Arturia Modular V Explained
Synth guru Tyler Coffin brings you detailed Arturia Modular V tutorials! See and hear how Arturia has brought back the synth that started it all, the legendary Moog Modular synthesizer. Learn all of the Modular V's features and functions as well as how to make awesome sounds with this powerful virtual recreation. Plus, you also get a patch template and custom presets made in the video series. These videos are designed for new Arturia Modular V users.
Videos
• Overview (04:00) - Here we begin with a brief look at the broad aspects and nature of the Arturia Modular V, as well as a bit of history before digging further into this recreation of a synthesizer that essentially started it all.
• The User Interface & Basic Operation (07:02) - In this video, we take a look at the main interface and general layout of the Modular V so that you have a good idea of its operation before getting into the specifics.
• The Oscillator Modules (08:29) - At the start of any subtractive synthesizer is the oscillator. In modular synthesis, our oscillators are very independent in nature, but they are related to each other in terms of being grouped as Drivers or Slaves. Here, we get a feel for these modules.
• The Output Amplifiers or VCAs (10:33) - In order to output a sound, the signal must go through an amplifier module. This concept is common, but a bit of the modular routing can add another step, which we will go through in this video.
• Modulation Envelopes & LFOs (05:52) - With these modules, we can shape a signal's movement for whatever other target module we intend to change. The LFOs move continually at defined frequencies and parameters, and the envelopes give a one-shot signal defined by ADSR controls.
• The Filter Modules (05:12) - One of the most common ways to alter a sound in its path is a filter module. We have a variety of them to apply to our signal, and here we have a look at the options available.
• Additional Modules for Modifying Signals Pt. 1 (06:33) - Throughout synthesis in the Modular V, we have a lot of options to apply different modifiers into our signal via many different modules. Here we take a look at the Bode Frequency Shifter, Formant Filter, and Trigger Delay Modules.
• Additional Modules for Modifying Signals Pt. 2 (06:45) - Continuing on from the previous video, we'll now look at the Ring Modulator, Envelope Follower, Sample & Hold, and Noise Modules.
• The Step Sequencer (08:12) - The Step Sequencer of the Modular V has the vintage feel of the original classic instrument, which allows for workflows of the past, but with the benefits of present day software conveniences. Watch how!
• The Effects Modules (03:51) - At the end of our signal path, effects modules can add interesting characteristics to a sound with the Fixed Filters, Dual Delay, and Phaser. Here, we see these modules in action.
• Virtual Keyboard & Related Controls Pt. 1 (10:31) - In this video, we take a look at the lower section of the Modular V, where we find the various play modes for different Polyphony, Glide and Legato controls, as well as Key Follow settings.
• Virtual Keyboard & Related Controls Pt. 2 (06:22) - Continuing with the lower section and also the Internal Connections section, take a look at how we can adjust settings with shortcuts to Filter and Envelope settings, XY controls, and linking Keyboard Inputs like Velocity to various parameters.
• Preset Management & the Browser (06:24) - Now take a closer look at the Arturia Modular V's browser and its wide selection of factory presets and more. Then learn how to add your own presets and get them organized for future use.
• Modular V Sound Design Techniques Pt. 1 (08:13) - Now that we have a grasp on the features of the Modular V, explore some creative techniques of synthesis to achieve unique sound qualities out of our modular synthesis sound designs. Here we look at some downloadable templates of a few processes that can be useful "building blocks" in sound design, including filter modulations, mod wheel vibrato control, oscillator sync, and synthesizing with frequency modulation.
• Modular V Sound Design Techniques Pt. 2 (06:04) - In this video, we continue looking at the downloadable templates that can be useful "building blocks" in sound design, including polyphonic detuned saws and implementing the sequencer.
• Bass Sound Design (08:33) - In this video, we use the Modular V for one of its many strengths, creating basses. Watch how to make a classic, multi-oscillator bass that can also be sequenced into a driving bassline.
• Lead Sound Design (07:56) - See how to create a filtered lead sound that uses the Mod wheel for vibrato and has characteristics that somewhat resemble a theremin, yet has a classic synthesizer feel that shines as it glides.
• Pad Sound Design (11:35) - In this video, we take a journey through sound design by layering many pieces together in modular fashion to create a unique pad sound that can drone and keep a rhythm with one key.
• Review & Conclusion (04:52) - At this point we've covered the technical aspects of the Modular V and how to creatively implement that knowledge with some sound design examples. Now we'll sum things up with a quick recap and a few tips that will see you on your way to making fantastic sounds with this awesome recreation of a legendary, historic synth!