MIXING ROCK

Mixing Rock

Introduction

Organize the Session

Groups, Busses and FX

Technical Issues

Basic Vocal / Drum Mix

Bass and Keys

Guitars

Piano and Mutes

Final Vocal Mix

Automation and Final Mix

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FOR THOSE ABOUT TO MIX ROCK WE SALUTE YOU

Multi-Platinum Engineer and Producer Kenny Gioia is back with an incredible, in-depth series on mixing rock! This collection allows you to peak over Kenny's shoulder as he takes a multi-tracked rock production and mixes it from the ground up. If you want to see how a professional mixer works his magic, this series is a must see.

Kenny starts with the raw tracks and covers topics such as getting ready to mix, track preparation and correction, using VCA Groups or Busses, effects, mix bus compression, vocal and drum mixes, vocal harmonies and backgrounds, guitars, bass, automation, the final mix and so much more.

This is a rare chance to see how a professional, veteran music producer / engineer crafts a rock mix from beginning to end. What would you pay to sit in on a session and watch? Well, this is your ticket to the show.

Product Hightlights

  • 37 Tutorials / Almost 7 Hours Total Runtime
  • For all beginner to intermediate producers and engineers
  • Tutorials written multi-platinum selling producer / engineer Kenny Gioia
  • Simple to use video control interface for Mac & PC
  • Watch Online, Download, Stream to iPad, iPhone & iPod
  • Download Size: 1154.99 MB
  • Kenny Gioia

    Kenny Gioia

    1. When did you start dabbling in music?

    I've played an instrument since I was 10. Drums and Trumpet. I'm 40 now. I can play a little bit of any instrument. Master of none. Rock bands most of my life.

    2. What training have you had?

    I was taught trumpetclassicallyfrom grade school up until I graduated high school. I went to Five Towns College for engineering and learned that you can't just learn this stuff from school. I did graduate though.

    3. When did you get into recording?

    I've been recording since I was 15. Two cassetteplayerswired to a Radio Shack mixer. Eventually I got an 8 track reel to reel by Fostex. I've used just about every DAW and I started using them before they even recorded audio. Vision and Performer were just MIDI sequencers at the time. Before they became Studio Vision and Digital Performer. I got studio jobs because I knew computer MIDI and most studios didn't. I eventually moved up to Sound Tools which was two track. Then Pro Tools made a Audio Media III card which let you have 4 inputs. Gradually I moved up from there with Pro Tools D24, Pro Tools Mix to HD.

    4. People you have worked with/for?

    Marcy Playground
    Mandy Moore
    LFO
    Willa Ford
    Lee Ann Womack
    Paulina Rubio
    Hall & Oates
    Bayside
    Head Automatica
    Cute is What We Aim For
    FTSK
    and many more...

    5. Why are you so good at training people?

    Hmmm. My Mom always said "Self Praise Stinks". I think it's because I have no ability to talk like a professional announcer, or plan out my teachings. So I teach as if you were sitting next to me. Pretty much off the cuff. I think that engagespeoplemore. We're so used to hearing everything done so properly and planned out withunnecessaryexplanations and proper wording that the brain will actually ignore most of it. Your brain tunes it out like you're back at your desk at school. But if the teacher grabbed you aside and just explained it to you, I believe you'd get more out of it. That is what I try to do.

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