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The Berklee Book of Jazz Harmony
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Audio Tracks
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Acknowledgment
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Introduction
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Defining Chord Types And Chord Symbol Nomenclature
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An Introduction To Chord-Scale Theory
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Chapter 1: Major Key Harmony
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The Major Scale And Basic Diatonic Functions
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Functional Groups
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Diatonic Chord Progressions
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Harmonic Rhythm, Metrical Stress Patterns, Phrase, And Cadence
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Tensions: Extending The Chord To The 13 For Color
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Chapter 2: Secondary Dominants, Extended Dominants, and the “II V” Progression
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Major Key Secondary Dominants
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Chord Scales For Secondary Dominants
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Summary Of Secondary Dominant Chord Scales
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Summary
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Chapter 3: Substitute Dominants - “SubV’s”
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Principles Of Jazz Tritone Substitution: The Contemporary View
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Chord Scales For Substitute Dominants
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The Tension Connection, Part 1
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Substitute Secondary Dominants And Their Related II’s
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The Tension Connection, Part 2
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Chapter 4: Minor Key Harmony - A Sea of Options
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Tonic Function
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Minor Key Dominant Functions: V7 And VII°7
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Secondary Dominants In Minor Keys
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Other Minor Key Secondary Dominants
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A Summary Of Secondary Dominant Diatonic Chord Scales In Minor Keys
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Line Clichés
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Chapter 5: Modal Interchange
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Parallel Lines Sometimes Meet
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Don’t Mess With Tonic
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Subdominant Minor: SDM
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Modal Interchange Chords In Progressions
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A Partner For The V7 Chord
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EVII7: Subdominant, Dominant, Or ?
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Other Subdominant Possibilities: IV7, EIIMaj7
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Tonic Modal Interchange
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Modal Interchange Chord Scales
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Analysis Of Modal Interchange
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Chapter 6: Blues in Jazz
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“The” Blues Scale
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Blues Progressions: The Point Of Departure
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Stretching The Blues
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Secondary Dominants/Related II’s And SubV’s
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Other Major Key Applications: Bebop Blues
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16-Bar Blues And Other Forms
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Minor Blues
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For Further Study
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Chapter 7: The Diminished Seventh Chord
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Spelling Issues
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The Diminished Seventh Chord In Progressions
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1. Secondary Dominant Function: The Ascending Diminished Seventh
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2. The °7 Chord As A Descending Chromatic Approach Chord: Passing Diminished
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3. Embellishing Chords: Auxiliary Diminished Seventh Chords
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Diminished Approach
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Recommended Listening
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Chapter 8: Modulation
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Aesthetic Effects
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Mechanisms For Key Change: Direct Modulation
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Key Changes From Major To Major
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The Pivot Modulation
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Transitional Modulation
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Key Changes From Major To Minor
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Minor Key Tunes
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The Key Of The Moment
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Multiple Local Modulations
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Key Changes Organized By Half Step
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Key Changes Organized By Whole Step
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Key Changes Organized By Minor Third
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Key Changes Organized By Major Third
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Coltrane Changes
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Chapter 9: Modal Harmony in Jazz
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Modes And Modal Progressions
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Establishing The Modal Tonic 1: Repetition
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Establishing The Modal Tonic 2: Melody
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Proto-Progression: Repetition And Contrast
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Introducing The Modes
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Chapter 10: Outside of the Box - Constant Structure Progressions
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Exercises
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Recommended Listening
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CHAPTER 11: Jazz Voicings
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3-Note Voicings
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Adding A Tension To Create A Fourth Voice
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5-Note Voicings
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Tension Substitutions On 4-Way Close Voicings
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Polychord Voicings
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Constructing Polychords
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Hybrid Voicings And Inversions
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Quartal Voicings
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Voicing Summary
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For Further Study
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Appendix A: The Standard Deceptive Resolutions of V7
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Appendix B: Non-Resolving Dominant Seventh Chords
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About the Authors
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Joe Mulholland
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Tom Hojnacki
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Footnotes
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