Plug-In Collections Tutorial

Boz Digital Labs Plug-Ins Explained® Vol 1

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11 Videos | Length: 56min 57sec
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Chapter 1: Imperial Delay

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    The Imperial Way (5:31)


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    The Royal Kingdom Pt. 1 (4:54)


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    The Royal Kingdom Pt. 2 (4:47)


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    The Crown Jewels Pt. 1 (4:26)


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    The Crown Jewels Pt. 2 (3:53)


Chapter 2: Manic Compressor

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    The Manic Compressor Interface (7:24)


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    Manic Drums (7:14)


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    Imperial Manic Vocals (5:52)


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    Manic Mix Bus (3:00)


Chapter 3: T-Bone

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    T-Bone Walkthrough (5:46)


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    T-Bone in Action (4:10)


This collection of video tutorials explore Boz Digital Labs’ cutting edge plug-ins. Studio pro Eli Krantzberg is your guide, covering this group of awesome plug-ins inside and out.

Eli begins the series with the Boz Imperial Delay, and demonstrates each of the six different delay modes. He then reveals the extended distortion and dynamic feedback parameters, covering them inside and out.

After that, Eli demonstrates how the modulation and smear parameters affect the generated repeats. The color, pitch, and chorus controls are then directed, and how they also effect the generated repeats. Lastly, Eli teaches you how to use the built-in ducking compressor and manage user presets.

The Manic Compressor is next, and Eli begins with an exploration of its interface, and demonstrates how to use it as a drum compressor, both on individual drums and the drum bus. Next, he shows you how to use Manic Compressor and Imperial Delay in tandem on a lead vocal. You’ll also see how to use Manic Compressor on the master bus to compress an entire mix.

Finally, Eli walks you through the Boz T-Bone, a very creative EQ, showing you how to use the Slant EQ and Tilt EQ with its resonant filters individually on drums, bass, piano, and other instrument sources.

If you’re new to mixing and are looking for some creative tools, or an existing user of Boz Digital Labs plug-ins, don’t miss “Boz Digital Labs Plug-Ins Explained Vol. 1”. Check it out today!


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1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

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    AAS Strum GS-2 Explained

    In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

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    AirEQ Explained

    Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!

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    Alchemy 2 Explained

    Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

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    Apogee Maestro 2 Explained

    Maestro 2 is Apogee's flexible and powerful OS X Mixer software solution that's included with all Apogee interfaces. Studio master Eli Krantzberg shows you everything you need to know about Maestro 2, as well as how to get the best performance out of your Apogee interface and improve your workflow.

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