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SKANNER Tutorial

SKANNER XT Explained®

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11 Videos | Length: 1hr 39min 58sec
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  • image description 3:54

    Introduction

    This video is a brief introduction to SKANNER and to the concept of scanned synthesis. In this series of tutorials you'll learn how to use this unique and powerful synthesizer as we delve into every parameter and every function.

  • image description 7:38

    Overview

    In this video Al provides a brief overview of the synth. You''ll look at the A view; where SKANNER's preset morpher, global LFO and macro controls are housed and the B view; the engine room of the synth where the 'polyphonic processing section', the effects section and the modulators section can be found.

  • image description 7:51

    Morpher & Global LFO

    In this video you'll learn about the three key panels in View A; The Preset Morpher, the Global LFO and the Macro Controls. We'll also look at the SKANNER's Global LFO and how it can be used to control both the preset morpher and SKANNER's macro controls.

  • image description 10:53

    The Synth Engine

    In this video you'll head over to the B view, the heart of SKANNER XT and learn how to use SKANNER's synth engine to modulate SKANNER's playhead to 'scan' the sample and thus generate sound. You'll then learn how Oscillators A and B, the Polyphonic LFO, the Envelope and Feedback can all be used to modulate SKANNER's playhead in their own distinct way. This is the key concept behind 'scanned' synthesis and how it works.

  • image description 10:52

    Polyphonic Processing Section

    In this video you'll explore the polyphonic processing section and the three key devices that process your raw sound before it passes through a mixer and then an amplitude envelope. You'll also discover the Amplitude Modulator, the Delay Unit and the Hi Cut and Lo Cut filters, all of which allow you to shape your sound before it passes through the effects section.

  • image description 11:32

    The Effects Section Pt. 1

    Over the next two videos you'll look at SKANNER XT's effects section which contains five high quality effect units; An 8-pole filter, an amp cabinet distortion unit, an echo unit, a flanger and finally a reverb unit. Then you'll learn about the complex, stereo 8-pole filter which is in fact four filters (two for each stereo channel.) Discover how this unconventional filter can be used as a lo pass, a hi pass, a band reject or an all pass filter depending on how it's used. You'll also look at the cabinet effect which simulates guitar amp distortion as you drive the signal into it. Following that you'll look at SKANNER XT's more conventional but extremely high quality Echo, Flanger and Reverb units and how each of them work.

  • image description 6:35

    The Effects Section Pt. 2

    Continued from Part 1

  • image description 10:07

    The Modulators Section Pt. 1

    In the next two videos you'll look at SKANNER XT's modulators section, arguably the most important panel on SKANNER's B view. This is where you can exercise detailed control over your five modulators; Oscillators A and B, the Polyphonic LFO, the Envelope and Feedback. Among other things, you'll learn how, as well as being used to modulate SKANNER's playhead, the two oscillators can themselves be modulated by the Polyphonic LFO, the Envelope and Feedback. As you go through all the parameters in the modulators section, you'll start to see the potentially infinite combination of ways one can modulate the playhead thus, you'll see SKANNER's vast potential.

  • image description 14:40

    The Modulators Section Pt. 2

    Continued from Part 1

  • image description 10:17

    Macro Controls

    In this video you'll learn how to assign SKANNER XT's macro controls to control various different parameters in SKANNER XT. You'll see how you can control different parameters at once with varying degrees of scale and in both positive or negative polarities. You'll also see how using macros in conjunction with SKANNER's Global LFO expands the potential for modulation and control even further.

  • image description 5:39

    Using Your Own Samples

    Finally in this last video, you'll learn how to load your own samples into SKANNER XT, either by using Reaktor's built in browser to navigate your hard drive or by simply dragging files in from Finder or Explorer (depending on whether we're using a Mac or PC respectively).

Product Overview


SKANNER XT Explained is here! Al Swettenham tackles this sonic monster, showing you all the ins and outs. SKANNER XT is a sample based software synthesiser capable of creating original and unique sounds via a revolutionary form of synthesis known as "scanned synthesis". Learn all about it here and create your own cutting edge, out of this world sounds..

Al begins with an introduction to the synth, explaining its concept and how truly unique and powerful it is. Next an overview of the GUI is given, as well as a tour of its Morphoder and Global LFO panels. The synth engine is then explored, as well as the Polyphonic Processing section where you process your raw sound.

Going deeper, Al gets into the studio quality effects, covering the 8-Pole filter, amp cabinet, echo, flanger and reverb. The Modulator's section is then examined, where you learn to exercise complete control over your sound. Macro controls are also revealed, so you know how to control different parameters at once, making for more complex tones. Finally Al shows you how to use your own samples with SKANNER XT, to create your own, mind bending sonics.

Native Instruments SKANNER XT is a truly amazing sound tool, so why not learn what it really can do... Watch "SKANNER XT Explained" today.


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Yummay
Submitted 2 years ago

Great intro

Very good presentation of this synth

I am a: Semi-Pro, Professional, Musician, Producer, Audio Engineer, Sound Designer, Sound for Film/TV, Cakewalk Sonar, Pro Tools, Samplitude


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krafidStudio
Submitted 2 years ago

yes good!

Nice approach to the Plugin.


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
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Yummay
Submitted 2 years ago

Great intro

Very good presentation of this synth

I am a: Semi-Pro, Professional, Musician, Producer, Audio Engineer, Sound Designer, Sound for Film/TV, Cakewalk Sonar, Pro Tools, Samplitude

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

krafidStudio
Submitted 2 years ago

yes good!

Nice approach to the Plugin.

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

1. When did you start dabbling in music?

I've been dabbling in music for as long as I can remember in one way or another. As a toddler, my Dad used to sit me at the piano while he played and I'd just bash the keys! But it was in my early teens that I first started trying to write electronic music and learning to program MIDI. I wasn't great at it then but I really enjoyed it and I knew from then on that all I wanted to do was music. When I was 14 I made a CD of my own self made house tunes and persuaded them to sell it in my local record shop down the road. The tracks were pretty basic but I sold all 20 copies!

2. What training have you had?

I did an A-Level in Music Technology, it was pretty retro; we were recording onto analog tape with a Tascam MSR-16 and there were usually only about 8 or 9 channels on the 16 channel desk actually working at any given time! Then I did a BA (Hons) in Popular Music Production at the University of Huddersfield, they were a lot better equipped! I also spent a year working as a trainee studio engineer at ICC Studios, a great recording studio down on the south coast of England. That was really where I cut my teeth, learning to use with Pro-Tools and SADiE. It was hard work but also great fun. ICC was also where I learned the people skills necessary to be a studio engineer. Helping musicians feel comfortable and relaxed so they can give a great performance is a vital part of the job and those skills have come in very handy when working with vocalists on my own music.

3. When did you get into recording?

I first got into recording when I did my A-Level, before that I was really just making crude general midi tracks using a really basic version of Cubase called Cubasis AV. That was a really important step on the road to becoming a producer, before then I didn't really know how to use EQs and compressors effectively. Given that most of my experience up to that point had been teaching myself how to use various bits of software to write dance music, getting some proper training in micing up guitar cabs and drum kits, all using analogue equipment was really valuable.

4. People you have worked with/for?

I'm one third of Rebel Sonix, audio visual bass merchants based in Brixton, London. I joined after having done a few collabs and remixes with them over the last year. I've also worked with Adam Freeland, most notably on a dubstep remix of the James Bond theme for the launch of the videogame Goldeneye Reloaded. I've remixed several tracks by FeralisKinky, the UK's first ever white, female raga vocalist, and I remixed Delirious' last ever single before they broke up, which was a real honour since I remember going to their gigs as a teenager! Other artists I've worked with include Whiskey Pete, Adam Fielding, Steve Leach, Tom+Olly and You And What Army. I get approached quite a lot to do remixes and collabs and I try to do as much as I can, with the inevitable consequence that I'm always really busy!

5. Why are you so good at training people?

I've spent more than 10 years now learning about studio recording, computer composition and sound design and music production. As a producer I never stop learning because I'm always trying to improve my own production skills. I'm comfortable working in a diverse range of genres as well as a diverse range of software and plugins. I also believe I'm clear, concise and articulate (a trait I've absorbed via osmosis from my parents who are both teachers.) But most of all I'm really passionate about this stuff, music production is my life and when I discover something new I get really excited and want to tell people (just ask my wife!)

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    Making Trap with Reason

    Reason super user Al Swettenham is back with another series and this time it's all about Trap! Join Al as he shows how to use Reason 7 to create all the characteristic genre tropes of this hugely successful genre of bass music as he creates a track from the ground up.

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    MONARK Explained

    Do you use REAKTOR 5's ensemble MONARK in your productions? Groove 3 resident trainer Al Swettenham is here to show you the ins & outs of this monophonic subtractive synthesizer, as well as how to use it creatively.

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    Patch Design in Thor

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SKANNER XT Explained® is rated 4.5 out of 5 by 2 .
Rated 4.0 out of 5 by from Great intro Very good presentation of this synth
Date published: 2018-04-13
Rated 5.0 out of 5 by from yes good! Nice approach to the Plugin.
Date published: 2017-06-04
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