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Counterpoint Explained
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Introduction
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RULES AND TRADITIONAL TECHNIQUES
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PART ONE: FOUNDATIONAL COUNTERPOINT CONCEPTS
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CHAPTER 1: INTERVALS
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INTERVAL SIZE
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INTERVAL QUALITY
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CONSONANCE AND DISSONANCE
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CHAPTER 2: MELODIC MOTION
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CHAPTER 3: MODES
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CHAPTER 4: MELODY
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DEFINITION
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MELODY TYPES
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CHARACTERISTICS OF A GOOD MELODY
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CREATING A MELODY
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PART TWO: SPECIES COUNTERPOINT – PRINCIPLES
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TWO-VOICE COUNTERPOINT
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VOICE LEADING
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SPECIES COUNTERPOINT
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CHAPTER 5: FIRST SPECIES COUNTERPOINT – 1:1
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Beginning The Counterpoint
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Ending The Counterpoint
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Writing The Remaining Notes
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Chapter Summary
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CHAPTER 6: SECOND SPECIES COUNTERPOINT – 2:1
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Beginning The Counterpoint
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Ending The Counterpoint
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Writing The Remaining Notes
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Chapter Summary
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CHAPTER 7: THIRD SPECIES COUNTERPOINT – 4:1
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Beginning The Counterpoint
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Ending The Counterpoint
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Writing The Remaining Notes
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Chapter Summary
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CHAPTER 8: FOURTH SPECIES COUNTERPOINT – SYNCOPATED
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Beginning The Counterpoint
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Ending The Counterpoint
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Writing The Remaining Notes
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Chapter Summary
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CHAPTER 9: FIFTH SPECIES COUNTERPOINT – FLORID
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Beginning The Counterpoint
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Ending The Counterpoint
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Writing The Remaining Notes
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Chapter Summary
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Species And General Essential Concepts
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PART THREE: ADVANCED COUNTERPOINT CONCEPTS
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CHAPTER 10: SPECIES COUNTERPOINT – REAL MUSIC
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ENHANCED SPECIES EXERCISES
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CHAPTER 11: PRACTICAL USE IN DIFFERENT STYLES
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WHEN TO USE COUNTERPOINT
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VOCAL COUNTERPOINT
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MELODY ABOVE BASS LINE
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USING COUNTERPOINT FOR REPETITION AND VARIATION
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CHAPTER 12: ADVANCED TECHNIQUES
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IMITATIVE COUNTERPOINT
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CHROMATICISM AND ATONALITY IN COUNTERPOINT
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CONCLUSION
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