Larry uses SUBSTANCE to create raspy, cutting basslines with LFO modulation on the filter to create rhythmic bass parts. He adds distortion and EQ to sculpt the sound and fit it in the mix. He also uses Reverb to add interest and automation using a Macro.
Larry focuses on simple analogue tones to create lo-slung bass tones, 808 distorted sine basses and stacked bass perfect for G-House and Nu Disco.
Larry uses some of the brass tones in SUBSTANCE to create huge brass stabs. He also creates 808 kicks.
Larry accesses the complex waveforms to create a laser style Dubstep lead. He also uses the rhythm section and Flux modulator to create evolving bass wobbles.
Larry uses the step editor assigned to the filter and distortion to create warehouse vibe dirty Techno sequences.
Larry employs the amazing cinematic tones in SUBSTANCE to layer up an evolving, pulsating bass tone tailor made for cinema listening! He also uses SUBSTANCE’s FX to make this sound as interesting as possible.
Output has hit the mark with SUBSTANCE, their new bass synth virtual instrument, and production wiz Larry Holcombe takes you on a video tutorial journey into SUBSTANCE, using it to create bass sounds and lines for a wide variety of genres!
Larry starts off by showing your the finer nuances of creating Wobble House and Electro bass sounds and lines using Substance’s powerful features and effects.
House and Nu Disco bass tones and parts are broken down, followed by how to make the incredibly popular Trap and 808 style productions and lines that are charting big today.
Moving on you’ll see how to create killer Dubstep and lead sounds, analog Techno sequences and even big, cinematic bass sounds and parts perfect for picture, soundtracks and more!
See the individual tutorial descriptions below for more info. If you have SUBSTANCE and are into EDM or just want to see what you can do with this awesome synth, checkout “Producing Bass Lines with Output SUBSTANCE” now.
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