Working with Video in Logic Pro X

Logic expert Doug Zangar shows you how you can use Logic’s flexible video handling features to write and sync your music to pictures, as well as workflow techniques to make it all a breeze.

Videos
Video Codecs & Initial Setup (05:06) - This video covers video codecs, viewing videos in the QuickTime inspector and using the Project Chooser to for settings.
Setting Up a Project (05:36) - Take a look at the settings and preferences that you need to know to work with film.
Importing a Movie Pt. 1 (05:45) - Watch the steps Logic goes through importing a movie and take a quick tour of the QuickTime player.
Importing a Movie Pt. 2 (05:59) - The Global Movie track menu items are covered. Setting up SMPTE view offset and setting Logic’s start time to match the burned-in timecode are also discussed.
Trimming & Moving the Movie (06:18) - Learn how to trim and move your movie using the Movie settings window and the menu items found in both the global Movie track and the movie player.
Creating Standard Markers (05:07) - This video takes you through the various methods used to to create Standard Markers. Naming and coloring is also shown.
Creating Movie Scene Markers (05:14) - This video takes you through the various selection methods used to define the Scene Marker creation range and shows how to convert to Standard Markers. Navigation by markers is shown as well as importing chapter markers.
Creating a Tempo Map (09:47) - Using markers and beat mapping, learn how to create tempo changes. Adding time signatures is also shown.
Accelerandos & Ritardandos in the Global Tempo Track (03:00) - Learn how create tempo changes using the global Tempo track.
Tempo Operations Window (05:41) - Learn how create tempos changes using the Tempo Operations window.
Beat Mapping a Live Performance (05:24) - Use a MIDI performance and Logic’s Beat Mapping to create a tempo map.
Drop Frame & Musical Grid (06:51) - This video shows where the frames are dropped in 29.97 drop frame and covers toggling the Musical Grid.