Working with Presets & Performance Controls
The Magic Potion5:10
Welcome to Alchemy. Learn about it's basic architecture and take a tour of the user interface. See where all the main sound generating components and controls are accessed.
The Name Bar4:14
See how this part of the interface is used for basic browsing and file management.
Working with the Browser4:06
Learn to navigate presets using the browse view category and attribute columns, the search field, and the ratings system.
Working with Tags4:00
See how to edit the attributes, comments, and tags associated with presets, as well as how to create, assign, remove, and delete custom user tags.
Overview of the Performance Controls3:38
Learn how these custom controls are used to modify values of key sound parameters. There are four main types of performance controls: Performance control knobs, X/Y pads, ADSR envelope controls, and eight transform pads which are used to store and morph between snapshots of the controller knob, X/Y pads, and envelope values.
Customizing the Transform Pads6:31
Explore methods and strategies of customizing and controlling the settings used in each of the eight transform pads.
Knob, Pad & Envelope Controls4:37
See how to customize the settings assigned to the eight performance control knobs, two X/Y pads, and the performance envelope controls.
Advanced view - Source Controls
Source Master Controls3:21
Explore the basic per source settings available from the Global tab in Advanced view, and learn how to bypass the main filters and route sources directly to the effects section.
Learn how to import and map either single samples, loops, or multi samples into Alchemy using the various synthesis elements, including formant analysis.
Source Subpage Controls4:03
Discover additional per source controls that include determining where in the waveform sources will be triggered from, how to set their loop modes, how to offset their start time by musical subdivisions, and more.
Hear the results of routing multiple source specific filters in serial vs parallel configurations, and see how to manage the signal flow once the sound leaves the source subpage control section.
The Additive Element5:38
Hear how this element in Alchemy's synth engines is used to enhance the timbre of a source by adding sine waves, or more complex waveforms, to the original sound at harmonic intervals related to the fundamental frequencies.
Spectral Resynthesis Element2:31
Hear how this element is used to recreate the spectral characteristics of a sounds frequency spectrum using either sine waves or filtered noise.
See how these settings are used to either recreate the characteristic resonances of analyzed audio, or synthesize and impose new resonant characteristics.
The Granular Element5:11
Hear how this form of synthesis is used to break apart audio into tiny grains, and then re-trigger and reshape the pitch, pan, and amplitude envelopes of the grains.
Virtual Analog Parameters4:48
Explore basic waveform sound shaping parameters including altering a wave's shape, symmetry and sync, setting a phase offset to determine where in the waveform the sound is triggered from, creating and detuning up to sixteen unison voices, and blending in filtered noise.
XFading Between Sources3:01
See how the XFade functions on the Morph page are used to cross fade between the four separate sources used in a single preset.
Hear how the actual element parameter values are simultaneously morphed between different sources in a single preset.
Introduction to Modulation5:26
Learn about the basic concepts of modulation, how the modulation rack and modulation control panel are used, and watch as a couple of simple modulation routings are set up.
Working with LFOs5:17
Explore how these repeating cyclical waveform shapes are used to create movement in sound shaping destination parameters.
Explore how the five stages of these envelopes are used to superimpose modulation shapes onto the movement of targeted parameters.
Multi Stage Envelope Generators4:52
Learn how to create and edit custom multi stage envelopes and use them as modulation sources.
Learn how this programmable step based modulator is used to play patterns of up to 128 modulation steps.
See how performance gestures, like velocity, aftertouch, pitchbend, etc, are used to control modulation values as you are playing.
Learn how to map parameters to be modulated by the sixteen available controls in the Performance section.
Intro to ModMaps4:37
See how these are used to process the output of a modulator, mapping the original values to new ones, before they are applied to a modulation target.
Source Edit Window
Source Edit Window Overview1:54
Get a brief tour of this source based editor, and learn where to access the Inspector, keymap, and zone waveform editor controls.
Inspector Group Controls6:33
See how additional groups of samples are imported and the various ways of triggering them.
Inspector Zone Controls3:41
Learn how to import additional samples into the current sound source, and how to control the tuning, range, volume, pan, and crossfade parameters.
Explore this area of the source edit window, and see how it is used to edit, replace, and move sample zones to other groups.
Zone Waveform Editor4:13
Discover how this section of the Source Edit window is used to trim sample zone start and end points, as well as loop and crossfade areas.
Additive Edit Window4:43
Hear how this window is used to edit the volume, tuning, pan, and phase of partials that are generated using the additive re-synthesis engine, and see how to slide and stretch the positioning of the partials for interesting sound design effects.
Spectral Edit Window5:17
Discover how this editor is used to graphically interact with the spectral content of the source by drawing and painting in over the existing spectral image.
Arpeggiator & Effects
See how this is used to customize velocity, tuning, panning, swing, and length of the arpeggiator’s automatically generated notes.
The Effects Rack6:49
Explore the effects section and see how to route to and use the five separate effects racks in combination with the four sound sources and two main filters.
Master Voice Section7:31
Explore this final output stage of Alchemy, and see how the volume, pan, tuning, pitch bend, glide, and polyphony for the sum of all the sources is controlled.
Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!
Eli starts with Presets and Performance Controls, showing you around the new GUI before diving into the Name bar, Browser, Tags, and Pads, with their related settings,enabling you to get creative fast. Next, he digs into the Advanced View, where you'll see how to further manipulate your sounds.
Eli then covers the cool, deeper features like Importing Audio, various Controls, Filters, Synthesizer Elements including Additive, Granular, and Virtual Analog, as well as Crossfading And Morphing. From there, Eli dives into Alchemy's extensive Modulation Controls, Options, and Routings, including Note Properties, Performance Controls, and how to use ModMaps. Your synth sounds will never be the same.
The next series of videos feature the Source Edit Window, which includes the Inspector, Keymap, and Zone Waveform Editor controls giving you even more control over your patches and presets. Eli wraps up the series with four videos on Alchemy's amazing arpeggiator and effects which add movement and even more color to your sounds.
If you're just getting into Logic Pro X 10.2 and have yet to discover Alchemy, or if you're an experienced Alchemy user looking to learn some new magic tricks, watch "Alchemy 2 Explained" today!
Submitted 5 months ago
Quite the workout!
The amount of information that is given in the scope of this course is enormous. I would have like better example sounds and context use to keep me more motivated htrough the many videos. But i have a completely new view on Alchemy now and the first thing i am going to todo is to try the image import and play around with that :) I would have liked a add on course for sound design for different styles. Such as course for EDM sounds. or cinematic etc...Why not how to use Alchemy for classic music with samples?
I am a: Hobbyist, Musician, Producer, Sound for Film/TV, Logic Pro
Submitted 7 months ago
A well articulated and comprehensive walk though that also illuminates some of the finer functions - like multi pattern arpeggiator.
Submitted 9 months ago
not too technical tutorial but quite good at explanation
Submitted 10 months ago
very cleared , easy to follow
step by step , can't ask more than this..!! good for non synth guy like me :)
Submitted 1 year ago
Great Advice and help!
The tutorials are really helpful, thanks!
I am a: Professional, Musician, Producer, Beat Maker, Audio Engineer, Sound Designer, Game Designer, Mastering Facility, Sound for Film/TV, Logic Pro
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