eiosis e2deesser Explained®
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4:11 Factum
Learn how the incoming signal is routed to three different units, and how the basic controls interacts with each other.
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5:38 Duty of Care
Learn about the various sibilant detection modes, and hear the basic functions applied to a female voice over.
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5:44 Metering & Sibilant Wide-Band Gain Controls
Explore the idle threshold controls, and see how it interacts with the wide band gain control and amount knob.
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4:13 Auto vs Wide-Band Deessing
Hear the results of the auto detection algorithm compared to the wideband deessing algorithm on a female voice over.
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7:06 Working with EQ Bands
Discover how to create and modify individual EQ bands that can be used on either the voiced portion of the incoming signal or on the sibilants that are detected.
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4:10 In Action on Drums
Follow along as the deesser is used to tame a strident sounding ride cymbal bell.
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4:55 In Action on Reverb
Hear the deesser at work taming the high end of a reverb return that sits predominantly in the mix as a sound design element.
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2:51 Another Approach
Use two instances of the deesser on parallel tracks in order to isolate the sibilant and voiced signals for independent processing and volume control.
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6:28 Plug-In Controls & Preset Management
Learn to manage banks and presets, and how to use the spectogram, A/B snapshots, redo/undo, kick and other functions.
Product Overview
Say goodbye to sibilance with eiosis’s e2deesser! In these in-depth video tutorials, Eli Krantzberg shows you the ins and outs of this amazing plug-in, plus how to silence annoying and troublesome sibilance in your recordings and tracks!
Watch and learn how to quickly and easily eliminate annoying S’s, T’s, plosives and harshness, on vocals, instruments, and even reverb, resulting in a professional “polished” sound, that’s more easy to mix and listen to.
See the individual tutorial descriptions below for more info, and make better tracks now… Watch “eiosis e2deesser Explained” today!
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Reviews
Submitted 1 year ago
Super helpful video “manual”
This is a must watch series if you really want to learn how to use this amazing de esser.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
Great!!!
This is a really good overview and walk through the e2deesser using useful audio examples of how this plugin works. Recommended!
I am a: Beginner, Hobbyist, Semi-Pro, Producer, Beat Maker, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Some really neat alternative ways to achieve things.
Easy to understand and follow.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Very Informative
Learned a lot about it. Showed a lot of different uses. Showed how to save your own presets. Wish he spoke a little about using presets that come with it and how to adjust from there.
I am a: Hobbyist, Musician, Audio Engineer, Pro Tools
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Explanation is easy to understand.
Possibly the best deesser on the market! Definitely my favorite.
I am a: Producer, Professional, Audio Engineer, Beat Maker
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Eiosis deesser
Very good instruction and explanations. Audio of instructor was very good; excellent communicator.
I am a: Hobbyist
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 1 year ago
Super helpful video “manual”
This is a must watch series if you really want to learn how to use this amazing de esser.
Submitted 1 year ago
Great!!!
This is a really good overview and walk through the e2deesser using useful audio examples of how this plugin works. Recommended!
I am a: Beginner, Hobbyist, Semi-Pro, Producer, Beat Maker, Logic Pro
Submitted 2 years ago
Some really neat alternative ways to achieve things.
Easy to understand and follow.
Submitted 2 years ago
Very Informative
Learned a lot about it. Showed a lot of different uses. Showed how to save your own presets. Wish he spoke a little about using presets that come with it and how to adjust from there.
I am a: Hobbyist, Musician, Audio Engineer, Pro Tools
Submitted 2 years ago
Explanation is easy to understand.
Possibly the best deesser on the market! Definitely my favorite.
I am a: Producer, Professional, Audio Engineer, Beat Maker
Submitted 3 years ago
Eiosis deesser
Very good instruction and explanations. Audio of instructor was very good; excellent communicator.
I am a: Hobbyist
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
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tutorial videoAAS Chromaphone Explained
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
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tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoApogee Maestro 2 Explained
Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.
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