MIDI Tutorial

MIDI Orchestration Explained®

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30 Videos | Length: 4hr 6min 50sec
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Chapter 1 : Setup

  • image description 7:06

    MIDI Orchestration Introduction

    Overview of what orchestration is and what will be covered in this video series.

  • image description 5:51

    Custom MIDI Setup

    Discover how to use Logic’s Environment to set up MIDI channel based key switching in order to alter the MIDI channel of incoming notes and trigger different MIDI channels in a multi-timbral software instrument all in real-time from the same track.

  • image description 6:34

    Traditional MIDI Setups

    See how articulation switching is achieved with traditional note based key switching in Kontakt, mod wheel based switching in the EXS24, or with the use of individual instruments.

Chapter 2 : The Solo Instruments

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    The Violin

    Discover the world of the violin, including how the instrument is tuned, and some of its various playing articulations and characteristics.

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    The Viola

    Explore the colors and characteristics of the viola, a slightly larger throatier darker sounding big brother to the violin. Hear how it sounds alone and in combination with piano and violin together.

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    Cello & Double Bass

    Learn about the cello and double bass, and how to get started writing in two and three part counterpoint style.

  • image description 12:07

    Flute, Piccolo, Oboe & English Horn

    Discover the ranges, articulations, and characteristics of the higher ranged instruments in the woodwind family.

  • image description 7:23

    Clarinets & Bassoon

    Learn about the clarinet, bass clarinet, and bassoon and get a feel for the evocative expressive nature some the combined solo woodwinds can create.

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    Trumpet & Trombones

    The regal wonders of the brass family are reveled here, first with the trumpet, and then with the trombone and bass trombone.

  • image description 6:05

    Horn & Tuba

    Discover the rich warm versatility of the French Horn and Tuba, and listen to an example of some four part brass choir writing.

  • image description 8:04

    Untuned Percussion

    Explore the world of non-pitched percussion instruments and discover how they can be used to enhance the overall dynamics and accents within your orchestrations.

  • image description 7:14

    Tuned Percussion

    See how some of the tuned instruments in the percussion family, including the timpani drums, glockenspiel, xylophone, marimba, and tubular bells can further expand your orchestrations.

Chapter 3 : Production Techniques

  • image description 9:50

    Using MIDI Expression

    Using MIDI Expression (CC 11) is useful as a means of generating dynamics while leaving the volume (CC 07) unaltered.

  • image description 6:02

    Attack!

    Automating the attack parameter is an effective way to generate swells and crescendos. Expression can be used creatively to construct sforzando style dynamics.

  • image description 7:42

    Space

    Learn to balance and position how close or far various instrument sections are in relation to each other using the channel strip faders and pre-fader sends for reverb.

Chapter 4 : Instrumental Sections

  • image description 9:05

    The String Section

    Explore the setup, placement and writing conventions for the string section as a whole.

  • image description 8:45

    The Woodwind Section

    Learn how the woodwind family works as a section, how to best voice harmonies and blend them with other instruments.

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    The Brass Section

    Discover the wide range of melodic, harmonic and rhythmic possibilities the brass section brings to the orchestra.

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    Doubling

    Straight unison or octave doubling can become heavy and grey sounding. Learn how some of the alternatives to straight doubling add variety and maintain the listeners interest.

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    Orchestral Accompaniment

    Discover some tried and true principles to use when orchestrating to accompany a soloist.

Chapter 5 : Managing MIDI

  • image description 6:52

    Macro to Micro Sequencing

    Explore ways of combining patches, and ways of splitting divisi parts over multiple individual instruments.

  • image description 10:58

    Micro Sequencing Continued

    Discover how note overlaps, release time, bender range, sustain time and region delays all influence the playback of programmed MIDI parts.

Chapter 6 : Motivic Development

  • image description 14:54

    The Glass Mirror

    Understand how to conceptualize a post modern approach to orchestration using principals of minimalism and repetition.

  • image description 6:39

    Broken Glass

    Minimalist concepts of sonic manipulation can be applied at a 'meta' level to the modern DAW by means of plug-ins and automation.

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    Deconstruction to Reconstruction

    Explore ways of expanding and elaborating on thematic material using re-harmonization, modulation, and meter change.

  • image description 7:48

    Modern Harmony

    Learn how to re-harmonize melodies using upper extensions, jazz style cadences, bass movement, pedal tones and modal style quartal movement.

  • image description 7:53

    Repetition & Retrograde Variations

    See how to use exact and sequential repetition, retrograde and inversion techniques as tools for motivic development when building orchestrations.

  • image description 6:05

    Motive-ation!

    Explore more techniques of motivic development used to elaborate and vary thematic material.

  • image description 7:23

    More Thematic Development

    Learn how to use rhythmic augmentation and diminution, fragmentation, simplification and modal change as thematic development techniques.

  • image description 8:24

    Reprise & Coda

    Summary of some of the principal concepts discussed throughout the series and concluding thoughts on how to approach orchestration.

Product Overview


Music theory master Eli Krantzberg has heard your requests for an in-depth series all about MIDI orchestration and has delivered big time. This series is designed for those of you who want to create realistic symphony orchestrations using todays awesome symphonic virtual instruments. If you want to compose for film, TV or just to get what's in your head outside for all to hear, this collection is for you.

Eli goes really deep in this offering, starting with MIDI, custom and traditional setups and articulations, solo instrument descriptions and usages, how to create production templates, how to group instruments correctly, working with MIDI layers and splits, all the way to macro and micro sequencing, motivic development, modern harmony, deconstruction and reconstruction and so much more.

If you've ever wanted to get into symphonic writing, this series will prove indispensable. Get ready to write your masterpiece, get MIDI orchestration Explained today.


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FlorisV
Submitted 4 months ago

Really outdated I'm afraid...

The Samples, the DAW and the workflow seem quite outdated, which is kind of a shame. Even if there's some terrific information there, this could really use an update.


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Mr R Racoon
Submitted 6 months ago

Final Destination

First class course, gets you up and running out of the box, could do with a few support materials...midi, stems etc.

I am a: Hobbyist, Producer, Sound Designer, Sound for Film/TV, Ableton Live, Cubase, Studio One


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

jneebz
Submitted 8 months ago

Excellent Course!

I really appreciated the realtime DAW examples and the clarity in the presentation. The segments on motivic development are especially helpful!

I am a: Semi-Pro, Musician, Producer, Cubase


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Callum
Submitted 1 year ago

Exactly what I needed !

This has upped my producing game; shown me exciting blending techniques that I can pair with my understanding of other genres of music; and is concisely explained. Well done :D

I am a: Student, Hobbyist, Musician, Producer, Beat Maker, Ableton Live


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

EdRock26
Submitted 1 year ago

Excellent1

EXCELLENT!

I am a: Producer, Audio Engineer, Ableton Live, Cubase, Logic Pro, Pro Tools, Studio One


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

TomKa
Submitted 1 year ago

Very well explained from midi to music

I really like mr. Eli K.'s Videos. Lots of valuable infos in each and every sentence. Also very precise verbally. Definately worth the €.

I am a: Professional, Musician, Sound for Film/TV, Logic Pro


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

DuarteCancela
Submitted 1 year ago

Amazing content!

Thanks for sharing this acknowledgment! This is priceless.

I am a: Hobbyist, Semi-Pro, Professional, Musician, Producer, Audio Engineer, Sound Designer, Mastering Facility, Reaper


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Vantisocial1
Submitted 1 year ago

Thumbs up

Great video...Insightful


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Bigfrog
Submitted 2 years ago

Lots of great stuff here...

A great little overview of the orchestra and orchestration. If you're a beginner you'll learn a ton but there is a fair amount of stuff for the intermediate composer as well. As an added bonus a lot of the concepts can be applied for blending and composing for non-orchestral instruments and synths.

I am a: Semi-Pro, Musician


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

koziolmatol
Submitted 2 years ago

One of the best courses on G3 !!!

It's just amazing how complex this course is, I learn A LOT, thank you so much!

I am a: Semi-Pro, Musician, Producer, Logic Pro, Studio One


Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

FlorisV
Submitted 4 months ago

Really outdated I'm afraid...

The Samples, the DAW and the workflow seem quite outdated, which is kind of a shame. Even if there's some terrific information there, this could really use an update.

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Mr R Racoon
Submitted 6 months ago

Final Destination

First class course, gets you up and running out of the box, could do with a few support materials...midi, stems etc.

I am a: Hobbyist, Producer, Sound Designer, Sound for Film/TV, Ableton Live, Cubase, Studio One

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

jneebz
Submitted 8 months ago

Excellent Course!

I really appreciated the realtime DAW examples and the clarity in the presentation. The segments on motivic development are especially helpful!

I am a: Semi-Pro, Musician, Producer, Cubase

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Callum
Submitted 1 year ago

Exactly what I needed !

This has upped my producing game; shown me exciting blending techniques that I can pair with my understanding of other genres of music; and is concisely explained. Well done :D

I am a: Student, Hobbyist, Musician, Producer, Beat Maker, Ableton Live

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

EdRock26
Submitted 1 year ago

Excellent1

EXCELLENT!

I am a: Producer, Audio Engineer, Ableton Live, Cubase, Logic Pro, Pro Tools, Studio One

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

TomKa
Submitted 1 year ago

Very well explained from midi to music

I really like mr. Eli K.'s Videos. Lots of valuable infos in each and every sentence. Also very precise verbally. Definately worth the €.

I am a: Professional, Musician, Sound for Film/TV, Logic Pro

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

DuarteCancela
Submitted 1 year ago

Amazing content!

Thanks for sharing this acknowledgment! This is priceless.

I am a: Hobbyist, Semi-Pro, Professional, Musician, Producer, Audio Engineer, Sound Designer, Mastering Facility, Reaper

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Vantisocial1
Submitted 1 year ago

Thumbs up

Great video...Insightful

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

Bigfrog
Submitted 2 years ago

Lots of great stuff here...

A great little overview of the orchestra and orchestration. If you're a beginner you'll learn a ton but there is a fair amount of stuff for the intermediate composer as well. As an added bonus a lot of the concepts can be applied for blending and composing for non-orchestral instruments and synths.

I am a: Semi-Pro, Musician

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

koziolmatol
Submitted 2 years ago

One of the best courses on G3 !!!

It's just amazing how complex this course is, I learn A LOT, thank you so much!

I am a: Semi-Pro, Musician, Producer, Logic Pro, Studio One

Ease of Use
 
 
 
 
 
Quality of Videos
 
 
 
 
 
Value of Training
 
 
 
 
 
Access to Videos
 
 
 
 
 

1. When did you start dabbling in music?

I started playing drums in high school at age fourteen. Like most kids my age around then, I was into progressive rock. Genesis, Emerson Lake and Palmer, and Yes. They rocked my world. A few short years later though, my musical life changed. While studying music in college I discovered Charlie Parker, Milt Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to me in such a profound way that it left me no choice but to take up vibraphone.

These great players, along with  drummers like Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed not only the way I thought about drumming, but also music - and by extension, life - as a whole. I realized life was meant to be a creative endeavor. The idea of improvising based on a loose set of guidelines and rules permeated into my psyche even when I wasn't holding a pair of drumsticks or mallets. But if I am going to be perfectly truthful, I have to hold Henry Miller and Woody Allen equally responsible for shaping the way I view and experience the world around me. 

2. What training have you had?

I am currently an Apple certified Logic Pro. Young and cocky, and armed with only a partial University degree, I dropped out of school and  began playing steady commercial hotel engagements and jazz gigs when I could. This went on for many years until I decided it was time to complete my degree - which I ultimately did with a major in Political Science and a minor in music. 

It was at this point that I formed my current band Nightshift. We are going in to our twenty third year now - playing commercial one nighters like weddings, corporate events, etc. Don't turn your nose up at it though - it has allowed me a wonderful quality of life. It gave me the freedom to go back to school and complete a post graduate degree in Communications Studies - all the while supporting myself by playing weddings.

3. When did you get into recording?

It was in this graduate program - in the early nineties - that I found myself drawn to the fledgling emerging universe of hard disc recording and midi sequencing. Based on nothing more than the recommendation of one of my band mates who had an old Atari, I jumped in head first and bought a Mac LC ll, along with a version 1.1 of what was then Notator Logic. I had no idea what I was getting myself into. But, in hindsight, it was a decision of epic importance in my life - shaping my future as much as the music of Milt Jackson and Charlie Parker did fifteen years prior. 

I opened up my own commercial home studio in 1998 and began doing a variety of projects, working on radio jingles, artist CD projects, and whatever came my way. A couple of years later a colleague called me up - desperate. He was working at a post production house and one of the editors had just quit. They were doing audio post for a weekly TV series and needed a Pro Tools editor - and fast! And so, once again, I jumped in head first into what would ultimately open up my world even more - the world of Pro Tools. 

4. People you have worked with/for?

Focusing on Logic, I built up a small but loyal client base and my phone kept ringing for Logic tech support and instruction. Film composers and studio owners all over the city were calling me. Even the music stores were giving out my phone number at this point! This kind of stuff becomes a self fulfilling prophecy. The more of it you do, the more calls you get to keep doing it. At least that's the way it should be!

As my Logic chops kept growing, I was hired by an old buddy of mine, Len Sasso, who was then an associate editor at Electronic Musician magazine, and began writing some columns for them. I had a blast doing them - and really learned to focus and express my thoughts in a concise and clear manner. This lead to a collaboration with LA based composer Terry Michael Huud on the 2006 film called Civic Duty - which was certainly one of the highlights of my professional life as a composer. 

5. Why are you so good at training people?

I wake up every day excited to boot up, and create. Whether it's instructional videos, creating music, working with a studio client, performing with my band, or teaching at the schools - my days are filled with what I love doing. Enriched by the stimulation and creative freedom this modern music making software brings to my life. I bring that excitement and passion to each and every training product I create. My years of experience both using and teaching these programs has taught me the best way to make the user comfortable with these complex programs.

Products by Eli

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    AAS Chromaphone Explained

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    AAS Strum GS-2 Explained

    In this FREE series commissioned by Applied Acoustic Systems, Eli Krantzberg covers the expansive performance library of electric and acoustic guitar strumming inside and out, and shows you how to make Strum GS-2 your new favorite session guitarist!

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    AirEQ Explained

    Eli Krantzberg returns with an in-depth series on the amazing AirEQ by Eiosis, which was designed with a vision of achieving musical, technical and sonic excellence in equalization. This just might become your to go-to EQ!

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    Alchemy 2 Explained

    Logic Pro X 10.2 integrated Alchemy 2, one of the most powerful virtual instruments ever made. In this three-hour video training tutorial series, Eli Krantzberg teaches you how to become a Alchemy wizard and unleash all of its power on your music!

  • image description
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    Ample Sound Super Jumbo Explained

    Eli Krantzberg presents a detailed series of Super Jumbo tutorials! Learn Super Jumbo, Ample Sounds’s incredibly realistic virtual acoustic guitar instrument inside and out, as well as how to use it creatively.

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MIDI Orchestration Explained® is rated 4.7 out of 5 by 17 .
Rated 2.0 out of 5 by from Really outdated I'm afraid... The Samples, the DAW and the workflow seem quite outdated, which is kind of a shame. Even if there's some terrific information there, this could really use an update.
Date published: 2019-02-11
Rated 4.5 out of 5 by from Final Destination First class course, gets you up and running out of the box, could do with a few support materials...midi, stems etc.
Date published: 2018-12-27
Rated 5.0 out of 5 by from Excellent Course! I really appreciated the realtime DAW examples and the clarity in the presentation. The segments on motivic development are especially helpful!
Date published: 2018-10-21
Rated 5.0 out of 5 by from Exactly what I needed ! This has upped my producing game; shown me exciting blending techniques that I can pair with my understanding of other genres of music; and is concisely explained. Well done :D
Date published: 2018-04-24
Rated 5.0 out of 5 by from Excellent1 EXCELLENT!
Date published: 2018-04-08
Rated 5.0 out of 5 by from Very well explained from midi to music I really like mr. Eli K.'s Videos. Lots of valuable infos in each and every sentence. Also very precise verbally. Definately worth the €.
Date published: 2018-03-24
Rated 5.0 out of 5 by from Amazing content! Thanks for sharing this acknowledgment! This is priceless.
Date published: 2018-02-23
Rated 5.0 out of 5 by from Thumbs up Great video...Insightful
Date published: 2018-01-05
Rated 4.5 out of 5 by from Lots of great stuff here... A great little overview of the orchestra and orchestration. If you're a beginner you'll learn a ton but there is a fair amount of stuff for the intermediate composer as well. As an added bonus a lot of the concepts can be applied for blending and composing for non-orchestral instruments and synths.
Date published: 2017-11-04
Rated 5.0 out of 5 by from One of the best courses on G3 !!! It's just amazing how complex this course is, I learn A LOT, thank you so much!
Date published: 2017-11-02
Rated 5.0 out of 5 by from This was an excellent course. The content was well explained and logical in presentation. Lots of musical examples of the principles helped to illustrate the concepts and strategies in the course.
Date published: 2017-10-12
Rated 5.0 out of 5 by from Very Helpful and Interesting I really liked this course a lot and I thought that Eli did a great a job at teaching the material. I particularly liked Eli's review of the orchestral instruments and their different articulations as well as how combining different instrument families produced different moods in the music. Thank you Eli for a good introduction to this topic .
Date published: 2017-07-23
Rated 5.0 out of 5 by from Very Helpfull Fantastic. Thanks Eli
Date published: 2017-05-03
Rated 4.0 out of 5 by from Current, Convenient, Affordable Complete and detailed explanations of theory and practice.
Date published: 2017-02-11
Rated 5.0 out of 5 by from Fantastic Instruction Articulate and accurate and concise. Perfect instruction. This is more an overview of orchestration which is exactly what I was looking for. Thank you
Date published: 2017-01-13
Rated 4.0 out of 5 by from good midi and notation database well presented tutorial on how to get the most out of midi,a lot of tips and tricks explained with not out of this world tools and costly sample libraries (like vienna) helped me to manipulate chris heins solo violin with my D beam just 2 minor points for me,i cant use the extras,because i work in FL Studio,and the video resolution is 4:3,but thats all,all by all nice tutorial to have
Date published: 2016-08-17
Rated 5.0 out of 5 by from Worth a Year-Subscription I learned all that stuff many years ago and I had forgotten the basics I'm afraid. This tutorial is extremely well done and go straight to the essential. Eli starts with a good refresher about all the instruments of the orchestra and then move to some very informative stuff. Nobody can cover orchestration in a few hours but Eli does quite a good job here. He does the most important thing a teacher could do: A desire for learning more. Thanks Eli.
Date published: 2016-08-10
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