PreSonus Tutorial

Studio One 3 Advanced

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12 Videos | Length: 2hr 0min 6sec
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    Tutorial 1

    Pipeline

    12:26

    An overview of setting up pipeline in Studio One, including optimal gain staging with outboard gear, and setting proper delay compensation.

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    Tutorial 2

    IR Maker

    4:59

    Learn how to use the IR maker plugin to capture an impulse response of a guitar cabinet, that can be loaded used in Ampire XT.

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    Tutorial 3

    Vocal Comping

    14:51

    An overview on using the takes to layers record mode in Studio One for optimal workflow when comping. In addition, explore the different methods of auditioning individual takes, and evening out inconsistent performances.

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    Tutorial 4

    Console/Arrange Window

    12:42

    Explore the additional preferences within Studio One, to gain full control over your view options within the console and arrange windows.

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    Tutorial 5

    Creating Monitor Mixes

    10:57

    Learn how to create and route custom CUE mixes within the Studio One Console.

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    Tutorial 6

    The Project Page

    10:44

    Mastering with Extended FX Chains - A detailed look into using the new extended FX chains within the Studio One Project page.

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    Tutorial 7

    Working with Melodyne

    5:47

    Explore the deep integration of Melodyne within Studio One, to quickly analyze and correct common tuning issues.

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    Tutorial 8

    Additional Features Pt. 1

    12:01

    Learn how to use Melodyne to detect percussive Audio & convert it into midi for the purpose of sample replacement/enhancement. In addition, this video also includes an overview of using the strip silence feature found within Studio One.

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    Tutorial 9

    Additional Features Pt. 2

    6:51

    Explore the Audio to Midi capabilities of Melodyne further, by seeing how we can use it to convert basic monophonic audio into midi. In addition, learn how to use Melodyne to detect the BPM of an audio loop with no tempo information, and seamlessly integrate it into your project.

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    Tutorial 10

    Groove Extraction

    4:10

    Introduction to Groove Extraction - A brief walk through of the Groove clipboard, its basic functions, and how we can use it to lock together different loops.

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    Tutorial 11

    Transient Detection & Audio Bend Markers

    12:52

    A detailed look into the interaction of transient detection, Groove extraction, Bend Markers, and Quantizing within Studio One.

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    Tutorial 12

    Multitrack Drum Quantization

    11:46

    A detailed workflow overview of quantizing multitrack drums within Studio One. Learn how to optimize your settings to harness the full power of quantizing and slicing multitrack drums in several different ways.

Studio One 3 includes tons of advanced features, and this series by Studio One guru Marcus Huyskens digs into them. In this in-depth video series, you'll learn how to use some of the less obvious and most powerful features that Studio One 3 offers.

Marcus begins with how to use Pipeline to connect your outboard gear, how to capture IRs with IR Maker, Vocal Comping, advanced Console/Arrange Window Options, and Creating Monitor Mixes.

Marcus then covers the Project Page, Mastering with Extended FX Chains and integrating Melodyne with Studio One 3. He then ends with videos on Studio One 3's groove features, such as how to Extract Grooves, Detect Transients and place Audio Bend Markers, as well as the powerful Quantize/Slice Mode.

If you're ready for deeper Studio One 3 knowledge, don't miss "Studio One 3 Advanced"!

koziolmatol
Submitted 5 months ago

Great tutorial series!

As always fantastic content, and a lot of knowledge, I learnt a lot :)

I am a: Semi-Pro, Musician, Producer, Ableton Live, Logic Pro, Studio One

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Steve
Submitted 8 months ago

Good information

Good presentation

I am a: Hobbyist, Musician, Producer

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lgibbs2
Submitted 10 months ago

Very helpful!

Picked up quite a few tips I wasn't aware of.

I am a: Semi-Pro, Producer, Studio One

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Salimelo
Submitted 1 year ago

Very nice for a Cubase user already familiar with the techniques in Cubase.

Wonderful quick and thorough explanation. Great value for any newbie to Studio one who however would benefit a lot of previous experience with other DAW’s.

I am a: Professional, Musician, Producer, Audio Engineer, Sound Designer, Sound for Film/TV, Ableton Live, Cubase, Reaper, Studio One

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ronmac
Submitted 1 year ago

New to this DAW

Excellent instruction that gets me up to speed quickly on how this particular DAW works.

I am a: Professional, Audio Engineer

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Chaeya
Submitted 1 year ago

Great Tutorial!

On my ongoing quest to become acquainted and have a good grasp of Studio One, I found this tutorial very well presented and the tutor explained everything at a good pace where I could follow along.

I am a: Producer, Musician, Student

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GuiGautreaux
Submitted 1 year ago

Great tips! A true master.

The teaching and examples given were top-notch. A lot of replay level too.

I am a: Producer, Professional, Audio Engineer, Musician

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Ehm1
Submitted 2 years ago

Well Done!

I really appreciated the insight given in these tutorials. I also appreciate these professionals extending their time and talent to the rest of us. There is the right amount of instruction in this series to get you up and going, the rest is up to you. ;) Good stuff in here! Get it!

I am a: Semi-Pro, Audio Engineer, Musician

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kaabi
Submitted 2 years ago

very useful

good clear voice talking on the screen you can see the icon very clearly

I am a: Beginner

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AudibleHeaT
Submitted 2 years ago

Informative

Great tips! Keep expanding and we'll keep watching!

I am a: Professional, Semi-Pro, Beat Maker, Audio Engineer, Producer, Mastering Facility

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1. When did you start dabbling in music?

I started playing piano at around 5 years old, after which point I switched to the Guitar at around age 10. I was pretty lucky, as my parents had quite a nice selection of records, spanning across multiple genres, that I could listen too. I would sit by the record player with headphones on, and close my eyes, and imagine myself playing along with them. I listened to much "older" music than the current music my age group was listening to. I continued to play the guitar and by 16, had developed some pretty decent chops, and was playing lots of local jazz clubs & restaurants with a couple friends. However after the birth of my first son, I took a break from gigging, and made the transition to the other side of the glass. However, I still rely on, and draw upon my abilities as a musician all the time, as I feel that an engineer, producer, or mixer, with a decent understanding of music, tempo, groove, theory, and genres, is a step ahead of the game.

2. What training have you had?

Pretty much 23 years of locking myself in a chair, and working diligently on my craft. Over the years, Ive also had had the great pleasure of working with other fantastic engineers, being able to pick their brains, observe and sponge in all the information that they offered. I still maintain, that you can learn more from a couple weeks, or even a couple days working with a seasoned pro, then you can in a year or 2 of school. Although I was set on going to audio engineering for school, my parents insisted on me going to school for business marketing, which didn't really work out, as I spent most of my time cutting class and going to my older sisters media arts classes, offering up myself as an actor, or voice over actor, (whatever they needed) for all of their student productions, so that I could learn more about audio/video production. It wasn't quite an audio engineering per se, but it was a close second!

Although Ive never had any formal education, I can recall my early "lessons" from my father, of cutting tape, and working with analogue gear. Being given tasks, like recording music from a record to tape, then cutting the tape, to make edits. The process of gain staging, EQ, fader riding, compression, adding reverb, etc etc. Also most importantly, my lessons in understanding the psychology behind getting the best performance from your artist/talent, which I was able to comprehend, and which I still keep with me, and use to this day.

3. When did you get into recording?

By about 11 years old, after listening to countless records in awe, I became interested, (or maybe even obsessed) with the whole recording process. When I badgered my father enough, he eventually dusted off his old TEAC 3340 reel to reel, an old mixer, and a spring reverb for me, that had been meticulously stored and well taken care of. Needless to say, It was pretty much game over from that point on. I fell in love with the notion of being able to capture a moment in time, a performance of art, and preserving it. In the very beginning, I spent most of my time re-recording old records, and singing and playing over top while tracking them, playing around with different microphones, then began a crash course in the basics.

In a sense I was very fortunate, as in addition to being a producer/camera man, my father was a pretty savvy audio engineer, who used to record/mix the music for all his documentaries / productions he worked on back in the day. So, at a very young age, & before the times of the “Mbox" and portable interfaces, little did I know, that I was receiving some very thorough training that became the foundation of my craft. As i grew more comfortable with the gear, I started inviting other children over to my "studio" (parents living room-LoL) who were in bands, so that I could record them. My parents were pretty supportive, often allowing me to use this area, and make noise to do something I enjoyed.

Fast forward a couple years to high school, As my band was looking to get some gigs, I was able to record our own demo's to hand out to clients, and continued to work on my craft, eventually opening up my first studio in 2002. From there, everything else is pretty much history.

4. People you have worked with/for?

The majority of my work has been on the Indi scene music wise, working with local talent, and also internationally as a mixer for various clients in different genres. In 2010/2011 I shifted my efforts, and began working on ad spots, both writing, and recording/mixing with different composers, which eventually brought me down the path of actually developing my own set of sample libraries for composers to use in music production, and television/film/games. This has really opened up some doors for me and expanded my cliental into areas I would have never imagined. I continue to work with talented artists, and composers on various projects, in addition, I also do some voice over work for different audio brands.

5. Why are you so good at training people?

Tough one to answer, but, i'd like to think that I teach people the way that I prefer to be taught. Which is building a foundation of knowledge, then adding to it in stages, with clear steps. I try to stay on point, and simplify a process down to its core level. I find that in general, there are a lot of tutorials that leave you scratching your head sometimes. I try to avoid that. Ive often had friends say to me, that I simplify things, so if thats the case, then I hope I can continue to do so.

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    Studio guru Marcus Huyskens pulls back the curtain and shows you what using iZotope’s Neutron 2 mixing tool is all about. See this amazing mixing assistant in action, in a real-world mix session. You’ll then be able to tackle your own mix sessions with success!

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    Producing an Epic String Arrangement from Score

    Studio guru Marcus Huyskens gives you an in-depth look at how to take a string arrangement composed in notation software and bring it to life inside your DAW using virtual instruments and more. Shot with Presonus Studio One and Notion, the ideas can also be applied to any DAW and score software!

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Studio One 3 Advanced is rated 4.9 out of 5 by 10.
Rated 5.0 out of 5 by from Great tutorial series! As always fantastic content, and a lot of knowledge, I learnt a lot :)
Date published: 2017-09-18
Rated 5.0 out of 5 by from Good information Good presentation
Date published: 2017-06-17
Rated 5.0 out of 5 by from Very helpful! Picked up quite a few tips I wasn't aware of.
Date published: 2017-05-10
Rated 5.0 out of 5 by from Very nice for a Cubase user already familiar with the techniques in Cubase. Wonderful quick and thorough explanation. Great value for any newbie to Studio one who however would benefit a lot of previous experience with other DAW’s.
Date published: 2017-03-10
Rated 5.0 out of 5 by from New to this DAW Excellent instruction that gets me up to speed quickly on how this particular DAW works.
Date published: 2017-02-24
Rated 5.0 out of 5 by from Great Tutorial! On my ongoing quest to become acquainted and have a good grasp of Studio One, I found this tutorial very well presented and the tutor explained everything at a good pace where I could follow along.
Date published: 2017-02-11
Rated 5.0 out of 5 by from Great tips! A true master. The teaching and examples given were top-notch. A lot of replay level too.
Date published: 2017-01-19
Rated 5.0 out of 5 by from Well Done! I really appreciated the insight given in these tutorials. I also appreciate these professionals extending their time and talent to the rest of us. There is the right amount of instruction in this series to get you up and going, the rest is up to you. ;) Good stuff in here! Get it!
Date published: 2016-08-14
Rated 5.0 out of 5 by from very useful good clear voice talking on the screen you can see the icon very clearly
Date published: 2016-02-25
Rated 5.0 out of 5 by from Informative Great tips! Keep expanding and we'll keep watching!
Date published: 2016-02-19