Studio One 5 Explained®
Chapter 1 : Core Work Flow
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3:59 Welcome to Studio One
See how to set your audio interface and start a new song from the Studio One Start Page.
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5:58 Audio Interface I/O Setup
Learn about Studio One's layer of software I/O channels, and how to create and name inputs and outputs that correspond with the inputs and outputs on your audio hardware.
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6:02 MIDI Device Setup
See how to setup your external MIDI keyboard controllers, instruments, and control surfaces in Studio One 5.
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2:31 Main Workspace Overview
Take a first look around the main areas of the Studio One workspace and learn how to access the various tabs and panels.
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7:07 Instrument Track Basics
Explore various ways of creating and managing Instrument tracks, loading presets, and more.
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6:14 Audio Track Basics
See how to create and configure audio tracks and how to set their tempo modes.
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5:01 Metronome & Count In Setup
Learn how to customize the metronome sound, choose between pre-count or pre-roll, and more.
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6:01 Basic Transport Commands
Learn the keyboard shortcuts for the most frequently needed navigation and playback functions.
Chapter 2 : Basic Recording
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5:17 Simple Audio Recording
Learn how to record enable audio tracks and work with software monitoring and low latency mode.
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2:07 Recording to Layers
See how to use Layers to record multiple passes on the same audio track.
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6:04 Auto Punch Recording
Discover how to re-record a portion of your recorded audio file at a pre-defined in and out point in the timeline.
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2:51 Audio Loop Recording
See how to record multiple passes over the same area in timeline and have each take automatically assigned to a new layer.
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4:32 Instrument Replace Recording
See how Replace mode is used to have new material recorded to a new event when recording over an existing instrument part.
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4:12 Instrument Overdub Recording
Explore overdub recording, and the Record Takes vs Record Mix options when recording over a looped region.
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5:03 Note Repeat
Learn all about the note repeat functions, as well as note erase and loop undos.
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3:31 Step Record
Discover how to enter notes or chords from your keyboard in non real-time while the transport is stopped.
Chapter 3 : Basic Editing
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6:10 Editing Basics
Learn how to access the main editing functions, how the snap to grid settings work, and how to zoom the display horizontally and vertically.
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3:54 The Arrow Tool
Discover several useful editing functions easily accomplished in the different click zones using the Arrow Tool.
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6:04 Selection & Splitting Techniques
Explore various ways of making event based and range based selections and cuts using the Arrow and Range Tools, as well as a few useful key commands.
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3:50 Other Tools
A brief roundup of the remaining tools and some of their unique functions.
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7:06 The Quantize Panel
See how the timebase settings and quantize panel are used to determine where notes, events, or transients land on the timeline.
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6:44 Tune, Transpose, Nudge, Merge, Duplicate, & Strip
Learn how to tune, transpose, nudge, merge, and duplicate Events, as well as how to remove silence from Audio Events.
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5:05 Useful Navigation Functions
Explore some of the alternate transport options, and techniques for efficient playback when editing.
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4:48 Basic Comping
Learn how to work with multiple layers on a single track, and create a new composite layer comprised of the best bits from each of them.
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7:02 Transient Detection & Bend Panel
Explore how Bend Markers are used to stretch or compress audio to conform to transients and grid divisions.
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4:11 Slip Editing
Discover this simple and elegant workflow and how it is when the timing of just a few notes of an otherwise good performance need correcting.
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3:56 Groove Extraction
See how this feature is used to capture the timing and velocity settings from either and audio or instrument part, and apply it to another.
Chapter 4 : Working in the Editors
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3:19 The Audio Editor
Take an initial look at the edit window and its main functions.
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7:21 The Music Editor - Piano View
Explore the main note creation and editing functions using the Arrow, Split, and Paint Tools.
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5:16 Piano View Editing
Learn how to scale velocities of selected notes using the Transform Tool, transpose, quantize, humanize, and mute selected notes, and edit their properties numerically in the Music Editor Inspector.
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7:35 The Drum Editor
Explore the Drum editor functions, along with some useful Action Menu MIDI processing functions.
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5:01 Score View
Welcome to the new Studio One 5 Score View, where musical data is displayed and edited as musical notation.
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5:44 Working in Score View
Explore the available expression symbols and other Score Window features; and see how to work with the new side-by-side editors feature in Studio One 5.
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6:13 Key Switch Editing
Discover the new key switch lane that has been added to the Musical Editor in Studio One 5 to view and edit key switches in context.
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5:16 Getting Started with Patterns
Learn about Studio One?s step sequencer, and how to get up and running with the basics quickly.
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2:02 Pattern Step Record & Real-Time Record
Discover two alternate ways of entering notes in patterns using the step record function.
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4:39 Patterns, Patterns, & More Patterns
Explore workflows for creating pattern variations, and saving/loading patterns for use in other songs.
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7:13 Drum Mode Pattern Editing
See how the Pattern Editor Drum mode is used to work with an Impact XT kit, and how velocity, repeats, and probability are modified on a per step basis.
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4:51 Other Useful Zoom Commands
Review the basics, and learn some new useful zoom commands to use while editing.
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3:32 Introduction to Macros
Discover how this special control panel gives you easy access to often used functions, and custom command combinations.
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6:12 Customizing the Macro Toolbar
Explore the various ways of editing and creating buttons, menus, actions, and macros.
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3:06 Audio Loops & Music Loops
Learn about the two proprietary file formats used by Studio One.
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6:58 The Browser Pt. 1
Dive a bit deeper into the Browsers search and organizational functions.
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4:43 The Browser Pt. 2
Here we continue by exploring the Loops, Files, Cloud, Shop, and Pool Tabs.
Chapter 5 : Arranging Tools & Workflows
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3:10 Duplicating Events & Tracks
Look at some simple ways of duplicating events and tracks either separately or together in Studio One.
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3:54 Tempo & Time Signature Changes
Learn how to create tempo changes and time signature changes in your song's timeline.
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10:30 The Arranger Track & Marker Track
Discover how the Arranger Track is used as an arrangement tool that lets you work with portions of your entire Song as though they were individual Events, and rearrange them quickly and easily. And see how the new Marker Track in Studio One 5 is used to quickly navigate the timeline.
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4:14 The Scratch Pad
See how Scratch Pads act as quick storage to hold Events, Parts, and entire Song sections for later use or re-use, reducing clutter in the Arrange view as you assemble your Song.
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8:19 Getting Started with the Chord Track
Explore this tool that provides the ability to perform "harmonic editing" of both Instrument and Audio Parts.
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7:22 Arrange View Clean Up
Explore ways fo cleaning up edits using the Bounce Selection, Bounce To New Track, Merge, & Mixdown Selection functions.
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4:38 Edit Groups & Track Lists
Learn how to work with Edit Groups, and to use the Track List to move, and show/hide various combinations of tracks.
Chapter 6 : Mixing Your Music
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9:24 Getting Started with Console View
Get to know the layout of Console View, the different track types, and where things are laid out.
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8:27 Working with Insert Effects
Learn how to work with insert effects and device racks.
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5:02 Event Effects
See how these are used to process individual Audio Events, as an alternative to channel based insert effects which effect the entire track.
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4:56 Track Transform
Explore an alternate way of rendering insert effects and automation on either Audio or Instrument tracks.
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5:15 Sends & FX Channels
See how Sends and FX channels are set up and used to route audio form one channel to another.
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2:25 Working with Bus Channels
Follow along as a bus track is created and set up as a subgroup for the drums and percussion.
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5:53 Cue Mix Setup
Learn how to set up and customize unique headphone mixes, including send FX; and also how to print with effects while recording.
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4:48 Working with Scenes
Mixer Scenes have been expanded into full mixer snapshots in Studio One 5. You are now able to capture full mixer snapshots at any given time and recall snapshots in a variety of different ways.
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3:03 The Listen Bus
A New Listen Bus, with independent routing, is now available as an alternative to monitoring solo signals through the main output channel. It is also useful for routing within Studio One when using speaker calibration software.
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4:45 Aux Channel & External Instruments
Explore the new Aux Channel in Studio One 5, and see how to set it up in conjunction with an external device in order to route external hardware synths into the Studio One signal flow.
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4:24 Clip Gain Envelopes
See how this new Studio One 5 feature is used as an additional layer of gain control for audio clips applied directly on the audio event.
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8:31 Getting Started with Automation
Learn how to use track automation to automate any parameter related to an audio or instrument track. And hear the newly enhanced State Space Modeling Drive Stage added to the Analog delay effect (as well as many others) in the Studio One 5 update.
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6:29 Drawing & Editing Automation
Explore ways of creating and editing automation envelopes using the different tools in the Arrange View.
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6:09 Automation Tracks & Real Time Automation
See how automation tracks are used to automate parameters on FX and Output tracks, and how touch and latch modes are used to capture real time fader movement.
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3:40 Instrument Part Automation
Discover how part automation is integrated into Instrument Parts. With the new Studio One 5 Select Part Automation With Notes feature, no matter where an instrument part is moved, or how it is edited, the automation stays in place.
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3:39 Exporting Stems
See how Studio One's fantastic export features allow you to export individual tacks and channels with insert and send effects included.
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3:55 Final Mix Down
Hear a final play-through of the short arrangement built up throughout this series, and learn how to bounce down a final mix.
Chapter 7 : The Show Page
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5:45 Studio One 5 Show Page
Take a first look around the new Show Page in Studio One 5, which introduces a powerful, fully-integrated live performance environment that's capable of running complete shows from a single computer.
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6:25 Working with Setlists
Discover everything there is to know about creating and managing setlists within the new Show Pages.
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6:15 Meet the Players
Learn about Players and Patches; see how they interact with setlist items, and more.
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10:21 Players, Patches, Songs & Shows
Watch how players and patches work together, and see how to move elements of a song into a show.
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8:05 Controls View
See how the macro controls are set up to map parameters of any Player, instrument, plug-in, or mixer channel for real time adjustments.
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4:32 Performance Mode
Explore this full screen view of the Show page, designed with big easy to read controls that are optimized for visibility on dark stages.
Chapter 8 : Studio One 5.1 Update
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4:25 Retrospective Recording
Learn how to capture MIDI performances, including CC messages, as well as on screen knob movements, either when the transport is stopped or in Play Mode.
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1:25 Track & Channel Filters
Watch how to navigate big sessions by using filters in either the Mixer or the Track List, to easily display subsets of tracks in the full session.
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2:09 Other Enhancements
Discover various workflow enhancements including the ability to bypass Clip Gain, view multiple Time Rulers simultaneously, and copy Send Chains.
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7:38 Notation Enhancements
See how the notation in Studio One has been enhanced to included two new page views, a print option, as well as track and layout tabs to customize transpositions, and other page display options.
Product Overview
DAW guru Eli Krantzberg brings you the largest collection of comprehensive Studio One 5 video tutorials! Studio One 5 Explained® covers both the basics and more advanced additions to version 5, showing you exactly what you need to know to use them effectively, when creating your productions. With over 6 hours of Studio One 5 lessons, you'll learn to master Studio One 5 and then go beyond. These videos are designed for both new and experienced Studio One users.
Eli starts at the beginning with basic system setup info, how to create your first S1 project, overviews of all the different track types, GUI layout, and the metronome and transport features. You'll then see how to record and edit audio and MIDI, as well as discover all the different edit tools and editor windows and how to use them.
Next, you'll explore the new Audio Loops and Music Loops functionalities, discover the powerful arranging tools, and get helpful Studio One workflows. Then watch how to mix your music with Studio One's awesome Console View, Event Effects, and Bus Channels. You'll even see how to set up and customize unique headphone mixes, and use Aux Channels for plugging in external instruments.
Moving on, Eli reveals the new Show Page which introduces a powerful, fully-integrated live performance environment, that’s capable of running complete shows from a single computer, including how to work with Setlists, Players, and Patches. Then get ready to experience all Studio One 5's killer automation features, that give you precise control over your mixes, and much, much more.
To see what these in-depth Studio One 5 video tutorials show you, and how they'll get you going fast with both Studio One 5's basic and more advanced features, see the individual Studio One tutorial descriptions on this page. See why many are making Studio One "the one" for their DAW needs... Watch "Studio One 5 Explained®" today.
Why Users Choose Us
There are many things our users love about Groove3, but a couple always stand out at the top when asked why people choose us as their learning resource.
Quality Content
We meticulously craft professional quality tutorials that are thoughtful, informative and done with attention to detail. We stand behind our products with a 100% satisfaction guarantee and are trusted by 1000s of users every day.
Save Time & Money
Our library brings over 1700 hours of quality instruction to you fingertips and we release new content every week. Don't waste your valuable time scouring the web for information you may never find or is cumbersome to use and potentially can't be trusted.
Reviews
Submitted 1 day ago
A great start!
This is a well presented, concise snapshot of the power of this DAW and the presenter has covered most of what a songwriter/home-producer would need. There's a lot to remember so notes would be a good thing and also looking at other teachings, which go into aspects in greater depth but all in all, well done - you've been a great help.
I am a: Semi-Pro, Musician, Producer, Cubase, Digital Performer, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 weeks ago
Awesome! Worth the time
Switching from Reaper, these tutorials were absolutely worth the time! Studio One is incredible and is capable of far more than what I was aware of. It is still possible to follow the lessons by watching the videos at 1.75 to 2x speed. The videos are succinct, logically structured and highly appreciated. Thank you Eli!
I am a: Beginner, Hobbyist, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 month ago
Insightful and adds nuisances in every dimension
I would like to consider myself as an experienced user of Studio One yet always taking the opportunity to enhance my knowledge with the program. This program has provided additional insight about the program especially shortcuts of simplifying many of the things I consistently use.
I am a: Semi-Pro, Professional, Musician, Producer, Audio Engineer, Mastering Facility, Cakewalk Sonar, Reason, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
Perfect bite size
The videos are short enough but still complete to be used as a video format reference manual. Every now and then, not too often, you have to rewind a bit as sometimes the pace of explanation is bit fast (for non-native english speaker).
I am a: Beginner, Hobbyist, Musician, Producer, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
Excellent but Videxit!
I watched every second of video of this mammoth Tutorial series. I often repeated videos. As a former"old style" lecturer in classical piano who changed career into composition, I was also curious to see how I would get on. First, Mr Krantzberg was always clear in his presentation and he clearly had his notes (and at times he read from the manual - but that's not a mortal sin). His style of teaching was hands on and he was, I believe, sincere in his intention to communicate the application of the DAW to users in the real world, which is the essence of any good tutor. There were some important items (and one essential) which were unnecessarily omitted (for example Video, effects splitters, channel editor, pre/post fader application) and having watched the 40 minutes of the show page, I didn't understand why. However as stated at the end of the main series, Mr Krantzberg stated he was "scratching the surface" which is fair but my point still stands. Nevertheless I learned to my surprise that for budding film composers, Studio One doesn't really cut it and there was zero input on the subject from Mr Krantzberg which I felt was disappointing and ultimately takes away from the value of the series regardless of if the tutor utilises film or or not. I am sorry that I did not do enough research on this when I committed myself to Studio One. That is why I am disappointed that so much effort was put into the Show Page and simply nothing (for the already little provision by Studio one) for video. Nevertheless I feel Mr Krantzberg brought his own musicianship and experience into the series which was particularly evident in his presentation of the Show Page, (which is of no interest to composers). There were times when I had to change tutors (to Mr Huskyns for example, on the issue of event effects where the pre/post fader option was ignored). I also felt the the listen bus was somewhat rushed and I'm still none the wiser after several viewings. A more prepared real life example on aux channel would have been welcome (The Juno was given but what midi was used if any? This too then went over my head). However I must congratulate Mr Krantzberg for this content delivery and I feel that my money was well spent and the time I invested was also worthwhile despite the surprising omission of video. If you bought Studio One, you would be well advised to learn it and this is the best start. I wish Mr Krantzberg well with his band and his music, and thank you for this enormous contribution to music makers. (If anyone from Presonus is reading this, I should have bought Cubase Pro or Logic).
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 months ago
Great Please to Start
I have use other Groove3 Courses presented by Eli. Very knowledgeable person. Thank a lot
I am a: Hobbyist, Sound for Film/TV, Ableton Live, FL Studio, Cakewalk Sonar, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 months ago
The best
This is the most thorough and well presented Studio One course anywhere by far. It taught me some amazing things that I had no idea existed. I will most likely return to it again at some point, because the course goes into a lot of details which can obviously be lost if not practiced. Thank you
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 months ago
Good
Need to be more detail
I am a: Semi-Pro, Musician, Producer, Beat Maker, Audio Engineer, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 months ago
Most Excellent Course on Studio One!
New to Studio one, these videos crucial in getting up and running fast. Highly recommend if you are new or switching DAWs!
I am a: Hobbyist, Semi-Pro, Musician, Producer, Cakewalk Sonar, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 months ago
Very helpful ...9/10
I'm so excited about this new version
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Mastering Facility, Cubase, Logic Pro, Pro Tools, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 1 day ago
A great start!
This is a well presented, concise snapshot of the power of this DAW and the presenter has covered most of what a songwriter/home-producer would need. There's a lot to remember so notes would be a good thing and also looking at other teachings, which go into aspects in greater depth but all in all, well done - you've been a great help.
I am a: Semi-Pro, Musician, Producer, Cubase, Digital Performer, Studio One
Submitted 2 weeks ago
Awesome! Worth the time
Switching from Reaper, these tutorials were absolutely worth the time! Studio One is incredible and is capable of far more than what I was aware of. It is still possible to follow the lessons by watching the videos at 1.75 to 2x speed. The videos are succinct, logically structured and highly appreciated. Thank you Eli!
I am a: Beginner, Hobbyist, Studio One
Submitted 1 month ago
Insightful and adds nuisances in every dimension
I would like to consider myself as an experienced user of Studio One yet always taking the opportunity to enhance my knowledge with the program. This program has provided additional insight about the program especially shortcuts of simplifying many of the things I consistently use.
I am a: Semi-Pro, Professional, Musician, Producer, Audio Engineer, Mastering Facility, Cakewalk Sonar, Reason, Studio One
Submitted 2 months ago
Perfect bite size
The videos are short enough but still complete to be used as a video format reference manual. Every now and then, not too often, you have to rewind a bit as sometimes the pace of explanation is bit fast (for non-native english speaker).
I am a: Beginner, Hobbyist, Musician, Producer, Studio One
Submitted 2 months ago
Excellent but Videxit!
I watched every second of video of this mammoth Tutorial series. I often repeated videos. As a former"old style" lecturer in classical piano who changed career into composition, I was also curious to see how I would get on. First, Mr Krantzberg was always clear in his presentation and he clearly had his notes (and at times he read from the manual - but that's not a mortal sin). His style of teaching was hands on and he was, I believe, sincere in his intention to communicate the application of the DAW to users in the real world, which is the essence of any good tutor. There were some important items (and one essential) which were unnecessarily omitted (for example Video, effects splitters, channel editor, pre/post fader application) and having watched the 40 minutes of the show page, I didn't understand why. However as stated at the end of the main series, Mr Krantzberg stated he was "scratching the surface" which is fair but my point still stands. Nevertheless I learned to my surprise that for budding film composers, Studio One doesn't really cut it and there was zero input on the subject from Mr Krantzberg which I felt was disappointing and ultimately takes away from the value of the series regardless of if the tutor utilises film or or not. I am sorry that I did not do enough research on this when I committed myself to Studio One. That is why I am disappointed that so much effort was put into the Show Page and simply nothing (for the already little provision by Studio one) for video. Nevertheless I feel Mr Krantzberg brought his own musicianship and experience into the series which was particularly evident in his presentation of the Show Page, (which is of no interest to composers). There were times when I had to change tutors (to Mr Huskyns for example, on the issue of event effects where the pre/post fader option was ignored). I also felt the the listen bus was somewhat rushed and I'm still none the wiser after several viewings. A more prepared real life example on aux channel would have been welcome (The Juno was given but what midi was used if any? This too then went over my head). However I must congratulate Mr Krantzberg for this content delivery and I feel that my money was well spent and the time I invested was also worthwhile despite the surprising omission of video. If you bought Studio One, you would be well advised to learn it and this is the best start. I wish Mr Krantzberg well with his band and his music, and thank you for this enormous contribution to music makers. (If anyone from Presonus is reading this, I should have bought Cubase Pro or Logic).
Submitted 2 months ago
Great Please to Start
I have use other Groove3 Courses presented by Eli. Very knowledgeable person. Thank a lot
I am a: Hobbyist, Sound for Film/TV, Ableton Live, FL Studio, Cakewalk Sonar, Studio One
Submitted 3 months ago
The best
This is the most thorough and well presented Studio One course anywhere by far. It taught me some amazing things that I had no idea existed. I will most likely return to it again at some point, because the course goes into a lot of details which can obviously be lost if not practiced. Thank you
Submitted 3 months ago
Good
Need to be more detail
I am a: Semi-Pro, Musician, Producer, Beat Maker, Audio Engineer, Studio One
Submitted 3 months ago
Most Excellent Course on Studio One!
New to Studio one, these videos crucial in getting up and running fast. Highly recommend if you are new or switching DAWs!
I am a: Hobbyist, Semi-Pro, Musician, Producer, Cakewalk Sonar, Studio One
Submitted 3 months ago
Very helpful ...9/10
I'm so excited about this new version
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Mastering Facility, Cubase, Logic Pro, Pro Tools, Studio One
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
-
tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
-
tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
-
tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
-
tutorial videoAmple Sound Super Jumbo Explained
Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.
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Gary Hiebner brings you in-depth Studio One mastering video tutorials! If you're new to mastering in Studio One, these videos will get you started and well on your way to producing professional sounding masters using nothing but Studio One. You also get the stereo mixes and Studio One projects used in the videos so you can follow along on your computer. These videos are designed for those new to mastering and using Studio One to master their projects.
The All-Access Pass gives you just that, instant online access to every single video tutorial currently on the site and any ones that get added during your membership.
DAW wiz Eli Krantzberg gives you a detailed look at all the new features and functions added in Presonus Studio One version 4.6, as well as how to use them effectively. These videos are for those who already know how to use Studio One, but want more information about the new features added to version 4.6.
DAW guru Eli Krantzberg presents powerful beginner Studio One video tutorials! Compatible with all versions of Studio One, see how to get up and running fast with Studio One, including set up, recording and editing MIDI and Audio, loop recording, arranging and mixing basics, using S1's powerful automation, basic mixdown and much more. These videos are designed for beginner Studio One users.
Tyler Coffin brings you Studio One tutorials covering the new features and functions added in versions 4.5 and 4.5.2! Discover all the new additions with these "quick and to the point" Studio One videos, designed for those who already know Studio one 4, but just want a fast and detailed overview of the added functions.
Presonus guru Marcus Huyskens delivers an in-depth video tutorial series designed for the new Studio One v4 user! Go from zero to hero in no-time, and learn all the important foundations and basics of the new Presonus Studio One DAW. Your new favorite DAW awaits!
Presonus master Marcus Huyskens brings you in-depth coverage of the new advanced features found in the new Studio One version 4 update! Watch, learn and hear what the latest goodies from Presonus can do for you and your creative process.
Studio One wiz Marcus Huyskens shows you everything you need to know about Automation in Presonus Studio One! Learn all about the powerful automation features that make working in Studio One faster and more creative.
Marcus Huyskens goes deep into the amazing new enhancements found in the Presonus Studio One 3.5 Update. See just how awesome the new features are, and how they'll change the way you work in Studio One.
Presonus and the wizards at Synchro Arts are pleased to bring you direct VocAlign integration into Studio One! VocAlign is THE way to align vocals, harmonies and doubling parts. Join S1 wiz Marcus Huyskens as he reveals what you need to know!
Presonus has done it again, with a new update to Studio One! Take a ride along with Studio One master Marcus Huyskens, and see all the new features and functions, as well as how to use them, in this in-depth video tutorial series.
Are you a Studio One user and a voiceover professional, or someone looking to get into the voiceover business? These instructional video tutorials by Studio One master Marcus Huyskens are a must see and will get you on going on the right foot.