Chapter 1: Series Introduction
Chapter 2: Interface Navigation & Drum Auditioning
Chapter 3: Settings Panel
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Setting MIDI Mapping Presets (3:04)
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Global Velocity Curve (6:21)
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Creating Custom MIDI Maps (9:18)
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Using the Learn Function (3:13)
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Saving Presets (1:29)
Chapter 4: Mixing within GetGood Drums
Chapter 5: Multi-Channel Output Configurations
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8 Stereo Channels (8:16)
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Multi-Channel Mixing Options (5:01)
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8 Mono & 4 Stereo Channels (6:06)
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Mix with Mono & Stereo Channels (5:45)
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Using FX in Your DAW (7:18)
Chapter 6: Practical Applications
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Mix Examples with Performance (9:14)
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Hard Hitting Grooves (7:35)
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Ghost Note Grooves (7:13)
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Halpern Drums with Slate Trigger 2 Pt. 1 (8:20)
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Halpern Drums with Slate Trigger 2 Pt. 2 (6:15)
Chapter 7: Conclusion
In this video tutorial series, drum master Luke Oswald covers the amazing sounding GetGood Drums virtual instrument drum library in detail. See how to get killer drum sounds for your productions!
Luke starts with how to load GetGoodDrums into Kontakt, and then walks you through the plug-in interface, as well as how to audition each drum.
He then explores how the default mapping layout works and discusses instrument articulations, MIDI mapping presets, creating custom map presets and velocity curve adjustments.
Luke goes deeper and provides realtime mix examples of how you can mix and choose different drums within the GetGoodDrums interface and how to setup multi-channel configurations and add FX from your DAW for additional processing.
Finally, Luke provides a series of practical applications for GetGoodDrums including extended mix options, hard-hitting and softer groove examples, as well as drum replacement using the Matt Halpern sample library.
See the individual tutorial descriptions below for more info. If you want to know all about one of the best sounding drum libraries out there, checkout “GetGood Drums Explained” today.
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1. When did you start dabbling in music?
I've always had an interest in drumming from a young age and started playing in 6th grade when a family friend stored their drum set at my parents house for a summer. I started playing in church the next fall and have been playing ever since. No one had to tell me to practice, it was just something I loved to do. I just enjoyed everything that had to do with drumming.
2. What training have you had?
I studied piano at a young age, then played trumpet from elementary through middle school. I started drumming on my own at the age of 12, then switched to drumming as my main instrument in high school and went on to study in college along with Music Business. I've been teaching drums since college, both private instruction and drum clinics.
3. When did you get into recording?
When I was in middle school/high school, I was very interested in music technology. It was much different then, but I remember recording/sequencing song arrangements with music software and filming videos and editing in camera all the time. In and after college, I started learning about audio production when I was recording drums for the bands I was in. In the late 2000's I stumbled upon drum sample technology, and that changed everything for me. I started really digging into the study of audio production, recording, mixing and mastering. I started studying video production around the same time as I knew I wanted to eventually film high quality drum videos while using this sample technology.
4. People you have worked with/for?
During my time in Nashville, I studied drums with Derico Watson (Victor Wooten), Jeff Bowders (Paul Gilbert), Will Denton (Steven Curtis Chapman, LeAnn Rimes), Marcus Finnie (Kirk Whalum, India Arie) and Raymond Massey (Pearl Drums). I've recorded drums on multiple albums produced by Sadson Music Group and have played on albums with artists such as George Clinton and Samantha Ware.
5. Why are you so good at training people?
To me, teaching is as inspiring as performing. When you teach, you're forced to understand the topic at a much deeper level. I love the process of learning and improving, and to me teaching is just an extension of that process. I learn something new every time I teach anything, whether it be a drum lesson or a software tutorial. I also believe as artists we have a responsibility to pass on the knowledge that we've accumulated. You must take action and apply what you've learned to your own life, but that only goes so far. If you can take what you've learned and share it with someone else, you're giving them the opportunity to take that knowledge, nurture it and allow it to influence their own lives. Eventually, they can pass that knowledge on to someone else, and the process keeps going. You never know the impact you can have on someone simply by sharing with them what you've learned.
Products by Luke
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tutorial videoAddictive Drums 2 Advanced Vol 1
In volume one of this advanced video tutorial series, eDrum guru Luke Oswald explains a wide range of topics designed to make you a real master and addict, of XLN’s Addictive Drummer 2 virtual instrument plug-in!
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tutorial videoAddictive Drums 2 Advanced Vol 2
In volume two of this advanced video tutorial series, eDrum guru Luke Oswald covers the finer nuances, more features and functions, as well as eye-opening tips and tricks for using XLN’s Addictive Drums 2 virtual instrument!
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tutorial videoAdvanced Drumming Combinations & Patterns
In this Drumstroke™ video tutorial series, drum guru Luke Oswald lays down the groove and shows you awesome drumming combinations and patterns that you can use to spice up your drumming or drum programming!
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tutorial videoBass Drum Technique Workshop
In this Drumstroke video tutorial series, drum guru Luke Oswald reveals the steps to take to build up bionic feet when playing your kit, including speed and endurance and the ability to play what’s in your head!
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tutorial videoCreating Drum Fills & Patterns
In this Drumstroke#TM# video tutorial series, drum master Luke Oswald reveals how to create both basic and advanced drum fills and patterns, that you can apply to both real drums and programmed drums in your DAW!
