Chapter 1: Virtual Mix Rack Explained
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The Virtual Mix Rack (3:49)
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Slot Controls (4:15)
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Managing Presets (5:31)
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FG-N (7:58)
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FG-S (6:35)
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FG-116 (7:11)
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FG-401 (5:02)
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Revival & Conclusion (4:44)
Chapter 2: Update
Let Eli Krantzberg wake you up and introduce you to the virtual channel strip plug-in suite you've always dreamed of, from Slate Digital. Eli covers all the features and functions, as well as in-action examples of each module.
Eli begins with an introduction to the suite and covers its Layout, and How to Filter, Add, Move, Copy, and Remove Modules. Next, it's on to the Slot Controls, followed by Managing Presets. You'l see How to Delete, Import, and Export Rack and Module Banks & Presets, How to Use the A & B Snapshots to Toggle Between Different Rack Setups, and How to Create a Default Rack that's called up automatically when Loading the VMR.
The individual Modules are now revealed and explained, covering all the features and functions of the FG-N, FG-S, FG-116, and FG-401, including sonic examples as he goes! Wrapping up the series, Eli covers the Revival Module and plays back a mix with the VMR engaged and disengaged so you can hear it work its magic.
Slate has added six new components to their successful Virtual Mix Rack and Eli Krantzberg has updated his tutorial series to cover them all.
If you're ready to meet the channel strip of your dreams, wake up... Watch "Virtual Mix Rack Explained" today!
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Reviews
Submitted 10 months ago
GReat Ensight!!!!
Very glad to get an In- depth look into these plugins. Makes it look easy to use.
I am a: Beginner, Musician, Producer, Audio Engineer, Cubase
Submitted 1 year ago
Great!
A good , simple well explained overview of Slate VMR, using good examples of how you can use each module. Recommended!!!
I am a: Beginner, Hobbyist, Semi-Pro, Producer, Beat Maker, Logic Pro
Submitted 1 year ago
Love all the hidden tricks!
Great examples with great techniques being shown in this Tutorial. Thanks for all the advices and tricks! Will return more for reference later on
I am a: Semi-Pro, Producer, Audio Engineer, Sound Designer, Ableton Live, Reaper
Submitted 1 year ago
Very Helpful!
I feel like I have a good take on what these VMRs do and how to begin working with them. Thank You!
I am a: Semi-Pro, Professional, Musician, Producer, Sound for Film/TV, Digital Performer
Submitted 1 year ago
clear
I like this guy
I am a: Professional, Musician, Producer, Audio Engineer, Mastering Facility, Cubase, Pro Tools
Submitted 1 year ago
BEST TUTORIAL EVER !
I have learned aot in such a short time . Eli is a very good teacher hands down .
I am a: Student, Producer, Ableton Live, FL Studio, Cakewalk Sonar
Submitted 1 year ago
Exellent
This has help me so much, loved every minute
Submitted 2 years ago
If Slate's tutorials aren't enough, this will tie the knot!
I've looked at all of Slate's walk through videos and i can say that Eli offers some more very valuable hands on applications for these awesome tools.
I am a: Hobbyist, Musician
Submitted 2 years ago
Learned a Lot
I have an overall criticism that is not exclusive to this video or to Eli. When doing A/B comparisons, do not speak between them because that destroys the mental image of "A" before "B" is heard. I remember hating listening to music on the radio because I wanted to listen to the music loudly but both the DJ and the commercials were remarkably louder than the music so listening to loud music entailed an excruciating punishment to the listener when the DJ spoke or a commercial came on after the music. The presenter's volume should, if anything, be quieter than the audio examples so I don't have to ride a volume knob in order to clearly hear what is going on. It is important to note that many of the modules are not automatically included in the Virtual Mix Rack, but must be purchased separately. I do understand that it is an ongoing process keeping up with an item such as this where new modules are added as time goes by. This is absolute need to know information. As usual, Eli is clear, concise, and gets to the meat of the matter. I love that about him. He is the greatest single asset here. The biggest simple thing I learned here is that you can set a default state for the VMR so that a favorite regularly used setup automatically appears when first inserted. That by itself was something I missed on my own and is of great value to me.
I am a: Producer, Audio Engineer, Musician, Sound Designer, Hobbyist
Submitted 2 years ago
Great course !
I like Eli's style while presenting the possibilities of these plugins and the examples he used.
I am a: Musician
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoApogee Maestro 2 Explained
Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.
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