Apple Logic Certified Pro Eli Krantzberg has created a new series for Logic users who want to work faster, more efficiently and increase their creativity. Follow along with Eli as he shows you Advanced Ways to Use Templates, Screen Sets, Groups, Import Data, Mixer Tips, Key Commands and more.
Eli begins by showing you How to Create and Save a New Template, How to Control Startup Behavior when Launching Logic, How the Automatic Management and Naming of Channel Strip Settings Functions Work, and How to Customize the Way Your I/O Labels Appear in Logic's Mixer.
You'll then see How to Set Up Reverb and Headphone Sends, How to Color Multiple Channel Strips at the Same Time, Create Mix Subgroups Set Up for Parallel Compression, Create Preset Mix Plug-in Chains, Advanced Track Stacks, How to Store and Recall Preset Window Configurations, and Explore Ideas for Useful Combinations.
Moving on, you'll Discover 3 Different Ways of Managing the Display of Channel Strips in Your Project, How to Import Channel Strips, Plug-Ins and Settings, Send Routing, I/O Assignments, Output Routing, and Track Data from One Project to Another, as well as Import Project Specific Settings like Screen Sets, Score Sets, Staff Styles, and Lane Sets from one Project to Another.
You'll then See Ways to Customize and Tailor Your Workflow in the Mixer Window including Cycling Through the Different Mixer Modes, Filtering the View of Channel Strips Based on Type, Toggle Between 2 Different Volume Levels, Change the Fader Display Resolution, Use Exclusive Solo Mode, Scroll to or Select Specific Channel Strip Types, Use Folders for Custom Layouts, and Use Screen Sets For Customized Mixer Views.
Wrapping it all up, you'll discover How to Get the Most Out of Logic's Key Commands, as you Learn to Manage Multiple Presets, Use Controller Assignments, Decode the Mysterious Symbols Used, and Access Functions Unavailable on Some Keyboards. If you're ready to move your Logic skill set to the next level, get "Logic Pro X Advanced Vol 1" today...
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Reviews
Submitted 1 year ago
Excellent tutorial, very helpful tips
Excelente tutorial, everything that Eli Krantzberg does has excellent quality and he explain things very clear and thorough
I am a: Professional, Musician, Producer, Sound Designer, Sound for Film/TV, Ableton Live, Logic Pro, Pro Tools
Submitted 2 years ago
Amazing tips and Eli is a blessing
I love how easy it its to find the various topics. The tagging of notes is wonderful
I am a: Producer, Professional, Audio Engineer, Musician, Sound Designer, Beat Maker, Sound for Film/TV
Submitted 2 years ago
2 thumbs up
This is a MUST watch once you finish watching the "Logic Pro X Explained" video. Both videos are about 7 hours combined. I watched them few times in the past few months & it has really got me going faster than ever.
I am a: Semi-Pro, Producer, Sound Designer, Hobbyist, Beat Maker
Submitted 2 years ago
Excellent
I've just started to watch these and plan to watch again a few times. Gave me some good ideas for setting up templates that I hadn't thought of before.
I am a: Hobbyist
Submitted 2 years ago
LPX Workflow
This is a collection of good tips relating to LPX's overall workflow and UI. Even the video that covers mixer tips is concerned primarily with the interface. That said, there's great information here, some of it in the forehead-slapping category with respect to how useful it is. Most every video here -- even project importing topics -- covers something that is potentially useful to a typical LPX user. These aren't riveting videos, but they're solid, and I would definitely recommend this instruction to anyone looking to upgrade their LPX skills.
I am a: Semi-Pro, Producer, Musician
Submitted 2 years ago
Well Done! Lots of Tips for better productivity
This video series will definitely get your productivity level up and running. There are a ton of key command options, and Eli explains them better than I've ever seen presented in a tutorial video.
I am a: Professional, Producer, Musician, Audio Engineer, Sound Designer
Submitted 2 years ago
Practical and full of great tips.
I would have never discovered these suggestions on my own. He has brought to the light some of the powerful features in Logic that many of us probably don't utilize. Great tutorial!
I am a: Professional, Musician, Audio Engineer
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
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Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.
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