Chapter 1: Moeller Method Mechanics
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The Moeller Technique (5:33)
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Moeller Technique Exercises Pt. 1 (8:53)
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Moeller Technique Exercises Pt. 2 (7:21)
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Moeller Technique Recap (2:34)
Chapter 2: Moeller Method Accent Variations
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Moeller Accent Variations (5:25)
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Moeller One Hand Accent Exercises (7:11)
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Moeller Ghost Note Drop-ins (7:56)
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Moeller Accent Variations Recap (1:22)
Chapter 3: Mixing Moeller Accent Patterns
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Mixing Moeller Accents - Introduction (1:41)
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Moeller Single Hand Accent Exercises (6:59)
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Mixing Moeller Accents (5:24)
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Mixing Moeller Ghost Note Drop-ins (3:25)
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Mixing Moeller Accents Recap (1:05)
Chapter 4: Two-Hand Moeller Accents
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Two-Hand Moeller Accents (0:45)
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Two-Hand Moeller Accents Triplet Patterns (7:14)
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Two-Hand Moeller Accents 16th & 32nd Notes (5:41)
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Two-Hand Moeller Accents Recap (0:52)
Chapter 5: Moeller Push-Throw Accent Techniques
In this Drumstroke tutorial series, master drum instructor Luke Oswald teaches you the secrets of the challenging, but extremely effective, percussive stroke technique called the Moeller Method.
Luke begins by explaining his approach to the Moeller Method, and why it’s a valuable technique for any drummer to learn. He then jumps right in, showing you exercises that cover the foundational Moeller Method motions in-detail.
Once the fundamentals are covered, Luke demonstrates how to play accent variations, both with one-hand accents, and ghost note drop-ins. Then he explores some accent patterns, teaching you how to mix Moeller Accents to create brand new patterns and ideas.
The final videos lead to a series of exercises covering two-handed Moeller Accents, and finally Moeller Push/Throw accent techniques. If you’ve heard of the Moeller Technique and have always wanted to learn it or are up for a new challenge in your drum technique, don’t miss Drumstroke “The Moeller Method”!
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I am a: Hobbyist
1. When did you start dabbling in music?
I've always had an interest in drumming from a young age and started playing in 6th grade when a family friend stored their drum set at my parents house for a summer. I started playing in church the next fall and have been playing ever since. No one had to tell me to practice, it was just something I loved to do. I just enjoyed everything that had to do with drumming.
2. What training have you had?
I studied piano at a young age, then played trumpet from elementary through middle school. I started drumming on my own at the age of 12, then switched to drumming as my main instrument in high school and went on to study in college along with Music Business. I've been teaching drums since college, both private instruction and drum clinics.
3. When did you get into recording?
When I was in middle school/high school, I was very interested in music technology. It was much different then, but I remember recording/sequencing song arrangements with music software and filming videos and editing in camera all the time. In and after college, I started learning about audio production when I was recording drums for the bands I was in. In the late 2000's I stumbled upon drum sample technology, and that changed everything for me. I started really digging into the study of audio production, recording, mixing and mastering. I started studying video production around the same time as I knew I wanted to eventually film high quality drum videos while using this sample technology.
4. People you have worked with/for?
During my time in Nashville, I studied drums with Derico Watson (Victor Wooten), Jeff Bowders (Paul Gilbert), Will Denton (Steven Curtis Chapman, LeAnn Rimes), Marcus Finnie (Kirk Whalum, India Arie) and Raymond Massey (Pearl Drums). I've recorded drums on multiple albums produced by Sadson Music Group and have played on albums with artists such as George Clinton and Samantha Ware.
5. Why are you so good at training people?
To me, teaching is as inspiring as performing. When you teach, you're forced to understand the topic at a much deeper level. I love the process of learning and improving, and to me teaching is just an extension of that process. I learn something new every time I teach anything, whether it be a drum lesson or a software tutorial. I also believe as artists we have a responsibility to pass on the knowledge that we've accumulated. You must take action and apply what you've learned to your own life, but that only goes so far. If you can take what you've learned and share it with someone else, you're giving them the opportunity to take that knowledge, nurture it and allow it to influence their own lives. Eventually, they can pass that knowledge on to someone else, and the process keeps going. You never know the impact you can have on someone simply by sharing with them what you've learned.
Products by Luke
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tutorial videoAddictive Drums 2 Advanced Vol 1
In volume one of this advanced video tutorial series, eDrum guru Luke Oswald explains a wide range of topics designed to make you a real master and addict, of XLN’s Addictive Drummer 2 virtual instrument plug-in!
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tutorial videoAddictive Drums 2 Advanced Vol 2
In volume two of this advanced video tutorial series, eDrum guru Luke Oswald covers the finer nuances, more features and functions, as well as eye-opening tips and tricks for using XLN’s Addictive Drums 2 virtual instrument!
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tutorial videoAdvanced Drumming Combinations & Patterns
In this Drumstroke™ video tutorial series, drum guru Luke Oswald lays down the groove and shows you awesome drumming combinations and patterns that you can use to spice up your drumming or drum programming!
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tutorial videoBass Drum Technique Workshop
In this Drumstroke video tutorial series, drum guru Luke Oswald reveals the steps to take to build up bionic feet when playing your kit, including speed and endurance and the ability to play what’s in your head!
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tutorial videoCreating Drum Fills & Patterns
In this Drumstroke#TM# video tutorial series, drum master Luke Oswald reveals how to create both basic and advanced drum fills and patterns, that you can apply to both real drums and programmed drums in your DAW!
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