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Music Theory and Notation Tutorial

Songwriting Theory Explained

  4.6   (7)  - log in to review
20 Videos
Length: 2hr 45min 31sec
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Chord Patterns

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    Tutorial 1

    Standard Chord Library

    4:32

    Get a review of all the chord qualities that will be used as the building blocks for various chord progressions.

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    Tutorial 2

    Strong Chord Progressions

    7:32

    Learn how root movement and shared common tones can make a chord progression strong by suggesting a strong tonal center.

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    Tutorial 3

    Strong & Weak Progressions

    5:32

    See how weak chord progressions, where no tonal center is suggested, can be combined with strong chord progressions to provide contrast and excitement to a song.

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    Tutorial 4

    Adding Color to Progressions

    10:13

    Explore some ways of adding variety to simple progressions by using pedal tones, inversion, and harmonic displacement.

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    Tutorial 5

    Passing Chords & Bass Movement

    6:36

    See how using diatonic or chromatic bass movement, either ascending or descending, can generate some nice contour and shape to your overall chord progression.

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    Tutorial 6

    Cadences & Precadences

    8:26

    Explore some different harmonic patterns that are used as alternates to standard cadences.

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    Tutorial 7

    Chord Progression Toolbox Pt. 1

    7:42

    Develop a repertoire of standard go to chord progressions that are useful as jumping off points for your own compositions.

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    Tutorial 8

    Chord Progression Toolbox Pt. 2

    7:07

    Develop a repertoire of standard go to chord progressions that are useful as jumping off points for your own compositions.

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    Tutorial 9

    Analysis

    9:33

    Discover how simple repeated chord patterns have been used as the foundation for some of historys most loved pop tunes.

Melody

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    Tutorial 10

    Melody/Harmony Relationships

    8:40

    Discover the unique qualities different chord or scale tones have over different types of underlying chords.

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    Tutorial 11

    Melodic Rhythm & Meter

    8:41

    See how the placement of melodic phrases in relation to the beats in the bar and the chord changes affects the overall sense of melodic structure and order.

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    Tutorial 12

    Tips for Writing Melodies

    10:10

    Discover some tried and proven principles to consider when writing your own melodies.

Song Structure

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    Tutorial 13

    The Pre Chorus & Bridge

    7:52

    See how a pre chorus and a bridge can be used to add variety and intensity to your songs structure.

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    Tutorial 14

    Form & Structure

    7:18

    Learn about some of the many common song forms such as the ways of linking together the different song sections.

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    Tutorial 15

    Hooks

    5:09

    Explore some of the ways to integrate hooks into your songwriting and song production.

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    Tutorial 16

    Intros & Endings

    8:24

    Discover some harmonic possibilities for introductions and endings to your songs.

Get Your Creative Juices Flowing

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    Tutorial 17

    Stimulate Your Creativity

    7:40

    See how to experiment with some different exercises to stimulate new ideas and push you in directions you might not otherwise have gone in.

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    Tutorial 18

    Collaborate!

    10:00

    Explore some of the ways the creative process can be enhanced through collaboration with other musicians and signers.

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    Tutorial 19

    Light a Candle & Write a Song

    9:43

    Another example of how collaboration can lead to a wealth of creative ideas and directions not necessarily originally intended.

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    Tutorial 20

    Cut Me to the Bone

    14:41

    Watch as a song is born, complete with lyrics, a vocal and an instrumental hook, and some rawkin guitar!

Eli's back with another awesome music theory based series! In this collection Eli reveals the mechanics and creativeness behind modern songwriting. Learn popular chord sequences and cadences as well as analyze the chord progressions of some of the most famous songs ever written.

Eli starts by diving deep into the various chord patterns used to write songs, showing you strong and weak progressions, how to add color to your progressions, and gives you a chord progression toolbox which can be used as great starting points when creating a new song. Eli then shows you some chord patterns that have been used as the foundation for some of history's most loved pop tunes, and then covers the importance of melody, song structure, ways to get creative when writing and much more.

Take your songwriting skills to the next level... Checkout "Songwriting Theory Explained" today.

NOTE: You should have a solid foundation in the skills taught in Music Theory Explained

vizion
Submitted 1 month ago

From Progressions to Melody to a Complete Song

Very direct explanation on music theory including templates for bridge, intros, endings and other useful recipes for writing complete songs.

I am a: Beginner

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shadow073180
Submitted 1 month ago

Just what i needed

I am a music production graduate from full sail university and even with the great job they did, i was still lost on a few things like melody vs lyrics. I am still a little but you really helped. Can you come up with a tutorial that focuses on placing lyrics over a melody so they don't sound out of key?

I am a: Producer, Professional, Audio Engineer, Musician

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Charly
Submitted 6 months ago

Great Theory Explained!!

It's so basic and also so theoretically fundamental. Really great Stuff!

I am a: Semi-Pro

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nsblues
Submitted 7 months ago

Basic Primer of Songwriting

This video series exposes one to the vocabulary of songwriting. You learn the mechanics and even get some creative exercises.

I am a: Semi-Pro, Musician

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Toby
Submitted 9 months ago

And the Winner is: You.

If Eli Krantzberg authored it you can almost bet it's great. This has a lot of great information but the rest is up to you. You need to have a grasp of Music Theory first. And Eli has a course on that too.

I am a: Musician, Hobbyist, Sound for Film/TV

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dog meat
Submitted 9 months ago

Incorrect notations too hard to get past

It is very off-putting that the music in the examples is not played as notated. Dotted half notes followed by quarter note rests are sounded as whole notes; quarter notes followed by quarter note rests are sounded as half notes. That would be so confusing if I wasn't already musically educated. Your synth does not recognize rests apparently. Hard to trust a source for new information when the teacher does not seem to have a grasp on simple music notations (rests are silent!) Or simply cannot make his synthesizer pause for rests which is pretty sad, too. Tried to leave a comment but the disqus third party comment system is a pretty sad joke. If you don't want comments you should remove the comment section.

I am a: Musician, Audio Engineer, Hobbyist

Response from Author:

Hi there, As you may or may not already know, the thing with DAW notation is that DAWs interpret or “round off” the quantization display of notation in order to make it easier to read. For example, with 240 MIDI ticks to each sixteenth note, at what tick does the DAW interpret the note value as the next/previous musical subdivision? In other words, if a note is only 230 ticks long, it will likely be displayed as a sixteenth note, even though it is technically shorter. If it’s a dozen or so ticks over 240, it will probably still display as a sixteenth note. At a specific value, it will roll over and show a dotted sixteenth note. So, getting into larger musical subdivisions, like whole notes and half notes, there’s an even greater range of values involved between each division; and therefore an even greater range of interpretation. Add to this the possibility of a slow release time and/or a long reverb tail (I’m not saying this was a problem on the videos, just that they could be additional variables), and that could obscure the perception of the end of the note even further. If the notes do sound too long in the videos, that is unfortunate; and I am sorry about that - it was unintentional. But I’m confident the explanation of the durations of the subdivisions is perfectly clear (they are basic concepts visited many times throughout the series), and that there wouldn’t be any confusion understanding the concepts as a result. I know music theory is a rigorous discipline that many people study for years; and it is important to get it right! I feel that overall, the basic concepts of timing and duration are clearly presented in this series. Best, Eli Krantzberg
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Softbaked
Submitted 1 year ago

Excellent, Easy to Understand Instruction

This video course is excellent and easy to understand, the author explains everything in great detail with easy to follow examples. Even if you have no prior understanding of music theory you will have no problem following this course and if you are experienced there are many things that will give you great ideas.

I am a: Professional, Sound Designer, Musician

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
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1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

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Songwriting Theory Explained is rated 4.6 out of 5 by 7.
Rated 5.0 out of 5 by from From Progressions to Melody to a Complete Song Very direct explanation on music theory including templates for bridge, intros, endings and other useful recipes for writing complete songs.
Date published: 2017-02-22
Rated 5.0 out of 5 by from Just what i needed I am a music production graduate from full sail university and even with the great job they did, i was still lost on a few things like melody vs lyrics. I am still a little but you really helped. Can you come up with a tutorial that focuses on placing lyrics over a melody so they don't sound out of key?
Date published: 2017-02-16
Rated 5.0 out of 5 by from Great Theory Explained!! It's so basic and also so theoretically fundamental. Really great Stuff!
Date published: 2016-10-03
Rated 4.0 out of 5 by from Basic Primer of Songwriting This video series exposes one to the vocabulary of songwriting. You learn the mechanics and even get some creative exercises.
Date published: 2016-09-05
Rated 5.0 out of 5 by from And the Winner is: You. If Eli Krantzberg authored it you can almost bet it's great. This has a lot of great information but the rest is up to you. You need to have a grasp of Music Theory first. And Eli has a course on that too.
Date published: 2016-06-28
Rated 2.0 out of 5 by from Incorrect notations too hard to get past It is very off-putting that the music in the examples is not played as notated. Dotted half notes followed by quarter note rests are sounded as whole notes; quarter notes followed by quarter note rests are sounded as half notes. That would be so confusing if I wasn't already musically educated. Your synth does not recognize rests apparently. Hard to trust a source for new information when the teacher does not seem to have a grasp on simple music notations (rests are silent!) Or simply cannot make his synthesizer pause for rests which is pretty sad, too. Tried to leave a comment but the disqus third party comment system is a pretty sad joke. If you don't want comments you should remove the comment section.
Date published: 2016-06-20
Rated 5.0 out of 5 by from Excellent, Easy to Understand Instruction This video course is excellent and easy to understand, the author explains everything in great detail with easy to follow examples. Even if you have no prior understanding of music theory you will have no problem following this course and if you are experienced there are many things that will give you great ideas.
Date published: 2016-02-17