Virtual Guitarist AMBER Explained®
-
4:36 Overview
Take a first look around the interface of this fabulous sounding acoustic steel string guitar virtual instrument.
-
5:05 Phrases & Notes
Hear how the Style and Phrase key switch notes below C4 interact with the chord trigger notes in the upper range of the keyboard.
-
4:45 Chord Detection
Eli Demonstrates which notes are necessary to trigger various types of chords.
-
5:45 Chords & Keys
Learn what type of chords are generated when Amber is set to conform to a specific key.
-
6:22 Feel
Explore three ways of varying the timing and feel Amber’s guitar phrases.
-
5:31 Sound
Hear how the Position, Tone, Source, and Shimmer controls are used to shape the sound of Amber.
-
6:07 Doubling
Explore Amber’s Fret Noise, drop D tuning, and doubling functions.
-
5:45 Effects & Automation
Learn to use Amber’s simple but effective built in effects, and see how automation is used to add nuance and variation to doubled parts.
-
5:17 Presets
Eli demonstrates blending three Amber tracks together and explains how and where to save custom User presets.
Product Overview
UJAM is at it again with their hyper-realistic steel-string acoustic guitar instrument, Virtual Guitarist AMBER. In this video tutorial series, studio music guru Eli Krantzberg shows you how to use and create authentic sounding acoustic guitar parts for your songs and productions.
Eli starts off with a fly-by of the interface to give you a feel for the layout. Then he demonstrates how the Phrases and Notes key switches interact with the chord trigger notes. Eli now reveals which notes are necessary to trigger various types of chords, and what types of chords are generated when AMBER is set to conform to a specific key.
With the basics covered, Eli explores three ways you can vary the timing and feel of AMBER’s guitar phrases and how the Position, Tone, Source, and Shimmer controls can shape the instrument’s sound. Next, Eli explains how to use the Fret Noise, Drop D Tuning, and Doubling functions for more creative sounds. After that, you’ll see how to use AMBER’s effects and how automation can add nuance and variation to doubled parts.
Finally, Eli demonstrates how to Save Custom Presets, and what you can achieve by blending three AMBER tracks together. Whether you’re new to UJAM Virtual Guitar: AMBER, or you’re an existing user ready to get more creative, watch “Virtual Guitarist AMBER Explained” today!
Why Users Choose Us
There are many things our users love about Groove3, but a couple always stand out at the top when asked why people choose us as their learning resource.
Quality Content
We meticulously craft professional quality tutorials that are thoughtful, informative and done with attention to detail. We stand behind our products with a 100% satisfaction guarantee and are trusted by 1000s of users every day.
Save Time & Money
Our library brings over 1700 hours of quality instruction to you fingertips and we release new content every week. Don't waste your valuable time scouring the web for information you may never find or is cumbersome to use and potentially can't be trusted.
Reviews
Submitted 1 month ago
Would never have guessed
I was given Amber to review for a magazine sometime back, and never got around to even loading it. My bad! Eli presents the app in very comprehensive review. I found his doubling via DAW examples very illuminating (not just for use with Amber, but for new ways to think about doubling, in general. Very useful!
I am a: Professional, Musician, Producer, Audio Engineer, Sound Designer, Sound for Film/TV, Cakewalk Sonar, Mixcraft, Reason, Reaper
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 1 month ago
Would never have guessed
I was given Amber to review for a magazine sometime back, and never got around to even loading it. My bad! Eli presents the app in very comprehensive review. I found his doubling via DAW examples very illuminating (not just for use with Amber, but for new ways to think about doubling, in general. Very useful!
I am a: Professional, Musician, Producer, Audio Engineer, Sound Designer, Sound for Film/TV, Cakewalk Sonar, Mixcraft, Reason, Reaper
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
-
tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
-
tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
-
tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
-
tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
-
tutorial videoAmple Sound Super Jumbo Explained
Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.
You might be also interested in
In this in-depth tutorial series, computer music guru Eli Krantzberg shows you how to get rocking with this innovative and expressive new guitar instrument from UJAM, Virtual Guitarist IRON!
Studio software expert Eli Krantzberg shows you everything you need to know to start using the UJAM Virtual Guitarist CARBON instrument quickly and easily, as well as all of its features and functions. These videos are designed for new UJAM Virtual Guitarist CARBON users who want to make killer cinematic guitar tracks!
The All-Access Pass gives you just that, instant online access to every single video tutorial currently on the site and any ones that get added during your membership.
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play the hits of legendary American Rock band Creedence Clearwater Revival fast and easy! Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play hits from one of America's greatest southern rock bands, Lynyrd Skynyrd. Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play hits from the "King of the Blues", B.B. King. Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play Pink Floyd's iconic hits from the legendary classic rock album Dark Side Of The Moon. Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play some of blues guitar legend Stevie Ray Vaughan's greatest songs! Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play Pink Floyd's iconic hits from the legendary classic rock album Dark Side Of The Moon. Just watch, listen and learn!
Hone your lead chops and practice your favorite licks with this vast online collection of tracks in blues, jazz, rock, country, and other styles! This digital book includes online access to professional full-band audio tracks for all 200 examples in the book over which you can practice your latest and greatest licks. The audio tracks range from approximately one minute (for the short progressions) to four minutes or more (for the full-length “song” progressions), and numerous styles, keys, and tempos are covered to make sure you're well-versed in practically every style. Ten hours of audio tracks in all! The book also includes multiple scale options for each chord progression; music theory primer; fretboard diagrams; chord symbols and Roman numeral harmonic analysis; and more! Whether you're a rocker, a jazzer, a bluesman, or a bluegrasser, the Big Book of Backing Tracks has plenty for you.
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play the biggest of classic rock super group Boston. Just watch, listen and learn!
In this Hal Leonard video tutorial, The Guitar Play-Along video series lets you hear and see how to play classic rock legend Neil Young's hit songs! Each song starts with a lesson from a professional guitar teacher, then the teacher performs the complete song along with professionally recorded backing tracks that include on-screen guitar tab.
The notes of any solo are only half the story; the other, equally crucial element is the rhythm. Though there are leagues of books teaching you the scales, modes, and arpeggios that are used when soloing, there's been a great void in the available material with regards to teaching the concept of rhythm. We don't instinctually possess knowledge of which notes to use, so why would we instinctually know which rhythms to use when playing these notes? This is where Rhythmic Lead Guitar comes into play. In this book, you'll learn the timing of notes from the ground up, helping you to develop a solid, internal sense of rhythm that will stick with you throughout your career. You'll be armed with an intimate knowledge of a beat's anatomy, and you'll possess the tools necessary to manipulate the timing of any phrase as you see fit. With a strong command of rhythm, your solos will sound more authoritative, unique and memorable.