Waves H-Reverb hybrid reverb plug-in fuses multiple technologies to give you more control than previously possible and provide a richer, deeper sounding reverb. Waves guru Todd Tatnall gives you an in-depth series explaining this awesome plug-in inside and out.
After a general introduction to the series, Todd walks you through Installing and Authorizing the Software. Next, it's right into Main Section, where you'll learn about the Reverb and its Main Controls.
Todd then dives into the Decay Envelope, Input, and Output Echoes, where you'll discover how to Enhance Your Reverb Tail and use H-Reverb's Echo Options. From there, Todd shows you the EQ and Filters available to you in H-Reverb.
Moving on, Todd guides you through the use of Time Filters, how the various Dynamics and Global Settings effect the Reverb, and then concludes with The WavesSystem Toolbar, where Todd teaches you how to Store and Recall Your Settings in these plug-ins.
Whether you're new to H-Reverb and looking to explore its depths, or an experienced user looking for some new tips and tricks, watch "Waves H-Reverb Explained" today!
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Reviews
Submitted 6 months ago
Good overview to get you started
Steps through each of the features in H-Reverb to get you started.
I am a: Hobbyist, Beat Maker, Ableton Live, Logic Pro
Submitted 1 year ago
Generally good, but...
I'm sorry man but I just can't get past the fact that you have the reverb on an aux track as a send but you don't have it set to 100% wet. That is just inexcusable! I kept seeing that wet/dry knob and feeling disturbed :(
Submitted 1 year ago
Excellent tutorial.
If you have H-Reverb, this is the tutorial to watch. Very well presented with all necessary details in an easy to understand way.
I am a: Professional, Musician, Producer, Audio Engineer, Logic Pro
1. When did you start dabbling in music?
When I was really young, maybe 3 or 4 years old. That's when I got my first (toy) drum set and played it all the time. I was studying viola at 7, piano at 8, and drums at 10.
2. What training have you had?
In college, I received a Bachelor of Music in theory/composition from SIUE, and a Bachelor of Science in recording production and technology from MTSU. Working in big studios in Chicago after college, I learned as much if not more working as an assistant/2nd engineer, often repairing/troubleshooting problems on the fly. It better equipped me to work independently AND with others.
3. When did you get into recording?
In high school. My punk band saved all our pennies to record at an 8-track studio for $10 per hour. I was fascinated by the power of multitracking, overdubbing, mixing, etc.
4. People you have worked with/for?
I've worked with commercial music producers and talent for TV and radio commercials, many of which were national/international brands. I also worked with bands and artists in the studio, including the Frogs, Kelley Deal, James Iha, Sebastian Bach, any many others. As a tech support engineer, I've helped thousands of customers. I worked directly with several high profile customers, including John Fogerty, Bruce Swedien, Oscar Petersen, John Tesh, Andy Sturmer (Jellyfish), Greg Lisher (Camper Van Beethoven), Chris Vrenna, and engineers for Paul Simon, Wilco, Tim McGraw, Faith Hill, and ICP to name a few.
Why are you so good at training people?
When I was providing technical support, my approach was not only to solve the problem, but to also listen carefully to the end-user's needs AND explain what the cause and solution of any problem was. Putting technical jargon into more relate-able terms helps. I'm also an adjunct professor at a local university, and apply the same ideology when teaching. Whether you're working with a customer or student, you have to put yourself in their shoes.
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