In this title, we go thru the basics of Signal Flow. Using pictures and diagrams we describe how signal flows and is routed throughout Pro Tools.
The I/O Set Up Window
Next we dive into the I/O Window and how all signal flows through this virtual patch bay. We break each section down, starting with Inputs and how we can label each one for clearer organization.
In this video Kenny checks out the Outputs of the I/O window and how they can also be routed anywhere and properly labeled.
The buses in Pro Tools are one of the most flexible sections and signal can be routed in and out thru and type of track and back with great simplicity.
Next we check out the Inserts in the I/O window and how they can be routed directly to real hardware equipment for processing of our Pro Tools tracks.
Finally we go through the Misc section of the I/O window and how we can save and restore our I/O settings and whether our setup is global or based on each session. We also go thru output and audition defaults to make set up quicker.
Next we run through all the different types of tracks available in Pro Tools. We start with Mono Audio Tracks and go through the signal flow of the entire track.
Then we run through the Stereo Audio Tracks and go through the signal flow of the entire track.
Mono Aux Input1:44
Next we run through the Mono Aux Tracks and go through the signal flow of that entire track.
Stereo Aux Input0:57
Then we run through the Stereo Aux Tracks and go through the signal flow of the entire track.
Next we run through the Master Fader and go through the signal flow of that entire track and how it differs from audio and aux tracks.
Then we run through the VCA Master Fader Tracks and how it could be used to control the signal of other tracks in our groups.
Next we run through Midi Tracks and how their signal is routed from our midi interfaces into our tracks.
Instrument tracks combine the best of a Midi Track and an Aux track and we go through how they can be utilized.
Finally we run through briefly how video tracks can be used in Pro Tools and how we can line up audio with video.
Next we go through the process of setting up to record in Pro Tools. We begin with naming tracks and how that effects our clip names.
Now we move on to checking out the inputs and preparing them to record.
Next we go thru how to record enable our tracks and adjusting our preferences for speeding up the process.
Setting up Recording Levels is one of the most important things we do in the process and Kenny shows you how to get the right level to avoid overloading your front end.
There are a bunch of different modes that we can use to record in Pro Tools including Destructive, Looping and Quickpunch.
There are a few Monitoring modes in Pro Tools and understanding these choices can really help us take advantage of when can be done in Pro Tools.
In this video, we set up our Midi devices and route them in and out, to and from each other to make them available in Pro Tools.
Input Devices and MIDI Thru3:18
In this video, we set up each device and whether or not input is active and how to use the Midi Thru function.
Default MIDI Thru1:14
The Default Midi Thru preference allows us to keep a Midi Input and an Output device active at all times to make production easier.
MIDI Input Filter1:11
The midi input filter allows us to decide what does and doesn't get routed thru our tracks and recorded.
Wait for Note1:10
The Wait for Note feature allows us to record in Pro Tools hands - free and only record midi once we start playing our MIDI controllers.
In this tutorial we go thru the process of setting up a Click Track.
Next we run through the feature Midi Merge which enables us to overdub our midi tracks right back into the same track.
Real Time Properties3:27
The Real Time Properties feature allows us to tweak our midi information without committing to changing our performance.
Now we check out the Input Quantize function which allows us to record into Pro Tools while simultaneously quantizing the information.
Next we go thru recording Midi information to multiple tracks at the same time. Both using the same and different controllers.
Then we go thru the process of punching in our MIDI recordings.
Using the Looping function in Pro Tools allows us to record Midi in a looping fashion and overdub as we go.
Uses for Audio Tracks3:32
Next we go into Basic Mixing in Pro Tools. We start off by going through Audio Tracks and their many uses.
Then we go thru the Aux tracks and what we can use them for. We start with our Hardware Inputs.
FX Returns - Software5:17
Another common use for Aux tracks is as FX Returns. Kenny goes thru how to create effects using this technique with Software.
FX Returns - Hardware1:36
Another common use for Aux tracks is as FX Returns. Kenny goes thru how to create effects using this technique with Hardware.
Sub-mixing - FX Sharing7:16
We can also use Aux Tracks for creating Sub-mixes to make mixing easier when dealing with large sessions. We also go thru sharing effects in a similar way using Aux tracks.
Another great use for Aux Tracks is for creating Parallel Compression effects and combining wet and dry signals.
Uses for Master track - Master Fader7:22
Next we go thru the many uses for the Master Fader tracks. Starting with using them as a Master control for our mixes.
Uses for Master Track - Submixing2:29
Master Fader tracks can also be used for creating master controls for our Submixes.
Uses for Master Track - FX Sends3:05
We can also control the master level of each of our FX sends using Master Faders. Along with automating our sends for creative purposes.
Uses for Master Track - Headphone Mixes3:06
Master Faders can also become master level controls for each of our Headphone mixes.
Inserts and Sends
Next we go into great detail on how to use Inserts in Pro Tools. We cover adding plugins, plugin organization, default EQ and Comp, favorites, gain staging and the various ways of bypassing each of them using modifiers and key commands.
Then we go into great detail on how to use Sends in Pro Tools. We cover adding sends, buses or outputs, creating reverb, pre and post fader, gain staging, meters in sends and the various ways we can bypass our sends using modifiers and key commands.
Setting Up Headphone Mixes (Pre & Post) FMP13:39
Next we go into detail on how to create Headphone Mixes in Pro Tools including using both pre and post faders sends.
Then Kenny goes through the process of creating Stems to send to editors and video producers for greater control of our mixes without requiring all of the individual tracks in our productions.
And finally, we go thru the process of Side-Chaining our tracks and triggering the compression from external sources to create interesting rhythms to be added to our legato tracks.
If you're new to Pro Tools, or want to further your knowledge on the art of routing and signal flow, this title is a must see. Kenny Gioia breaks down everything you need to know about both basic and advanced signal flow and routing in Pro Tools, making your workflow faster and more creative.
Kenny starts with the basics of signal flow using diagrams and pictures so you can easily understand the concepts. Next, Kenny reveals the sometimes puzzling I/O Set Up Window and explains each section in detail as well as how to route, name and organize your inputs, outputs, busses, inserts and more.
Track Types is next on the menu and Kenny serves up complete understanding of all the different track types and their uses. Setting up to record is then looked at so you'll know exactly how to name tracks, prepare inputs, enable tracks to record, setting the right level to avoid clipping and overloads, all the different record modes and how / when to use them, as well as the different monitoring modes.
Kenny now goes deeper showing you all things MIDI, such as MIDI Setup, Input Devices and MIDI Thru, MIDI input Filters, Wait For Note Recording, Click Tracks, MIDI Merge, Real-Time Properties for non-destructive editing, Input Quantize, using Multiple MIDI Tracks, Punching MIDI, and Loop Recording MIDI.
If that wasn't enough, Kenny goes even further with awesome videos on Mixing techniques utilizing Hardware Inputs, FX Sends & Returns (both Hardware & Software), FX Sharing, Parallel Compression, Master Faders, Submixing, Headphone Mixes and much, much more. Kenny wraps up this detailed series with advanced Insert & Sends videos, Pre and Post Headphone Mixes, Printing Stems and Sidechain Compression techniques.
If you really want to master the ins and outs of Pro Tools, there is no better way than to watch this series... Get "Pro Tools Signal Flow Explained" today.
Submitted 8 months ago
I learned a lot from this tutorial. Easy to understand.
Submitted 9 months ago
Amazing it helped me a lot. The sound is so much better now that i understand how it works... i would love to see more routing details, like after you got your mix almost done where to route it or how many aux do i need to make the sound more pro. Or how to put together your intrument with vocals and fx properly. But overall its super dope.
Submitted 1 year ago
Very Solid Protools Info
Kenny's Pro tools tutorials simply rock, even though I do not produce his typical genres, the information is really solid and taught well.
I am a: Producer, Professional, Audio Engineer, Musician, Sound Designer
Submitted 1 year ago
YES everything I was looking for
If like me you just intalled PT for the first time , watch that video you will save a lot of time. I'm a big Cubase user and I Was trying to rap my head around PT signal flow and there it was Big Thanks Groove3
I am a: Mastering Facility, Producer, Professional, Audio Engineer, Musician
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