Revoice Pro 4 Explained®
Chapter 1 : Communication, Signal Flow, & Transfers
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5:28 Audio Setup
Learn how to set up the audio routing between the stand alone Revoice Pro 4 app and your DAW using the Revoice Pro Monitor plug-in.
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6:25 Pro Tools & Revoice Pro 4
Explore the three Audio Suite plug-ins used to transfer audio back and forth between Pro Tools & Revoice Pro 4.
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5:43 Logic Pro X & Revoice Pro 4
See how to get audio into Revoice Pro 4 from Logic using the real-time Link plug-in, or using Logic?s Selection Based Processing for faster than real time transfers. Learn how to use drag and drop to then export from Revoice Pro back into Logic.
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6:40 Studio One 4 & Revoice Pro 4
Explore the copy/paste and ARA2 transfer methods used to move audio between Studio One 4 and Revoice Pro 4.
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5:47 Sync, Settings, Import, & Export
Learn to set the relevant Revoice Pro sync and spot settings for accurate importing and exporting of audio.
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3:09 Revoice Pro 4 Session Management
Discover how to enable multiple views of the same session, set defaults for new sessions, and control the rendering modes necessary for auditioning, saving, and exporting the results of Revoice Pro 4 processes.
Chapter 2 : Working in Revoice Pro 4
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4:56 Playback Controls
Learn the basic navigation techniques to help you get around the Revoice Pro 4 interface.
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6:37 Working with the Playback Range
Explore the different ways to set the playback range and see how it is used to define process ranges.
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4:55 Track Controls
Learn how to add, remove, clear, resize, re-order, and duplicate tracks, as well as how to work with track layers and marker tracks.
Chapter 3 : The Processes
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6:18 Intro to Processes
Discover the five different types of processes available, how to call up the New Process window, set input and output tracks, change processes, select a range, use presets, and move the output files from track to track.
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4:47 Creating Multiple Processes
See how to generate multiple Doubler processes and then edit the parameters of the processes individually for subtle variations.
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8:06 Working with APTs
Learn how to adjust the range of process blocks before and after APTs are applied, and how to add a protected range. Discover some useful key commands to audition different combinations of APT related tracks, as well to as to show only tracks related to the current process.
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4:31 Creating Multiple APT Processes
Discover how to process multiple dub tracks from one guide using the Create Multiple Processes function.
Chapter 4 : Warp Editing
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5:02 Introduction to Warp Editing
Explore the differences between warp regions and warp processes, and look at a short overview of the differences between the warp, APT, and doubler process control panels.
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4:30 Editing Tools
Discover how the various tools used to edit pitch blocks work, as well as how to have pitch based edits conform to notes of a specified key and scale.
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8:49 Pitch Editing
Follow along as harmonies are created from a lead vocal track. The vocal is first transferred from Pro Tools. Harmony parts are created using a couple of warp processes and some pitch editing. The newly created harmonies are then transferred back into the Pro Tools timeline.
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6:56 Working with Warp Points Pt. 1
See how Warp Points are used to control timing, and how the Pencil Tool is used to manually edit vibrato depth.
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2:42 Working with Warp Points Pt. 2
Now hear how the fantastic new Vibrato Warp Points are used to stretch/compress vocals while maintaining a perfectly consistent vibrato rate and depth.
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3:00 Warp Point Speed Ramps
Explore how these are created using the Warp Point Tool, including how to gradually speed up or slow down audio.
Chapter 5 : Advanced Tips
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5:19 Editing APTs
Learn how to automate APT parameters to vary over the duration of the process. In this example the pitch offset is changed to create harmony notes at specific places.
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4:47 Level Editing
See how to use the S key to toggle between the Pitch and dB Grid, where level blocks are selected and dragged vertically to alter their output amount. The Volume process is also available for dynamic level changes over time, and a doubler process is automated in order to tighten up the timing of a specific doubled consonant.
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2:32 Grouping, Dividing, & More
See how the detection of pitch blocks are manually edited using the various Group and Modify menu functions.
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1:45 Keyboard Shortcuts
Learn how to create new shortcut sets, as well as how to search, filter, and re-assign keyboard shortcuts for various Revoice Pro 4 functions.
Product Overview
Eli Krantzberg delivers the definitive video tutorial series on Syncro Arts’ Revoice Pro 4! Learn all of its features inside and out, and see and hear everything this amazing software can do for your pitch and time correction and creative needs.
Eli begins with videos on Revoice Pro 4 communication, signal flow, and transfers, including audio setup, session management and configuring RVP4 to work with various DAWs. You’ll then explore working with RVP4 and dig in to its different controls such as playback and navigation functions, defining process ranges, track controls and more.
Next, Eli shows you the different types of processes available, how to create multiple processes, working with APTs, warp and pitch editing, grouping, dividing, keyboard shortcuts and much more. Throughout the series you’ll also discover real-world settings and processes to use on your material to create vocal harmonies and other musical and rhythmic enhancements.
See the individual tutorial descriptions for more info. If you’re new to Synchro Arts’ Revoice Pro 4 or just want to know more about it and what it can do, this is the one to watch… Checkout “Revoice Pro 4 Explained®” today.
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Reviews
Submitted 2 months ago
Always good with Eli Kratz
Very well done
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Digital Performer, Pro Tools, Reason
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 months ago
Great in-depth overview of this incredible tool.
It was very nice to see a comprehensive overview of this new version.
I am a: Professional, Musician, Producer, Audio Engineer
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 months ago
very concise n helpful
we beginners can use all the knowledge available , this put it in a user friendly presentation
I am a: Beginner, Musician, Ableton Live, FL Studio, Mixcraft, Reason, Reaper, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 months ago
great!
explains almost everything. great vibe
I am a: Semi-Pro, Musician, Producer, Pro Tools, Reaper
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 5 months ago
Fantastic!
Really clear, concise and thorough explanations of the Revoice Pro 4. Super helpful!
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 2 months ago
Always good with Eli Kratz
Very well done
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Digital Performer, Pro Tools, Reason
Submitted 4 months ago
Great in-depth overview of this incredible tool.
It was very nice to see a comprehensive overview of this new version.
I am a: Professional, Musician, Producer, Audio Engineer
Submitted 4 months ago
very concise n helpful
we beginners can use all the knowledge available , this put it in a user friendly presentation
I am a: Beginner, Musician, Ableton Live, FL Studio, Mixcraft, Reason, Reaper, Studio One
Submitted 4 months ago
great!
explains almost everything. great vibe
I am a: Semi-Pro, Musician, Producer, Pro Tools, Reaper
Submitted 5 months ago
Fantastic!
Really clear, concise and thorough explanations of the Revoice Pro 4. Super helpful!
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
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tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
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tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoApogee Maestro 2 Explained
Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.
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