REAPER 4 EXPLAINED

Reaper 4 Explained
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THE REAPER IS BACK!

Kenny Gioia is back covering Cockos latest revision of Reaper! Reaper 4 has many new features and functions, as well as workflows. Don't worry though, "Reaper 4 Explained" covers it all from top to bottom, teaching you what you need to know to use Reaper 4 like a pro.

Kenny starts his in-depth coverage off with an introduction, project creation, templates, track management and window overviews. He then goes deeper covering recording, routing, editing, using folders, plug-ins, automation, rendering and exporting, MIDI, markers, mixing down and much, much more.

Reaper is now a full featured DAW being used by more and more people everyday. If you use Reaper 4 or want to start using it, this is the series to watch... Get "Reaper 4 Explained" today!

Product Hightlights

  • 31 Tutorials / Over 7.5 Hours Total Runtime
  • For all beginner to intermediate Cockos Reaper 4 users
  • Tutorials written by multi-platinum selling producer Kenny Gioia
  • Simple to use video control interface for Mac & PC
  • Watch Online, Download, Stream to iPad, iPhone & iPod
  • Download Size: 1128 MB
  • Kenny Gioia

    Kenny Gioia

    1. When did you start dabbling in music?

    I've played an instrument since I was 10. Drums and Trumpet. I'm 40 now. I can play a little bit of any instrument. Master of none. Rock bands most of my life.

    2. What training have you had?

    I was taught trumpet classically from grade school up until I graduated high school. I went to Five Towns College for engineering and learned that you can't just learn this stuff from school. I did graduate though.

    3. When did you get into recording?

    I've been recording since I was 15. Two cassette players wired to a Radio Shack mixer. Eventually I got an 8 track reel to reel by Fostex. I've used just about every DAW and I started using them before they even recorded audio. Vision and Performer were just MIDI sequencers at the time. Before they became Studio Vision and Digital Performer. I got studio jobs because I knew computer MIDI and most studios didn't. I eventually moved up to Sound Tools which was two track. Then Pro Tools made a Audio Media III card which let you have 4 inputs. Gradually I moved up from there with Pro Tools D24, Pro Tools Mix to HD.

    4. People you have worked with/for?

    Marcy Playground
    Mandy Moore
    LFO
    Willa Ford
    Lee Ann Womack
    Paulina Rubio
    Hall & Oates
    Bayside
    Head Automatica
    Cute is What We Aim For
    FTSK
    and many more...

    5. Why are you so good at training people?

    Hmmm. My Mom always said "Self Praise Stinks". I think it's because I have no ability to talk like a professional announcer, or plan out my teachings. So I teach as if you were sitting next to me. Pretty much off the cuff. I think that engages people more. We're so used to hearing everything done so properly and planned out with unnecessary explanations and proper wording that the brain will actually ignore most of it. Your brain tunes it out like you're back at your desk at school. But if the teacher grabbed you aside and just explained it to you, I believe you'd get more out of it. That is what I try to do.

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