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Arranging for Large Jazz Ensemble
Introduction
- A Note On Range Recommendations
CHAPTER 1: Basic Information
- 1-1 Transposition Of Instruments
- 1-2 Instrument Ranges And Sound Characteristics
- 1-3 Comparison Of Instruments’ Ranges
- 1-4 Low-Interval Limits
- 1-5 Special Effects For Wind Instruments
- 1-6 Reharmonizing Approach Notes
- 1-7 Chord Scales
- 1-8 Preparing A Score
- 1-9 Overview Of An Arrangement
- 1-10 Exercise
CHAPTER 2 Unison and Octave Writing
- 2-1 Procedure
- 2-2 Orchestration And Timbral Effects
- 2-3 High-Timbre Unison
- 2-4 Medium-Timbre Unison
- 2-5 Low-Timbre Unison
- 2-6 Octave Doubling
- 2-7 Melodic Subdivision
- 2-8 Contrapuntal Application
- 2-9 Exercises
CHAPTER 3 Concerted Writing with Mechanical Voicings
- 3-1 Procedure
- 3-2 Coupling The Saxes To The Brass
- 3-3 Recommended Ranges For Lead Instruments
- 3-4 4&4 Concerted Writing
- 3-5 Concerted Writing For 5&5, 7&5, And 8&5
- 3-6 Dealing With Repeated Notes
- 3-7 Exercises
CHAPTER 4 Spread Voicings
- 4-1 Procedure
- 4-2 Spreads For 4&4 And 5&5
- 4-3 Tutti Writing Using Spreads
- 4-4 Exercises
CHAPTER 5 Voicings in Fourths
- 5-1 Procedure For Voicings In Fourths
- 5-2 Sample Passages Voiced In Fourths
- 5-3 Exercises
CHAPTER 6 Upper Structure Triad Voicings
- 6-1 Procedure
- 6-2 4&4 Upper Structure Triad Voicings
- 6-3 5&5 Concerted With Supporting Spreads
- 6-4 7&5 Reharmonized Melody
- 6-5 8&5 Dominant Seventh Reharmonization
- 6-6 Exercises
CHAPTER 7 Voicings in Clusters (Seconds)
- 7-1 Procedure
- 7-2 4&4 Using Clusters In Brass Counterpoint
- 7-3 5&5 Saxophone And Brass Counterpoint
- 7-4 7&5 Concerted Melody In Clusters
- 7-5 8&5 Sustained Texture And Counterpoint
- 7-6 Exercise
CHAPTER 8 Line Writing
- 8-1 Procedure
- 8-2 Five-Part Saxophone Soli
- 8-3 Line Writing In A 5&5 Concerted Passage
- 8-4 Building From The Bottom For Contrary Motion
- 8-5 Cascade Effect
- 8-6 Exercise
CHAPTER 9 Woodwind Doubling and Muted Brass
- 9-1 Woodwind Doubling
- 9-2 Muted Brass
- 9-3 Applications Of Woodwinds And Muted Brass
- 9-4 Exercise
CHAPTER 10 Soli Writing
- 10-1 Procedure
- 10-2 Saxophone Solis
- 10-3 Brass Solis
- 10-4 Exercise
CHAPTER 11 Background Writing
- 11-1 Riff Background
- 11-2 Backgrounds Based On Guide Tone Lines
- 11-3 Compositional Approach
- 11-4 Exercises
CHAPTER 12 Shout Choruses
- 12-1 Characteristics
- 12-2 Recommended Listening
- 12-3 Analysis Of A Shout Chorus
- 12-4 Exercises
CHAPTER 13 Style (Five Versions of The Birthday Song)
- 13-1 Early Jazz Style
- 13-2 Count Basie’s Style
- 13-3 Duke Ellington’s Style
- 13-4 Bill Holman’s Style
- 13-5 Gil Evan’s Style
CHAPTER 14 Analysis of a Complete Arrangement
- 14-1 Schematic Of The Arrangement
- 14-2 Lead Sheet
- 14-3 The Score And Commentary

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