Vocalizer Pro Explained®
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6:42 QuickStart
Learn to set up Vocalizer Pro in your DAW and get started making music using the built in presets and Snapshot Pads.
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6:01 Working with Snapshot Pads
See how the Snapshot Pads are used to recall and edit up 8 assignable 'presets within a preset', and how to save and store them for use within other presets.
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7:10 Working with Chord Pads
Watch as chord pad mappings are used to trigger multiple notes with a single pad click, either with the mouse, or with MIDI note messages assigned via the MIDI learn function.
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5:54 Working with Presets
See how presets and their accompanying attributes are managed in the Browser tab, and how the global interface controls work.
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5:28 Formant Processing
Learn how to use Vocalizer Pro's formant processing controls to alter the resonant characteristics of the audio being processed.
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6:44 Spectral Synthesis Pt. 1
Discover how the spectral synthesis types, filter, pitch, and envelope settings influence the quality of the harmonics generated from each module.
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9:30 Spectral Synthesis Pt. 2
Learn how the balance sliders are used to influence the harmonics that are generated, how the LFOs are used to apply cyclical modulation shapes over specific parameters, and how the routing between the four modules is set.
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4:35 Effects
See how the Effects tab is used to add EQ, Chorus, Delay, or Reverb to the processing assigned to the current snapshot pad.
Product Overview
Virtual instrument guru Eli Krantzberg is back and gets vocal about SONiVOX's Vocalizer Pro. In this series Eli takes an in-depth look at all of Vocalizer Pro's features and options giving you the knowledge to get the most out of this powerful virtual instrument and transform your sounds into never before heard sonics!
Eli begins with a quick introduction on setting up Vocalizer Pro in your DAW. Next, Eli digs into snapshots and how they're used, assigned and saved. Eli then moves on to working with chord pads, giving you an in-depth look at how they're used to trigger multiple notes using the mouse or a MIDI controller.
After taking a look at how presets are used, Eli moves on to formant control processing. Next up is a two video look at spectral synthesis and then Eli ends the series by taking a look at how the Effects Tab is used to add EQ, Chorus, Delay, or Reverb to the processing assigned to the current snapshot pad.
Vocalizer Pro is a powerful virtual instrument. Join Eli as he shows you how to use Vocalizer Pro like a Pro and transform your sound.... Watch "Vocalizer Pro Explained" today.
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Reviews
Submitted 2 years ago
Great
As always great video from Eli Krantzberg.really good
I am a: Producer
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Great explanations
I'm very happy with vocalized pro, from groove 3, excellent detail on operating your vocalized pro. A must have.
I am a: Musician, Hobbyist
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
VocalizerPro
good walkthrough .... shows the depth of the product in manageable chunks
I am a: Producer
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 2 years ago
Great
As always great video from Eli Krantzberg.really good
I am a: Producer
Submitted 2 years ago
Great explanations
I'm very happy with vocalized pro, from groove 3, excellent detail on operating your vocalized pro. A must have.
I am a: Musician, Hobbyist
Submitted 2 years ago
VocalizerPro
good walkthrough .... shows the depth of the product in manageable chunks
I am a: Producer
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
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