In this tutorial, Kenny goes over what to expect in the following tutorials. Kenny also imports the files into a new session.
Watch as Kenny discusses the benefits of re-naming all the files and tracks to make it easier and quicker to navigate around the session.
Next, Kenny color codes the tracks, re-orders them to streamline the session and we create a quick rough mix.
Kenny sets up markers for all the song parts and sets up a session tempo to keep the session in line and allow delay plug-ins to line up perfectly.
In this video, Kenny tweaks the colors and the track order and re-visits the track names to speed up work flow and improve efficiency.
Next, Kenny cleans up the audio files to remove silence for greater visibility of the song and part arrangement as only the clips playing audio will actually be seen.
In this tutorial Kenny creates Sub-mixes or VCAs to control tracks as a group to keep an otherwise large and hard to navigate track under control.
Kenny utilizes Clip Gain to get all the audio clips at a good starting level and at a good visibility waveform default.
In this video, Kenny sets up Master Buss FX utilizing dynamic plug-ins at the beginning of the mix so that we can mix into the FX rather than putting them on at the end at risk losing our mix.
Next, Kenny combines the vocal tracks together and gets a good basic lead vocal sound to build the mix around.
Kenny creates a basic drum mix that works with the vocal and will allow further tweaking of each drum track with the whole kit.
Now we dig into the Overheads. First to create the spatial sense and overall brightness of the drums. EQ and Compression are used.
Next Kenny adds in the Room mics to create distance and ambiance to the kit. Kenny also introduces the use of the Sonnex Trans Mod to reduce transients.
In this tutorial Kenny pulls up the close mics starting with the Kick mics and mixes them with the ambient mics. Kenny also introduces adding samples to enhance the Kick sound.
In this video, Kenny focuses on the Snare mics and adds compression, EQ and add in the Sonnex Trans Mod to enhance the transients to create more snap or thwack. Kenny also adds samples to round out the snare.
To increase the size of the kit, Kenny next adds some IR or Impulse Response reverb using samples taken from other great drum rooms.
In this tutorial, Kenny adds in the Toms and decides to cut the tracks in all the moments that are not actually being played.
Next, Kenny busses the drum tracks together and adds some buss EQ & compression and also adds parallel compression to really enhance the ambiance of the kit.
Kenny moves on to the Bass tracks and mult the outputs to create a simulated amp track along with a distorted bass track to mix in with the Bass DI and fatten up the overall sound.
In this video, Kenny adds the Bass Synths that add some sub low end to really bring the track down as deep as possible.
Next, Kenny introduces the Piano, Keys & Synths to add ethereal and space to the song. EQ and Compression is used.
In this tutorial, Kenny sets up the guitar tracks to make the song growl and be aggressive as we make them as loud as possible without making the track weak.
Kenny pulls up the Lead Vocal again and finalizes the vocal sound to work with all of the other tracks already worked on. Compression and EQ is utilized along with reverb, delay and filtered delay.
In this tutorial, Kenny blends in the vocal harmonies to thicken up the vocal sound and utilizes a Bk Vox buss and adding Compression and EQ.
As we get the vocals up, we start to notice that the downside of bright vocals and using EQ is that it enhances the Esses as well. In this video, we manually reduce the Esses using Clip Gain and balancing out the top end of the vocals.
Kenny brings up the Screamo vocals to match the female vocals and provide dynamics from section to section.
One of the most important parts of the mix is using automation to finesse and create interesting moments from section to section. A static mix can be boring and using automation creates many unique moments that feature or hide certain elements to create aural illusions.
Finally, the mix is finished and Kenny bounces it down to 2 tracks to share with the band and the fans and show a track by track visual of what each track is doing.
Multi-Platinum Engineer and Producer Kenny Gioia returns with an all-new mixing series, this time dedicated to mixing Heavy Rock / Metal! Step right up and see how Kenny sculpts an epic song by Days of Samara into a radio ready hit, explaining everything in detail as he goes.
Kenny starts by welcoming you and discusses what you'll learn in the series. He then shows how to import the previously recorded audio tracks into the DAW, rename them and set up markers for all the different parts of the song, creating a navigation map. He also gives you tons of helpful track management tips and tricks along the way.
Then Kenny explains how to clean up the audio tracks for better sound, and ease of part recognition. Sub-Mixing is looked at, as well as initial master buss effects setup. Getting the basic vocal and drum sounds are shown, and then detailed tutorials on the different drum elements and effects are given.
Moving on, Kenny pulls up the bass guitar and bass synth tracks and demonstrates how to make them deep and powerful in the mix. The guitars are next, and this thorough tutorial shows you how to dial them in just right for that big, epic sound. Vocals and all that comes with fitting them in the mix is then revealed, including making the Screaming vocal parts huge and thunderous.
Wrapping it all up, Kenny gives you a great video on using automation to finesse and create interesting moments from section to section, and then one on bouncing down the final mix to a stereo file and more. If you're a producer, engineer or mixer, this series is a must have. Learn to make your Heavy Rock / Metal tracks scream... Watch "Mixing Heavy Rock / Metal" now.
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