Electronic Music Producer’s Guide: Reverb & Delay
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0:55 Introduction
Adam welcomes you to the course and gives a preview of what he will be covering.
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5:43 What is Reverb?
Multiplier starts at the beginning with the basics and covers what is reverb, and why we use it.
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2:54 High Pass Filtering Reverb
Now learn how and why it's the most common way to process reverb.
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3:37 Reverb Size Modulation
Multiplier shows you four examples of his favorite reverb trick.
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1:21 Frequency Shifting Reverb Riser
Watch and see how to create a cool riser effect by frequency shifting a reverb.
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4:38 Gated Reverb
Multiplier now shows you this classic technique and a few ways to do it, including sidechaining, and doing it manually.
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3:26 Reverb Stereo Imaging
Now discover two new approaches to create and set up reverb stereo imaging.
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7:38 Convolution Reverb
Multiplier now shows you a whole range of examples of convolution reverb, from the normal, to the weird, to the weirder, experimental, custom, and even his favorite application of it using iZotope Trash2.
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4:48 Matching Predelay to Project Tempo
In this video, see two ways to match reverb predelay to project BPM.
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3:08 Impact Reverb
Now learn how to make your reverb "swell" back in after the initial impact, using sidechain compression.
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2:57 Pitch Down Reverb Trick
Discover how to create deeper reverb that's lower in frequency, for a more interesting effect.
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3:55 Reverb Playback Considerations
Learn why it's very important to understand how reverbs sound very different in different playback situations.
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1:54 Creating Atmospheric Beds
Multiplier now shows you a fun trick to create an atmospheric bed, using only reverb.
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2:03 Preverb
Learn all about this classic, but often overlooked reverb technique.
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2:20 Preverb But Delay
Discover a new twist on a classic reverb technique.
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5:22 What is Delay?
Delay can be used in lots of different ways, and Multiplier shows a few of them, including "rhythmic interest" and a "harmonic bed".
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3:01 Tap Delay
This video shows how to create a "tap delay", as well as multiple delay layers.
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3:10 Custom Delay
Discover how to create custom delays using feedback loops, and custom processing chains, such as frequency shift.
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4:38 Haas Effect Delays
Explore the classic way to make something "wide", and the reasons why you might not want to.
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0:57 Manual Delays
Learn all about this simple idea, and why it shouldn't be overlooked.
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1:27 Delay on One Word
Multiplier now shows another simple, but powerful delay usage concept.
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2:09 Repitch Delay Mode
Wrapping it up, explore one of those tricks that's super fun to play with!
Product Overview
Adam Pollard aka Multiplier, adds yet another video tutorial collection to the Electronic Music Producer's Guide series, this time focused on Reverb and Delay. Learn the important basics as well as cool tips and tricks for using Reverb and Delay in your Electronic Music productions.
Adam welcomes you starts with what Reverb is and why you want to use it. Then it's on to topics such as High Pass Filtering Reverb, the Reverb Size Modulation trick, creating a Frequency Shifting Reverb Riser, and creating Gated Reverb using sidechaining.
You'll then go deeper with video tutorials on how to create a wide reverb stereo image and using and abusing Convolution Reverb, followed by tutorials on creating Impact Reverb, Pitching Down Reverbs, Creating Atmospheric Beds, and much more.
Multiplier then turns the page and looks at all things Delay. First learn what Delay is and the different ways to use it in Electronic Music productions. Then see and hear how to match predealy to your project tempo, creative ways to use Tap Delay, creating Custom Delays, the Has Effect Delay, setting up a delay manually to fit your song, and eye-opening production tricks for using delays.
See the individual tutorial descriptions for more info. If you produce electronic music, Reverb and Delay are essential to producing this genre, and knowing how to use them is a must... Watch "Electronic Music Producer's Guide: Reverb & Delay" today.
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Reviews
Submitted 5 months ago
Very Good!
Producers Guide has some very good tips!
I am a: Hobbyist, Producer, Sound Designer, Ableton Live, Studio One
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 11 months ago
Some nice tricks!
I'm not new to this stuff but the guy shows some nice tricks that I wasn't aware of. He also explains basic stuff so that everyone can follow and understand.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
Amazing
I learned so many new tricks! loving it!!!
I am a: Student, Musician, Producer, Audio Engineer, Mastering Facility, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
Takes you from beginner to pro and beyond!
It says Adam has only been producing for 5 years but he must have learned from the best.
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
Fantastic course with some real sound design gems
An excellent run through both of the basic principles but also some deep sound design ideas and strategies. Highly recommended!! Keep "multiplying" the knowledge please!
I am a: Hobbyist, Musician, Producer, Beat Maker, Ableton Live, Logic Pro
Ease of Use Quality of Videos Value of Training Access to Videos
Submitted 1 year ago
the Preverb trick is neat
Preverb trick is very nice and I don't think I would have figured it out by myself hehe
I am a: Student
Ease of Use Quality of Videos Value of Training Access to Videos
Reviews
Submitted 5 months ago
Very Good!
Producers Guide has some very good tips!
I am a: Hobbyist, Producer, Sound Designer, Ableton Live, Studio One
Submitted 11 months ago
Some nice tricks!
I'm not new to this stuff but the guy shows some nice tricks that I wasn't aware of. He also explains basic stuff so that everyone can follow and understand.
Submitted 1 year ago
Amazing
I learned so many new tricks! loving it!!!
I am a: Student, Musician, Producer, Audio Engineer, Mastering Facility, Logic Pro
Submitted 1 year ago
Takes you from beginner to pro and beyond!
It says Adam has only been producing for 5 years but he must have learned from the best.
Submitted 1 year ago
Fantastic course with some real sound design gems
An excellent run through both of the basic principles but also some deep sound design ideas and strategies. Highly recommended!! Keep "multiplying" the knowledge please!
I am a: Hobbyist, Musician, Producer, Beat Maker, Ableton Live, Logic Pro
Submitted 1 year ago
the Preverb trick is neat
Preverb trick is very nice and I don't think I would have figured it out by myself hehe
I am a: Student
1. When did you start dabbling in music?
I started producing music just over 5 years ago, right about when Skrillex's Scary Monsters and Nice Sprites EP dropped.
2. What training have you had?
I'm fully self-taught, and haven't had any formal training. I use online resources and learn a lot by talking to other producers about how they do things too.
3. When did you get into recording?
(same answer as number 1)
4. People you have worked with/for?
DJTechTools, iZotope, Output, CAPSUN Pro Audio, Loopmasters, Plugin Boutique, Industrial Strength, 5Pin Media
5. Why are you so good at training people?
I've had a lot of experience in the EDM space, from producing tracks and sample packs that have charted on sites like Beatport, through to DJing internationally and running a record label. And on the training side I've produced thousands of tutorials, and also tutor people one to one.
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Adam Pollard aka Multiplier, delivers a mastering video tutorial series designed for the beginner, covering the important topics needed to master your music in Ableton Live! Learn the basic principles and terminologies, as well as specific steps to take to get great sounding master files that you can publish to the world.
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Adam Pollard aka Multiplier presents an in-depth video series for those just getting into making music and the endless options for studio gear. Save endless hours of research trying to find answers to the most basic questions, when setting up your first studio and all the gear that goes with it!
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