Logic Pro X 10.2 Update Explained®
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6:31 Using Gobbler
Learn how to set up and use Gobbler’s cloud based storage, from the Finder or from within Logic, to either backup or share your projects or mixes.
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3:34 New Record Mode Settings
See how the new recording options allow for separate settings for MIDI and audio when cycle mode is either enabled or disabled.
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6:40 Piano Roll Improvements
Discover some useful changes to snap and note creation behavior, as well as improvements to non note MIDI event handling when working with Time Handles and Brush patterns.
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2:57 Custom Icons
Learn how to import, manage, and remove custom icons in Logic Pro X 10.2.
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2:35 Drum Machine Designer Improvements
Explore two new real time methods of replacing individual kit pieces.
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3:45 Region Inspector & Take Folder Changes
Hear the new real time reverse and playback speed settings in the Region Inspector in action. See how region parameters from the MIDI Thru Inspector now work on newly created empty regions, how single MIDI takes can now be deleted from within a take folder, how region gain values are retained when regions are packed into a take folder, and how region gain works on take regions within a phase locked group of audio tracks.
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4:07 New Main Window Functions
Discover a potpourri of small but useful new Main Window functions including: new Marker Set functions, new Track Header behavior, New tracks Window improvements, Goto Position time code format, color picker default button, and new automation lane improvements.
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3:27 New Key Commands
Discover some really useful new key commands including: Setting nudge and division values to various musical subdivisions, clear/recall Solo, setting locators and enabling cycle mode simultaneously, and increasing/decreasing the last clicked parameter value by increments of either 1 or 10.
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5:20 Markers, MIDI Clock, Mixer & Movies
Learn about some nice enhancements to marker, mixer, sync, and movie functions.
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3:32 Other Windows & Misc Fixes
Explore some small changes in the two Audio Editor widows, the Transform Window, and the Environment Window; and learn about some minor bug fixes, Apple Music Connect, and newly implemented Force Touch gestures.
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6:23 Alchemy Flyover
Take a birds eye view tour of Alchemy, Logic’s new flagship synthesizer. See how the interface is laid out, how the signal flow is structured, get started using the browser, and hear a sample of some of Alchemy’s filtering and source based arpeggiation effects.
Product Overview
Now that Logic Pro X 10.2 is released, let Logic expert Eli Krantzberg guide you through all the new features and functions, as well as how to use them!
Eli begins with explaining all the new Features, Settings, and Improvements in 10.2, such as how to use the cloud-based storage and collaboration service Gobbler within Logic, the new Record Mode settings and new the Piano Roll improvements.
You'll then learn how to use Custom Icons, explore the Drum Machine Designer improvements, Region Inspector and Take Folder changes, as well as new Main Windows functions, new Key Commands, enhancements to Markers, and MIDI Clock functions.
Wrapping up your 10.2 journey, Eli reveals the new Mixer features, working with Movies, and other Fixes and Enhancements. Finally, Eli ends the series with a first look at Logic Pro X 10.2's exceptionally high quality, powerful new flagship synthesizer, Alchemy.
If you're curious about what's new in Logic Pro X 10.2 or an experienced Logic Pro Xuser who wants to make sure you haven't missed any new features, watch "Logic Pro X 10.2 Update Explained" today!
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Reviews
Submitted 2 years ago
Good Stuff
Good Stuff
I am a: Professional, Musician, Producer, Audio Engineer, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 3 years ago
Eli is a great teacher
Just a really clear presentation of the information i was looking for about LPX 10.2.2. Plenty of detail
I am a: Semi-Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 2 years ago
Good Stuff
Good Stuff
I am a: Professional, Musician, Producer, Audio Engineer, Logic Pro
Submitted 3 years ago
Eli is a great teacher
Just a really clear presentation of the information i was looking for about LPX 10.2.2. Plenty of detail
I am a: Semi-Pro
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
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tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
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tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoAmple Sound Super Jumbo Explained
Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.
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