Exporting Multi-Tracks in Logic
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7:27 Basic Exporting
See how Logic’s basic track export functions work to export either a single track or all tracks in a project at one time.
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2:09 Selective Multi-Track Export
Discover two different ways to exclude specific tracks in a multi track project from an “all tracks” export.
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4:31 Take Folders
Explore some of the take folder management functions and see how they pertain to exporting individual or multiple takes at the same time.
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4:38 Track Stacks
See and hear how the Export function handles both summing stacks and folder stacks.
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4:03 Drummer Tracks
Explore the workarounds necessary when you want to export Drummer tracks with all the individual outputs rendered as unique audio files.
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6:10 Multiple Output Instruments
Learn how to either separate or sum together the individual outputs of multiple output software instruments when exporting all tracks as audio files.
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4:41 Flex & Apple Loops
Explore the export behavior on flex edited apple loops and audio files with the Flex track parameter both enabled and disabled.
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6:37 MIDI Files
Learn about the necessary steps involved to insure that the MIDI data you are hearing within Logic is actually what gets exported when exporting standard MIDI files.
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9:07 Alternate Export Workflows
Explore some alternate ways of creating, moving, copying, and converting audio files based either individual regions or existing audio files, for use both inside and outside of Logic.
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4:21 Bounce & Export Enhancements in the Logic 10.2.1 Update
Explore the new bounce and export workflows that allow for multiple tracks to be bounced in place simultaneously, and selected tracks, track stacks, or regions to be exported.
Product Overview
Logic Pro X gives you a lot of powerful export options and tools, and in this tutorial series Certified Logic Pro Eli Krantzberg walks you through the process, as well as shares best practices and creative optimizations for your workflow.
Eli starts by showing you how the basic track export functions let you export either Single Tracks, or Every Track in your project. Then things get interesting when he dives into selective Multi-Track Export, showing you different ways to exclude specific tracks in an All-Tracks Export.
Next up is Organization and Track management. Eli shows you the various Takes Folder management functions, and how you can use them to Export Individual or Multiple Takes Simultaneously. Then he explains how the Export function handles the new Logic Pro X features, Summing Stacks and Folder Stacks.
Drummer Tracks are one of Logic Pro X’s killer features, but don’t have an intuitive way to export them. Eli teaches you different workarounds for how to export Drummer Tracks with Individual Outputs rendered to Separate Audio Files. Eli also explains How to Separate or Sum the Individual Outputs of multi-output software instruments when exporting all tracks.
The final videos explore how to Export Audio Files that have been turned into Apple Loops or Flexed. He also investigates some alternate methods for Creating, Moving, Copying and Converting Audio Files for use both inside and outside of Logic projects.
Whether you’ve exported multi-track projects in Logic Pro X before and want some extra tips, or you need to learn from scratch, watch “Exporting Multi-Track Projects in Logic Pro X” today!
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Reviews
Submitted 9 months ago
Very Useful
I am new to Logic and found this very important and useful information .
I am a: Hobbyist, Semi-Pro, Musician, Producer, Audio Engineer, Pro Tools
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
EYE OPENING!
I though I knew enough to export in LPX, but after finishing this course I am blow away by all the quirk functions related to exporting. This course has taught me what I need to know to resolve future problems that I might encounter while exporting.
I am a: Musician
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 years ago
Eli - You DA MAN!
Multo Bene!
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 years ago
VERY HELPFUL
More knowledge, correct knowledge...!
I am a: Professional, Musician, Producer, Logic Pro, Pro Tools
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 4 years ago
Excellent and Extensive
Excellent and Extensive review of how to export audio out of logic pro x. Eli covered pretty much all there is to exporting audio in LGX.
I am a: Producer, Professional, Audio Engineer, Musician, Beat Maker
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 9 months ago
Very Useful
I am new to Logic and found this very important and useful information .
I am a: Hobbyist, Semi-Pro, Musician, Producer, Audio Engineer, Pro Tools
Submitted 1 year ago
EYE OPENING!
I though I knew enough to export in LPX, but after finishing this course I am blow away by all the quirk functions related to exporting. This course has taught me what I need to know to resolve future problems that I might encounter while exporting.
I am a: Musician
Submitted 4 years ago
Eli - You DA MAN!
Multo Bene!
I am a: Semi-Pro, Musician, Producer, Audio Engineer, Logic Pro
Submitted 4 years ago
VERY HELPFUL
More knowledge, correct knowledge...!
I am a: Professional, Musician, Producer, Logic Pro, Pro Tools
Submitted 4 years ago
Excellent and Extensive
Excellent and Extensive review of how to export audio out of logic pro x. Eli covered pretty much all there is to exporting audio in LGX.
I am a: Producer, Professional, Audio Engineer, Musician, Beat Maker
1. When did you start dabbling in music?
I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.
These great players, along with drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me.
2. What training have you had?
I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music.
It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.
3. When did you get into recording?
It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior.
I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for?
Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!
As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer.
5. Why are you so good at training people?
I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.
Products by Eli
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tutorial videoAAS Chromaphone Explained
Eli Krantzberg returns, this time showing you the incredible AAS Chromaphone creative percussive synthesizer. This synth is capable of creating incredibly expressive drum, percussion, string, and synth-like instruments, so hold the phone and check it out!
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tutorial videoAAS Strum GS-2 Explained
In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!
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tutorial videoAirEQ Explained
Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!
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tutorial videoAlchemy 2 Explained
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
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tutorial videoAmple Sound Super Jumbo Explained
Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.
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