Recording & Editing Audio in Studio One 3
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3:41 IO Setup & General File Settings
Learn how to set up Studio One to record audio.
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1:37 Creating Audio Tracks
See how to create tracks in Studio One to prepare for recording.
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4:25 Audio Region Settings
Get a close look at the default audio information and controls available in Studio One.
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5:57 Recording Guitar Tracks
Explore how to setup and use guitar amp simulator plug-ins in Studio One.
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4:35 Slicing, Fading, & Editing Your Performance
Discover creative ways to use basic editing tools.
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4:55 Using Melodyne To Create Vocal Harmonies
Get a look at how to use Melodyne creatively to create complex vocal harmony ideas.
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5:00 Using Scratch Pads To Create Different Edits
See ways to incorporate Scratch Pads into your everyday Studio One workflow.
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4:59 Taking Advantage Of Track Layers
Learn how to use Track Layers to your advantage and enhance your workflow.
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3:32 Quantizing Audio Tracks
Explore how to apply quantize to your audio tracks to make performances tighter and more in the groove.
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4:27 Using Audio Bend On Quantized Audio
Get an understanding of how to use Studio One’s powerful Audio Bend feature when quantizing audio performances.
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3:25 The Bend Panel
See all the powerful options available when bending audio in the Bend Panel.
Product Overview
Presonus Studio One 3 excels in recording and editing audio thanks to its powerful new audio features. In these in-depth video tutorials DAW guru Scott Fritz shows you the important basics as well as creative, advanced techniques when recording and editing audio in Studio One.
Scott starts by covering the Audio I/O Configuration, File Settings and getting you Ready to Record. Then you’ll see how to Create Audio Tracks and better understand Audio Region Settings. Next, Scott shows you how you can record through the Guitar Simulation Plug-Ins in Studio One 3 and eliminate the need for an amplifier.
After Recording Tracks, Scott shows you how to use the Basic Slice, Fade, and Editing Tools to edit your performances. He also shows you how you can use the built-in Melodyne application to create Complex Vocal Harmonies.
With editing covered, it’s time to get creative! Scott demonstrates how to use Scratch Pads to create different edits that you can then compare to each other, and how to use Track Layers to enhance your workflow. Finally, Scott concludes the series with two videos on Quantizing Audio, and how to use Audio Bend on quantized audio.
Whether you’re a beginner or Studio One 3 pro, discover new ways to work with audio… Watch “Recording & Editing Audio In Studio One 3” today!
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Reviews
Submitted 2 years ago
Author sounds in a hurry and not interested in the topic.
I never got through this - too depressing. Go straight to Studio One 4 and don't bother with this.
I am a: Hobbyist, Musician, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
Audio Region Settings.
Generally good. However in the Audio Region Settings, the author continually confuses sections with audio events with regions. All of these are separate components. An event is not a region and sections are not events and so on.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 2 years ago
excellent intro to record and editing in SO3
I was pleasantly surprised by this video. perhaps a bit short but for the price I was pleased.
I am a: Hobbyist, Musician, Cakewalk Sonar, Cubase, Samplitude
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Helpful Nuts and Bolts, not so helpful video editing
The videos in this series are short, concise and to the point. Most show interesting, helpful little tips that may come in handy or that you have been looking for in StudioOne, coming from other DAWs and not finding them ... Two things really annoyed me: The presenter keeps telling Apple-specific keyboard shortcuts and ignores other systems completely. Usually, it's "common sense" to either name both important OSs' specific shortcuts OR to use a text overlay listing them. Second, the video editing was hurting my brain. With constant swipes, zooms, pans around the desktop I couldn't focus on what the presenter was showing and telling at the same time. Video resolution really isn't that high that you need to zoom into a single button, it would have sufficed to mark the area you are talking about by darkening the rest of the screen (which the presenter does, too, but he adds crazy zooms and pans on top of that).
Ease of Use Quality of Videos Access to Videos
Submitted 3 years ago
Keynotes for Studio One
Very thorough and clear to the main points
I am a: Semi-Pro, Producer, Beat Maker, Audio Engineer, Pro Tools, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Concise practical advice
I love Scott's courses. His has tremendous knowledge and distills the various topics to its essence, demonstrating how to make most of the tools. Highly recommended.
I am a: Semi-Pro, Musician
Submitted 3 years ago
Helpful!
Direct, understandable and quick advice
I am a: Hobbyist, Musician, Producer, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Outstanding
An excellent tutorial series I'll no doubt refer to again and again. Very, very well done.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
good so far
great info
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Ableton Live, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Great video
Very good content. Good quality video and very informative. Just what I needed...
I am a: Beginner, Musician, Producer, Beat Maker, Ableton Live, Cakewalk Sonar, Pro Tools, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 2 years ago
Author sounds in a hurry and not interested in the topic.
I never got through this - too depressing. Go straight to Studio One 4 and don't bother with this.
I am a: Hobbyist, Musician, Studio One
Submitted 2 years ago
Audio Region Settings.
Generally good. However in the Audio Region Settings, the author continually confuses sections with audio events with regions. All of these are separate components. An event is not a region and sections are not events and so on.
Submitted 2 years ago
excellent intro to record and editing in SO3
I was pleasantly surprised by this video. perhaps a bit short but for the price I was pleased.
I am a: Hobbyist, Musician, Cakewalk Sonar, Cubase, Samplitude
Submitted 3 years ago
Helpful Nuts and Bolts, not so helpful video editing
The videos in this series are short, concise and to the point. Most show interesting, helpful little tips that may come in handy or that you have been looking for in StudioOne, coming from other DAWs and not finding them ... Two things really annoyed me: The presenter keeps telling Apple-specific keyboard shortcuts and ignores other systems completely. Usually, it's "common sense" to either name both important OSs' specific shortcuts OR to use a text overlay listing them. Second, the video editing was hurting my brain. With constant swipes, zooms, pans around the desktop I couldn't focus on what the presenter was showing and telling at the same time. Video resolution really isn't that high that you need to zoom into a single button, it would have sufficed to mark the area you are talking about by darkening the rest of the screen (which the presenter does, too, but he adds crazy zooms and pans on top of that).
Submitted 3 years ago
Keynotes for Studio One
Very thorough and clear to the main points
I am a: Semi-Pro, Producer, Beat Maker, Audio Engineer, Pro Tools, Studio One
Submitted 3 years ago
Concise practical advice
I love Scott's courses. His has tremendous knowledge and distills the various topics to its essence, demonstrating how to make most of the tools. Highly recommended.
I am a: Semi-Pro, Musician
Submitted 3 years ago
Helpful!
Direct, understandable and quick advice
I am a: Hobbyist, Musician, Producer, Studio One
Submitted 3 years ago
Outstanding
An excellent tutorial series I'll no doubt refer to again and again. Very, very well done.
Submitted 3 years ago
good so far
great info
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Ableton Live, Studio One
Submitted 3 years ago
Great video
Very good content. Good quality video and very informative. Just what I needed...
I am a: Beginner, Musician, Producer, Beat Maker, Ableton Live, Cakewalk Sonar, Pro Tools, Studio One
1. When did you start dabbling in music?
I began playing music at the age of 5 and have never looked back.
2. What training have you had?
I studied all forms of guitar when I was young, as well as organ and piano, and then moved on to bass, drums, and music engineering and production as I grew into my 20s. I attended and graduated from the Institute of Audio Research with honors in 2000, and began my music production company, Stranded On A Planet, in 2004.
3. When did you get into recording?
I started recording on a Tascam 4 track in 1994, and then moved onto the Roland VS series recorders back in the day. From there, the evolution to computers and hybrid analog/digital music production came after years of working and looking for a sound and workflow that facilitated world class sound with creative, intuitive use.
4. People you have worked with/for?
I have produced albums for and with dozens of artists, including Nadia Ali, Cavalier King, The Hawthorne Effect, Tritonal, A Friend Called Fire, Voice of Addiction, Martha Berner and The Significant Others, and Michael Angelo Batio to name a few. I compose for Warner/Chappell, Harpo, The GiggleBellies, Beachbody, and several other corporate clients. I was the executive producer and co-host of “The Top Shelf”, a video series for Guitar Center Pro that focused on high end audio equipment usage and interviews with the designers of the equipment. And, of course, I am now working with Groove 3.
5. Why are you so good at training people?
In my years of musical work, which range from touring the globe as the guitarist for Nadia Ali, to writing and recording commercial/television music, to helping audio developers test their products, I have worked extensively on both the production and the artistic side. I have also spent a lot of time working with virtually all audio processing tools and sample libraries for my work, so after putting all of that into practical use for my job, I feel I can offer a real world perspective on how these things add up to a creative end product and a successful career
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