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T-RackS Space Delay Tutorial

T-RackS Space Delay Explained®

  4.9   (3)  - log in to review
8 Videos | Length: 42min 36sec
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  • image description 6:55

    Understanding the Space Delay Interface

    Learn about all the Space Delay controls and parameters, and how they combine tape delays with spring reverb.

  • image description 7:38

    Exploring the Delays

    In this video, we examine the ranges and sound of the three discreet delays.

  • image description 5:35

    Reverb & Delay Combinations

    Listen to the modes combining Space delay's spring reverb effect with various combinations of delays.

  • image description 6:04

    Mono In Mono Out On Lead Vocals

    Hear four different approaches to a mono in mono out instance of Space Delay on a lead female vocal.

  • image description 2:50

    Stereo Space Delay on Vocals

    Explore four scenarios where unique panning of reverb and delays, in conjunction with other Space Delay features, is used on a vocal bus.

  • image description 4:37

    Mono In Stereo Out Lead Guitar

    Hear a few different scenarios with Space Delay outputting stereo delays and reverb from a mono input.

  • image description 5:04

    Space Delay Effects Return

    Explore the use of Space Delay on drums, this time placed on an Effects Return bus, with some MixBox Phazer following it.

  • image description 3:53

    Space Delay & Automation

    Here Space Delay is used on a Fender Rhodes piano. Discover some interesting tape speed and feedback swell effects that are possible when automating the rate and feedback controls.

Product Overview


Eli Krantzberg brings you detailed T-RackS Space Delay video tutorials! Learn all about the IK Multimedia virtual recreation of the legendary Roland® RE-201, the T-Racks Space Delay. Explore its features and functions, how it works, and how to use it creatively on your tracks. These video tutorials are for new T-RackS Space Delay users.

Eli greets you and then goes over all the Space Delay controls and parameters, and how they combine tape delays with spring reverb for awesome retro tape delay vibes and character. You'll then examine the ranges and sound of the three discreet delays, listen to the modes combining Space delay’s spring reverb effect with various combinations of delays, and four different approaches to a "mono in mono out" instance of Space Delay on a lead female vocal.

Moving on, you'll explore four scenarios where unique panning of reverb and delays, in conjunction with other Space Delay features, is used on a vocal bus. Then look at a few different examples of Space Delay outputting stereo delays and reverb from a mono input from a lead guitar, how to apply Space Delay on drums when placed on an effects return bus, and lastly, Space Delay on a Fender Rhodes piano. Tying it all together, Eli shows you how to achieve awesome tape speed and feedback swell effects by automating Space Delay's rate and feedback controls from your DAW.

To see what these in-depth T-RackS Space Delay tutorials show you, and how you can get that legendary Roland® RE-201 Space Echo tape delay sound, see the individual T-RackS Space Delay video descriptions on this page. See and hear why IK Multimedia's recreation of the Roland® RE-201 Space Echo will scratch your itch for glorious retro tape delay and echo effects... Watch "T-RackS Space Delay Explained®" today!


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Saroj
Submitted 4 months ago

He is an awesome teacher. I have gone through his other tutorials as well and all are very pristine, to the point and complete

In this tutorials it is very thorough enough to grasp the content and design of this plugin. Excellent , not boring and captivating


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

HB
Submitted 4 months ago

Really great stuff.

Just downloaded the demo of this plugin, following the watching of this series. Thanks to this video series, I can have now some fun with it a bit later on, and perhaps understand more of what I am doing. Have seen quite a few of Eli's instructional videos of interest here at Groove 3 - and I have not seen one which genuinely does not deserve the five star mark repeatedly given. Actually, that goes for most of all the videos I have seen here. This series is no exception. Eli has a talent, and a genuinely interesting manner of presenting. Really great stuff.

I am a: Hobbyist, Musician, Logic Pro


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

chan vuth
Submitted 4 months ago

Good instrument music

Easy to use.

I am a: Beginner


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Saroj
Submitted 4 months ago

He is an awesome teacher. I have gone through his other tutorials as well and all are very pristine, to the point and complete

In this tutorials it is very thorough enough to grasp the content and design of this plugin. Excellent , not boring and captivating

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

HB
Submitted 4 months ago

Really great stuff.

Just downloaded the demo of this plugin, following the watching of this series. Thanks to this video series, I can have now some fun with it a bit later on, and perhaps understand more of what I am doing. Have seen quite a few of Eli's instructional videos of interest here at Groove 3 - and I have not seen one which genuinely does not deserve the five star mark repeatedly given. Actually, that goes for most of all the videos I have seen here. This series is no exception. Eli has a talent, and a genuinely interesting manner of presenting. Really great stuff.

I am a: Hobbyist, Musician, Logic Pro

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

chan vuth
Submitted 4 months ago

Good instrument music

Easy to use.

I am a: Beginner

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

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    In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

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T-RackS Space Delay Explained® is rated 4.9 out of 5 by 3 .
Rated 5.0 out of 5 by from He is an awesome teacher. I have gone through his other tutorials as well and all are very pristine, to the point and complete In this tutorials it is very thorough enough to grasp the content and design of this plugin. Excellent , not boring and captivating
Date published: 2020-12-28
Rated 5.0 out of 5 by from Really great stuff. Just downloaded the demo of this plugin, following the watching of this series. Thanks to this video series, I can have now some fun with it a bit later on, and perhaps understand more of what I am doing. Have seen quite a few of Eli's instructional videos of interest here at Groove 3 - and I have not seen one which genuinely does not deserve the five star mark repeatedly given. Actually, that goes for most of all the videos I have seen here. This series is no exception. Eli has a talent, and a genuinely interesting manner of presenting. Really great stuff.
Date published: 2020-12-06
Rated 5.0 out of 5 by from Good instrument music Easy to use.
Date published: 2020-12-05
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