AUDIO FOR VIDEO WITH PRO TOOLS

Audio for Video with Pro Tools

Getting Started

Tracks & Tones

Working with OMF

Recording & Editing

Effects & Music

Wrap it Up

Print Outline
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Sample Video

Importing Video

LEARN HOW TO RECORD, EDIT AND MIX AUDIO FOR VIDEO

Victor Giordano has been working in pro audio for over 20 years and has written and mixed music / audio for NBC, MTV and FOX networks. Currently Victor freelances for Discovery Channel, ESPN and PBS and is excited to share his wealth of knowledge with you in this in-depth series.

This collection of tutorials is designed for the intermediate to advanced Pro Tools users who wants to start producing audio for video. Victor starts from the beginning and shows you how to make templates designed for video work as well as explains all the advanced routing and mixing techniques used to create layback tracks and mixing stems. He also shows you how to import and place effects to QuickTime video in Pro Tools as well as managing your sessions and creating the master files to give to the studio / networks and more.

If you want to get your feet wet in the vast audio for video industry, this series will show you the basics as well as more advanced tips and techniques. Get into the lucrative audio for video industry and checkout "Audio for Video with Pro Tools" today.

Product Hightlights

  • 17 Tutorials / Over 2.5 Hours Total Runtime
  • Shot in Pro Tools 8
  • For all intermediate to advanced Pro Tools 8 users
  • Tutorials written by veteran audio / video engineer Victor Giordano
  • Simple to use video control interface for Mac & PC
  • Watch Online, Download, Stream to iPad, iPhone & iPod
  • Download Size: 400.26 MB
  • Victor Giordano

    Victor Giordano

    1. When did you start dabbling in music?

    I grew up in New York City listening to AM radio in the early / mid 60s. There was also a lot of gospel music at my family’s church and accapella groups in neighborhood storefronts. I got my first guitar and started lessons when I was 10 years old. It was a Harmony arch top. I think my parents rented it. After seeing The Beatles on TV in ’64, I started learning their songs and that was it!

    2. What training have you had?

    As far as recording, it was totally on the job. I was very fortunate to apprentice at Blue Seas Studios, a George Massenburg built facility near Baltimore MD. It featured George’s prototype parametric, programmable console, Sontec compressors and EQs plus lots of vintage tube mics. The facility had it’s own mastering lab and lathe as well as a record pressing plant. While I did have some formal music training, I consider myself “self taught”.

    3. When did you get into recording?

    About the same time I started playing music. My aunt gave me an old Webcor mono reel to reel. It had a built in amp and speaker. When I got my prized 62’ Gibson SG the Webcor became a guitar amp with great distortion! A few years later my friend and I got two Sony stereo decks and I started overdubbing.

    4. People you have worked with/for?

    The first day I walked into Blue Seas Studios I met Little Feat who were recording “Feats Don’t Fail Me Now”. At the same time they were working on Robert Palmer’s “Sneaking Sally Through The Alley” LP. Bonnie Raitt, Emmy Lou Harris, Van Dyke Parks and Earth Wind and Fire were just some of the artists that came through Blue Seas. Since starting in advertising, television and radio I have worked with some diverse folks, Johnny Cash, NRBQ, Cal Ripken and Walter Cronkite to name a few. As a staff composer for Bunim-Murray Productions in LA, I have written music cues for NBC, MTV and FOX networks. I am currently a freelance sound designer and mixer for The Discovery Channel and working with independent production companies that produce shows for ESPN and PBS.

    5. Why are you so good at training people?

    I love what I do and enjoy sharing my experience with people. Also, my wife and much of her family are teachers. I have had the benefit of seeing how they interact with their students. Making these videos has allowed me to evaluate what I do, organize and put the process into words.

     
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