Chapter 1: Basic Setup
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Creating Your First Song (8:05)
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Song Folder & Content Locations (5:43)
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Studio One Song Folder Structure (3:41)
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Setting Up Your Interface IO (8:54)
Chapter 2: Studio One Basics
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The Main Windows (6:23)
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Overview of Track Types (11:16)
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Creating Tracks (7:13)
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The Studio One Transport (4:31)
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Working with the Browser (10:02)
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Using Markers (4:57)
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Using the Arranger Track (7:42)
Chapter 3: Basic Editing in Studio One
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The Arrow Tool (5:39)
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Edit Groups & Snapping Mode (7:01)
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The Range Tool (3:59)
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The Split Tool (3:23)
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Using the Smart Arrow Tool (6:02)
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The Other Tools (5:14)
Chapter 4: Recording
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Optimizing Your Setup for Recording (7:46)
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Enabling the Metronome & Recording Basics (6:35)
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Recording Levels (7:53)
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Pre-Roll & Pre-Count (5:21)
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Punch In Recording with Auto Punch (4:18)
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Loop Recording with Takes To Layers (4:10)
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Comping the Perfect Take (8:49)
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Creating a Separate Headphone Cue Mix (6:39)
Chapter 5: Recording MIDI
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Setting Up Your MIDI Keyboard Controller (7:54)
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MIDI Recording Modes (7:25)
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MIDI Editing Basics (7:42)
Chapter 6: Mixing
Presonus guru Marcus Huyskens delivers an in-depth video tutorial series designed for the new Studio One v4 user! Go from zero to hero in no-time, and learn all the important foundations and basics of the new Presonus Studio One DAW. Your new favorite DAW awaits!
Featuring 33 in-depth videos, Marcus starts off with creating your first song and walks you through the process, including all the settings, template options, and more. You'll then learn all about song folder and content locations, studio one song folder structure, and setting up your recording interface and more.
Next, it's on to important S1 basics, such as the main windows, track types, creating tracks, using the transport, working with the browser, using markers, the Arranger Track and much more. Marcus then shows you how to edit both audio and MIDI with the various tools included with Studio One, to make that perfect performance come alive.
Recording in S1 is then looked at in detail, and you'll get all the info needed to correctly optimize your setup for recording, enable the metronome and recording basics, how to set an optimal recording level when tracking in Studio One, using pre-roll and pre-count, use punch in recording with auto punch, loop recording, comping for the perfect take, and creating a separate headphone mix for the talent.
It's MIDI time! Marcus now reveals how to set up your MIDI controller with Studio One, and covers all the different MIDI recording modes so you can easily lay down your MIDI performances and edit them for complete control over your parts. Last up, Marcus gives you 5 video tutorials on mixing in Studio One, including how to optimize your setup for mixing, using plug-ins, setting up bus and effect channels, how to use basic automation, and exporting your song for all the world to hear.
See the individual tutorial descriptions for more info. If you're new to Studio One or just want a refresher on the basics, this series will enable you to command Studio One like a pro and make the music you have inside... Watch "Studio One 4 Explained" today.
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1. When did you start dabbling in music?
I started playing piano at around 5 years old, after which point I switched to the Guitar at around age 10. I was pretty lucky, as my parents had quite a nice selection of records, spanning across multiple genres, that I could listen too. I would sit by the record player with headphones on, and close my eyes, and imagine myself playing along with them. I listened to much "older" music than the current music my age group was listening to. I continued to play the guitar and by 16, had developed some pretty decent chops, and was playing lots of local jazz clubs & restaurants with a couple friends. However after the birth of my first son, I took a break from gigging, and made the transition to the other side of the glass. However, I still rely on, and draw upon my abilities as a musician all the time, as I feel that an engineer, producer, or mixer, with a decent understanding of music, tempo, groove, theory, and genres, is a step ahead of the game.
2. What training have you had?
Pretty much 23 years of locking myself in a chair, and working diligently on my craft. Over the years, Ive also had had the great pleasure of working with other fantastic engineers, being able to pick their brains, observe and sponge in all the information that they offered. I still maintain, that you can learn more from a couple weeks, or even a couple days working with a seasoned pro, then you can in a year or 2 of school. Although I was set on going to audio engineering for school, my parents insisted on me going to school for business marketing, which didn't really work out, as I spent most of my time cutting class and going to my older sisters media arts classes, offering up myself as an actor, or voice over actor, (whatever they needed) for all of their student productions, so that I could learn more about audio/video production. It wasn't quite an audio engineering per se, but it was a close second!
Although Ive never had any formal education, I can recall my early "lessons" from my father, of cutting tape, and working with analogue gear. Being given tasks, like recording music from a record to tape, then cutting the tape, to make edits. The process of gain staging, EQ, fader riding, compression, adding reverb, etc etc. Also most importantly, my lessons in understanding the psychology behind getting the best performance from your artist/talent, which I was able to comprehend, and which I still keep with me, and use to this day.
3. When did you get into recording?
By about 11 years old, after listening to countless records in awe, I became interested, (or maybe even obsessed) with the whole recording process. When I badgered my father enough, he eventually dusted off his old TEAC 3340 reel to reel, an old mixer, and a spring reverb for me, that had been meticulously stored and well taken care of. Needless to say, It was pretty much game over from that point on. I fell in love with the notion of being able to capture a moment in time, a performance of art, and preserving it. In the very beginning, I spent most of my time re-recording old records, and singing and playing over top while tracking them, playing around with different microphones, then began a crash course in the basics.
In a sense I was very fortunate, as in addition to being a producer/camera man, my father was a pretty savvy audio engineer, who used to record/mix the music for all his documentaries / productions he worked on back in the day. So, at a very young age, & before the times of the “Mbox" and portable interfaces, little did I know, that I was receiving some very thorough training that became the foundation of my craft. As i grew more comfortable with the gear, I started inviting other children over to my "studio" (parents living room-LoL) who were in bands, so that I could record them. My parents were pretty supportive, often allowing me to use this area, and make noise to do something I enjoyed.
Fast forward a couple years to high school, As my band was looking to get some gigs, I was able to record our own demo's to hand out to clients, and continued to work on my craft, eventually opening up my first studio in 2002. From there, everything else is pretty much history.
4. People you have worked with/for?
The majority of my work has been on the Indi scene music wise, working with local talent, and also internationally as a mixer for various clients in different genres. In 2010/2011 I shifted my efforts, and began working on ad spots, both writing, and recording/mixing with different composers, which eventually brought me down the path of actually developing my own set of sample libraries for composers to use in music production, and television/film/games. This has really opened up some doors for me and expanded my cliental into areas I would have never imagined. I continue to work with talented artists, and composers on various projects, in addition, I also do some voice over work for different audio brands.
5. Why are you so good at training people?
Tough one to answer, but, i'd like to think that I teach people the way that I prefer to be taught. Which is building a foundation of knowledge, then adding to it in stages, with clear steps. I try to stay on point, and simplify a process down to its core level. I find that in general, there are a lot of tutorials that leave you scratching your head sometimes. I try to avoid that. Ive often had friends say to me, that I simplify things, so if thats the case, then I hope I can continue to do so.
Products by Marcus
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tutorial videoAccusonus Regroover Pro Explained
Studio wiz Marcus Huyskens presents the most comprehensive video tutorial series available on Accusonus Regroover Pro. Learn all about this amazing plug-in’s features and functions, as well as see and hear it in action, and what it can do for your productions, beat making and remixes!
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tutorial videoExponential Audio NIMBUS Explained
Exponential Audio, makers of the highly acclaimed PhoenixVerb, have done it again, with NIMBUS, their next generation world-class DAW Reverb plug-in. Follow along with studio guru Marcus Huyskens and learn all of its features as well as how to use it on your tracks!
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tutorial videoFirst Song with Pro Tools 2018
DAW guru Marcus Huyskens brings you the beginner's guide to using Pro Tools 2018 to make your first song! Marcus starts with a blank Pro Tools session and walks you through the entire process of creating and arranging your first song using only PT 2018 and its included plug-ins and instruments, along with basic mixing and exporting practices.
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tutorial videoiZotope Neutron 2 in Action
Studio guru Marcus Huyskens pulls back the curtain and shows you what using iZotope’s Neutron 2 mixing tool is all about. See this amazing mixing assistant in action, in a real-world mix session. You’ll then be able to tackle your own mix sessions with success!
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tutorial videoPro Tools 2018 Explained
Studio guru Marcus Huyskens presents an in-depth video series designed for the beginner to intermediate Pro Tools 2018 user! Learn Pro Tools Native or HD from the ground up, all the way to exporting your masterpiece, for all the world to hear.
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