Tools, Reaper
Submitted 3 years ago
I like
Straight forward and simple
I am a: Beginner, Musician, Producer, Beat Maker, Audio Engineer, Cubase, Pro Tools
Submitted 3 years ago
Good for beginners of fm synthesis
It's easy to follow if you are trying to learn fm synthesis
Submitted 4 years ago
Fantastic!
Thank you for creating this. It's so thorough, and fun.
I am a: Student, Hobbyist, Musician, Producer
1. When did you start dabbling in music?
I've been dabbling in music for as long as I can remember in one way or another. As a toddler, my Dad used to sit me at the piano while he played and I'd just bash the keys! But it was in my early teens that I first started trying to write electronic music and learning to program MIDI. I wasn't great at it then but I really enjoyed it and I knew from then on that all I wanted to do was music. When I was 14 I made a CD of my own self made house tunes and persuaded them to sell it in my local record shop down the road. The tracks were pretty basic but I sold all 20 copies!
2. What training have you had?
I did an A-Level in Music Technology, it was pretty retro; we were recording onto analog tape with a Tascam MSR-16 and there were usually only about 8 or 9 channels on the 16 channel desk actually working at any given time! Then I did a BA (Hons) in Popular Music Production at the University of Huddersfield, they were a lot better equipped! I also spent a year working as a trainee studio engineer at ICC Studios, a great recording studio down on the south coast of England. That was really where I cut my teeth, learning to use with Pro-Tools and SADiE. It was hard work but also great fun. ICC was also where I learned the people skills necessary to be a studio engineer. Helping musicians feel comfortable and relaxed so they can give a great performance is a vital part of the job and those skills have come in very handy when working with vocalists on my own music.
3. When did you get into recording?
I first got into recording when I did my A-Level, before that I was really just making crude general midi tracks using a really basic version of Cubase called Cubasis AV. That was a really important step on the road to becoming a producer, before then I didn't really know how to use EQs and compressors effectively. Given that most of my experience up to that point had been teaching myself how to use various bits of software to write dance music, getting some proper training in micing up guitar cabs and drum kits, all using analogue equipment was really valuable.
4. People you have worked with/for?
I'm one third of Rebel Sonix, audio visual bass merchants based in Brixton, London. I joined after having done a few collabs and remixes with them over the last year. I've also worked with Adam Freeland, most notably on a dubstep remix of the James Bond theme for the launch of the videogame Goldeneye Reloaded. I've remixed several tracks by FeralisKinky, the UK's first ever white, female raga vocalist, and I remixed Delirious' last ever single before they broke up, which was a real honour since I remember going to their gigs as a teenager! Other artists I've worked with include Whiskey Pete, Adam Fielding, Steve Leach, Tom+Olly and You And What Army. I get approached quite a lot to do remixes and collabs and I try to do as much as I can, with the inevitable consequence that I'm always really busy!
5. Why are you so good at training people?
I've spent more than 10 years now learning about studio recording, computer composition and sound design and music production. As a producer I never stop learning because I'm always trying to improve my own production skills. I'm comfortable working in a diverse range of genres as well as a diverse range of software and plugins. I also believe I'm clear, concise and articulate (a trait I've absorbed via osmosis from my parents who are both teachers.) But most of all I'm really passionate about this stuff, music production is my life and when I discover something new I get really excited and want to tell people (just ask my wife!)
Products by Al
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tutorial videoFM8 Explained
Unleash the true power of Native Instruments FM8 virtual synth! FM8 master Al Swettenham breaks this monster synth down, step by step so you can grasp the amazing power and creativeness of FM synthesis. LEarn the ins and outs as well as how to create popular sounds using Native Instruments FM8.
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tutorial videoMaking Trap with Reason
Reason super user Al Swettenham is back with another series and this time it's all about Trap! Join Al as he shows how to use Reason 7 to create all the characteristic genre tropes of this hugely successful genre of bass music as he creates a track from the ground up.
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tutorial videoMONARK Explained
Do you use REAKTOR 5's ensemble MONARK in your productions? Groove 3 resident trainer Al Swettenham is here to show you the ins & outs of this monophonic subtractive synthesizer, as well as how to use it creatively.
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tutorial videoPatch Design in Thor
Do you use the mighty Thor virtual synth in your productions? Well, Reason wizard Al Swettenham will show you some cool ways to get huge sounds out of Thor in this power packed micro series.
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